Tag: UK

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Documentary Features Live Action Movies Music

The Session Man

Director – Michael Treen – 2023 – UK – Cert. 12a – 90m

***

A look at legendary pianist Nicky Hopkins who played with numerous bands and on numerous records – out in UK cinemas on Friday, November 21st

Nicky Hopkins may not exactly be a household name, but anyone who paid attention to credits on rock music albums from the early 1960s through to the early 1990s is likely to have heard of him. Trained as a classical pianist at the Royal Academy of Music, he simultaneously discovered rock and roll and began playing in bands at the start of the sixties as a 16-year-old. The right place at the right time. Up and coming British bands of the early 1960s like The Beatles, The Kinks, The Rolling Stones, and The Who – essentially bands consisting of guitars and drums – got him playing piano on their albums to fill out the sound. He was playing with Jeff Beck around the time of the Truth album, which took him to the US, where he became based for the rest of his life, occasionally returning to the UK to work on specific albums.

Narrated by Bob Harris, formerly of BBC’s The Old Grey Whistle Test, this music documentary follows the obvious format of, film a lot of interviews with people who know the subject and intersperse footage of the musician concerned playing live or in recording sessions to break the interviews up a bit.… Read the rest

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Documentary Features Live Action Movies

Exhibition on Screen:
Caravaggio

Caravaggio – filming Christ at Emmaus (1601) at the National Gallery London © David Bickerstaff

Directors – David Bickerstaff, Phil Grabsky – 2025 – UK – Cert. 12a – 101m

***

A look at the turbulent life of sixteenth century Italian painter Caravaggio, his troubles, his forced travels, and his art – out in UK cinemas from Tuesday, November 11th

Michelangelo Merisi da Caravaggio (1571–1610), generally known as Caravaggio, is here, initially, curiously and somewhat confusingly referred to as Michelangelo only to be called Caravaggio throughout the remainder. The narrative of the artist’s life is built around talking head footage of actor Jack Bannell as Caravaggio himself speaking his own words – except that, they aren’t his own words since, as is pointed out later, this particular artist wrote very little himself and most of what is known about him today comes from police records of the time.

The framing device with the actor is supposed to be Caravaggio recalling his life on the boat trip back to Rome. Historically, he mysteriously disappeared after landing and was never seen again. Alas this latter fact – which might have made a great framing device – is only clarified at the end, at which point it plays merely as a less than satisfying conclusion.

Also included are a handful of art experts – historian Helen Langdon, artist Stephen Nelson, Caravaggio author Fabio Scalatti and Letizia Treves, Global Head of Research and Expertise, Christie’s – all of whom have a great deal to say about the various works of the artist which appear here.… Read the rest

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Features Live Action Movies

The Choral

Director – Nicholas Hytner – 2025 – UK – Cert. 12a – 113m

*****

Against the backdrop of WW1 and a dwindling male population, the choral society of a small Yorkshire village attempts to mount a performance of Elgar’s The Dream of Gerontius – out in UK cinemas on Friday, November 7th

The fictional town of Ramsden, Yorkshire, 1916. World War One has been raging almost two years in France, but that almost seems like a distant world to 17-year-old lads Ellis (Taylor Uttley) and Lofty (Oliver Briscombe) whose main concern is eyeing up the local girls and working out their chances. Almost. Because Lofty’s job as a telegram boy, on which rounds Ellis accompanies him, means he’s delivering news of deaths from the Front to wives waiting anxiously at home and, following the 1916 Conscription Act requiring men aged 18 and above to join the armed forces, conscription notes to households from the King. (Prior to the Act, joining up had been voluntary although there was considerable moral and social pressure on men to do so.)

