imperialism Archives - Jeremy C. Processing

Director – Raoul Peck – 2025 – UK – Cert. 15 – 119m

****1/2

A primer on the life and work of George Orwell, particularly Nineteen Eighty-Four, and its relevance to today’s post-truth world – out in UK cinemas on Friday, March 27th

This belongs to the school of documentary which creates a film out of assembling fragments of movies, found footage, archive clips and images, moving or still. The list of feature films and other source material used in this instance is astonishing, with the director given full access to the Orwell Estate. Peck also makes use of clips from various movie adaptations of Nineteen Eighty-Four (Paul Nickell, 1953; Rudolph Cartier, 1954; Michael Anderson, 1956, Michael Radford, 1984) plus Brazil (Terry Gilliam, 1985), a film so heavily inspired by Orwell’s book that it was originally entitled 1984½, and Animal Farm (John Halas, Joy Batchelor, cartoon animated feature, 1954; John Stephenson, Jim Henson Creature Shop, 1999; illustrations by Ralph Steadman, 1995). On top of this, he uses BBC Drama The Crystal Spirit: Orwell on Jura (John Glenister, script: Alan Plater, 1983) and Orwell’s essay Why I Write (1946).

These last two are particularly pertinent, given that Peck has chosen to focus on the final year (1949-50) of Orwell’s life during which he took himself off to the Island of Jura, Scotland to finish writing Nineteen Eighty-Four and was subsequently admitted to University College Hospital, London with Tuberculosis.… Read the rest

The Creator

Director – Gareth Edwards – 2023 – US – Cert. 12a – 133m

****

A widower finds himself protecting an AI in the form of a child as anti-AI North American forces wage a war on the Asian-Pacific countries where people have integrated with AI robots – out in UK cinemas on Thursday, September 28th

Over a decade ago, I was blown away by Gareth Edwards’ little indie British film marvel Monsters (2010) which broke all the accepted wisdom of film production. Based around a deceptively simple script concept, it was shot by a four-man crew and a two-man cast (plus anyone else who was around at the time) with lots of post-production VFX work added by the director himself.

That got him an agent and two big budget Hollywood franchise FX movies – the Godzilla reboot (2014) and the Star Wars movie Rogue One (2016). The former isn’t bad for a Hollywood movie, although I personally far prefer the Japanese-made Shin Godzilla (Hideaki Anno, 2016), while the latter is one of the better Star Wars films. However, neither quite possessed the quality that had got me so excited about Monsters.

I suspect Edwards feels the same way, because whilst he clearly relishes the chance to work with the palette of a huge Hollywood FX budget, on this his fourth film, as with Monsters, he has once again broken the rules – this time within a huge Hollywood FX budget film.… Read the rest