Categories
Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m (263m)

*****

(NB Extended Edition, in cinemas from Monday, August 10th 2020, 263m in cinemas due to extended frame rate = 252m version released on DVD 2004.)

This review of the 201m theatrical version was originally published in Third Way.

A much shorter review appeared in What’s On In London.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Tolkien’s The Lord Of The Rings is a labour of love by a brilliant academic obsessed by myth and language better at creating an alternate world than at story construction. Nowhere in the trilogy is this more evident than in The Return Of The King. Frodo’s trip to Mount Doom to unmake Sauron’s One Ring builds up incredibly to a climactic pivotal event running little more than a paragraph. This is followed by another hundred pages or so tying up loose ends, including a sequence in which evil wizard Saruman turns the Shire into a post-industrial dictatorship that’s trivial compared with the geographic enormity of what has gone before.

Jackson and co-writers wisely omit that sequence; indeed, in its last weeks of post-production his The Lord Of The Rings: The Return Of The King has chopped its scenes of Saruman (Christopher Lee) at Isengard – on the grounds that it slowed down the start.… Read the rest

Categories
Features Live Action Movies

The Lord
of the Rings:
The Two Towers
(Extended Edition)

Director – Peter Jackson – 2003 (2002) – New Zealand – Cert. 12a – 225m

*****

(NB Extended Edition, in cinemas from Monday, July 27th 2020, 235m in cinemas due to extended frame rate = 225m version released on DVD 2004. Original theatrical cut: 199m)

This always had the problem that it’s the second film in a trilogy. If you think you might want to watch all three, you’ll watch the first movie. If you want to see how the story ends up, you might possibly jump straight in at the last movie (although to be honest, you’d be better watching the first movie The Lord of the Rings: The Fellowship of the Ring and then if you like it the other two as well.)

That said, both this second movie The Lord of the Rings: The Two Towers and the third film The Lord of the Rings: The Return of the King deal with the problem of opening the film admirably, in both cases doing so in creative ways. This one leaps back to Gandalf being dragged down a chasm by a Balrog in FOTR and then, once we think we’re getting closer to finding out what happened, has Frodo waken from a dream.… Read the rest

Categories
Animation Features Movies

Mosley

Director – Kirby Atkins – 2019 – China, New Zealand – 97m

*****

From the Annecy 2020 Online Animation Festival

Mosley (voiced by writer-director Kirby Atkins) is a thoriphant who lives on the small holdings farm of his owner Simon (Curt Cloniger) where he and Bera (Lucy Lawless) have a small boy Rue (voiced by director’s daughter Leah Atkins when little and Scarlett Sills in additional dialogue). The backbreaking work Mosley does for Simon is that of a plough horse. Simon is not a particularly bad man, but sees nothing wrong with pushing Mosley as far as he can with the result that Mosley is often completely exhausted by the end of the day.

He then has to contend with the hyperactive Rue leaping on him and demanding he come out and play. One evening, Rue wants dad to come and see his new hiding place and Bera insists it’s important. Rue talks about what he would do if he had hands, which takes Mosley back somewhat since thoriphants have hooved feet like horses or cows. A trip to Rue’s hideout reveals vast, underground cave paintings of thoriphants walking upright. And they have hands. There’s a long tunnel there too.

Mosley patiently explains that the uprights “are not real.… Read the rest

Categories
Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m

*****

(NB Extended Edition, in cinemas July 2020, 252m version released on DVD 2004)

This review was originally published in What’s On In London.

A much longer review appeared in Third Way.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Peter Jackson and co-screenwriters Boyens and Walsh rise admirably to the considerable challenges posed by The Lord of the Rings’ third and last volume. Gandalf comments early on that Saruman no longer has any real power, jettisoning that evil wizard (and Christopher Lee) plus related Scouring Of The Shire plot strand to make Tolkien’s lengthy section following the Mount Doom climax more manageable

However all the book’s requisite material is here, brilliantly condensed. The Mount Doom scene itself – far too quick in Tolkien after the incredible build up preceding it – is expanded and so given the necessary dramatic weight. Liberties taken with The Paths Of The Dead likewise serve the narrative well. Jackson’s opening is as unexpected and stunning as that of The Two Towers, while his finale effectively pictures Tolkien’s closing metaphor for life after death.… Read the rest

Categories
Books Features Live Action Movies

The Lord
of the Rings

The following article was written for Sussed magazine in 2001 before The Lord of the Rings: The Fellowship of the Ring (2001) had been screened to press.

Elsewhere on this site: a short review for What’s On in London and a longer review also discussing TLOTR trilogy for Third Way of The Lord of the Rings: The Return of the King.

FANTASY OBSESSIVE: JACKSON DOES TOLKIEN

Jeremy Clarke explores The Lord of the Rings and the upcoming film’s director Peter Jackson

Harry Potter might be the obvious franchise of the moment, but anyone who knows anything about the fantasy genre knows one book towers above the rest. The Lord of the Rings by J.R.R. Tolkien came out in three volumes: the first, The Fellowship of the Ring, was published in 1954. The Sunday Times review divided people into those who have read The Lord of the Rings and those who are going to.”

By the sixties, it had become obligatory reading. Most fantasy derives from it, including today’s bestsellers Terry Pratchett and J.K. Rowling. It details the archetypal struggle against good and evil, set in Tolkien’s incredibly detailed world of Middle-earth populated with all manner of original creatures – hobbits, humans, elves, ringwraiths and trolls.… Read the rest