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Duchess

Director – Neil Marshall – 2023 – US – Cert. 15 – 113m

**1/2

A low life, female criminal falls for a gangster diamond smuggler, then attempts to take back control after a rival gang ousts him – out in UK cinemas on Friday, August 9th and on digital DL from Monday, August 12th

From an opening where a too good to be true sex bomb lures a man into a room then violently assaults his exposed (albeit not to the camera) genitals, revealing herself in a voice-over to be Scarlett (Charlotte Kirk, also a co-screenwriter, who worked in the same capacities on director Marshall’s The Lair, 2022, and The Reckoning, 2020), London-born and bred, and her victim Nacho, who “totally has it coming” from her friend Danny Oswald (Sean Pertwee). After a struggle, we “have to go back a bit” via a series of fast-reverse images.

Thus, this is one of those movies with a framing device which starts in the middle of the film, goes back to the beginning of the story and then at some point arrives at the opening scene before proceeding to tell the rest of the story. Which points out its major flaw: just before that opening frame story scene in the middle of the film comes a scene which completely changes what the film is, from a woman criminal’s romantic involvement with a gangster who gets to know his world to a woman wronged revenge thriller.… Read the rest

Categories
Features Live Action Movies

The Reckoning

Director – Neil Marshall – 2020 – UK – Cert. 15 – 111m

***

A woman accused of witchcraft finds herself pitted in a battle of wills against her witchfinder torturer at the time of the Great Plague – on digital from Friday, April 16th and Shudder UK from Thursday, 13th May

On the one hand, this explores the historical time period of the Great Plague and links that directly with women being burned at the stake for witchcraft by way of a widespread, social scapegoating process. On the other, it depicts a horribly misogynistic society where, for the most part women are regarded as inferior and treated really badly. Two sides of the same coin.

The film itself is mixed. Parts feel hackneyed, parts will have you on the edge of your seat. The cliché-ridden opening, for instance, cross-cuts chocolate box-y photography of a cottage-dwelling couple’s idyllic, married existence in the constantly sunlit countryside with the wife digging a grave in torrential rain after finding her husband has hanged himself from a tree at night.

It transpires that farmer Joseph Haverstock (Joe Anderson) stopped off for a pint at the local tavern and accidentally drank the beer of a plague victim, contracting the disease.… Read the rest