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Timestalker

Director – Alice Lowe – 2024 – UK – Cert. 15 – 90m

*****

A reincarnated woman falls for the same man in different, historical time periods – hilarious romantic comedy of errors is out in UK cinemas on Friday, October 11th

Agnes (Alice Lowe) is a woman falling madly in love. Sadly, the object of her affection Alex (Aneurin Barnard from Dunkirk, Christopher Nolan, 2017) isn’t really interested. And her attempts at forming relationships seem to always end badly. Although not in the way you might expect – for instance, with her head being lopped off. Yet all is not lost: in the world of the Karmic cycle: you die one day only to be reborn in another time the next. However, Agnes seems destined to make the same mistakes over and over again, consistently falling for Alex the wrong man in each of her different lives at different times in history.

The whole thing plays out like a series of repeated cycles by the same characters in different generations. In that sense, it’s not entirely unlike The Beast (Bertrand Bonello, 2023), a serious art house science fiction costume drama mashup. Timestalker isn’t necessarily in the same league as that film, but then again, The Beast isn’t a comedy and Timestalker is really, really funny.… Read the rest

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Features Live Action Movies

Wake Wood

Director – David Keating – 2009 – UK, Ireland – Cert. 18 – 90m

*****

Things are not what they seem, supernatural power is abroad and terrible prices have to be paid in a mysterious, close-knit village community – out in UK cinemas from Friday, March 25th, 2011

This review originally appeared in Third Way.

This presages the recent relaunching of Hammer Films, a huge cultural force back in the 1950s and 60s reworking such horror staples as Dracula and Frankenstein. So far UK cinemas have hosted (1) Let Me In‘s arguably pointless US remake of terrific Swedish vampire effort Let The Right One In and (2) predictable, New York tenant in peril outing The Resident. Wake Wood is not only far and away the best of the three, but also fits in with the Hammer ethos – here represented by a mysterious, close-knit village community where things are not what they seem, supernatural power is abroad, and terrible prices have to be paid for misjudged actions. A fair bit of blood and gore is added for good measure.

After their only daughter Alice (Ella Connolly) is fatally savaged by a dog, Irish city dwellers vets Patrick and Louise Daly (Aidan Gillen from The Wire and Eva Birthistle) move to the isolated village of Wake Wood to start over.… Read the rest