Closer to home, a more immediate concern looms for Ramsden in the form of the local choir, which has just lost its musical director to the army.… Read the rest

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Features Live Action Movies

Odyssey
(2025)

Director – Gerard Johnson – 2025 – UK – Cert. 18 – 110m

****

A ruthless London estate agent with mounting debts finds herself at the mercy of criminal backers – out in UK cinemas on Friday, November 7th

This starts off no holds barred with protagonist Natasha (Polly Maberly from Muscle, Gerard Johnson, 2019) having a tooth removed at the dentist’s, then having her card declined as she attempts to pay the £950 bill, going out of the front door after the third failed payment attempt. Throughout what follows, she will consistently receive phone messages about the outstanding amount and ignore them, although you suspect they are slowly eating away at her soul along with most of the other influences in her life. Somehow the incident seems to define her character: a driven, self-made woman – or, more accurately, a self-making one who never quite got there and lives beyond her means to maintain the illusion.

Natasha runs a tight office with right-hand woman Safi (Kellie Shirley), tech guy Spike (Charley Palmer Rothwell) developing a game-changing app for her, and promising new girl learning the ropes Dylan (Jasmine Blackborow). But Natasha is the person in charge of everything, the place where the buck stops, and despite their undoubted talents the other three seem scarcely to matter: it’s all about Natasha as she struggles to see through a hostile takeover, or, as she frames it, merger.… Read the rest

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Documentary Features Live Action Movies

The Marbles

Director – David Nicholas Wilkinson – 2025 – UK – Cert. 12a – 114m
****

The Parthenon Marbles – were they stolen from Greece, and should they be sent back? – Opening Night Film (World Premiere) Central Scotland Documentary Festival in Stirling, Scotland on Thursday, October 30th; out in UK cinemas on Thursday, November 6th.

This starts with director Wilkinson, who previously made the excellent Getting Away With Murder(s) (2021), writing a letter to the Head of the British Museum asking him for an interview outlining the Museum’s position on the Parthenon Marbles. He never receives a reply.

The historical and legal background is helpfully unpacked by Alexander Herman, a historian and legal expert who has written and spoken widely on the Marbles controversy, and Mark Stephens, the UK’s foremost Art & Cultural Property lawyer.

The eponymous Marbles were Ancient Greek statues and artefacts removed from the Acropolis in Athens by Lord Elgin in the early part of the 19th Century and brought over to England to adorn his newly built stately home in Scotland. In 1816, following a Parliamentary debate on the matter, they were purchased from Elgin by the British Museum where they have resided ever since, on display to the public.… Read the rest

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Features Live Action Movies

The Descent

Director – Neil Marshall – 2005 – UK – Cert. 18 – 99m

*****

A group of female friends go on a caving expedition…which then goes horribly wrong – review originally published in What’s On In London, 2005; 4K Restoration out in UK cinemas Friday, October 24th 2025

Here’s something different: a caving movie. Tough to pull off in terms of production logistics, since you’re dealing with confined spaces, often very small and lacking any light source whatever. Although the (fictional) cave system in question is accessed via the Appalachian mountains, this is a British film made mostly in the studio, where the cave sets were constructed or, in the case of larger spaces, faked by a variety of FX trickery. Amazingly, you never see the join and it all feels incredibly real.

Genre is psychological horror, at least to start with, as a group of female friends go on a caving expedition…which then goes horribly wrong. Mood is set up Dead Calm style via a traumatic car accident in the first few minutes. After that, the tension never lets up. There follows argument, panic, gory injury and more than a few surprises. Defying expectations, the proceedings stubbornly refuse to settle into cliché, keeping you on the edge of your seat right up to an ending which will sit in your mind days afterwards as a subject for discussion.… Read the rest

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Features Live Action Movies

Peeping Tom

Director – Michael Powell – 1960 – UK – Cert. 15 – 101m

*****

“It’s just a film – isn’t it?” The obsessive home moviemaker who lives in the attic is photographing women as he kills them, leaving an inexplicable look of abject terror on his victims’ faces as they die – plays one night only, Sunday, October 26th, 7.30pm, as part of Film Tottenham celebrates 100 years of community cinema, which runs until Sunday, December 7th 2025

More on Film Tottenham’s two current seasons below review.

Review originally written for 2023 UK cinema reissue on Friday, October 27th 2023 alongside major BFI season Cinema Unbound: The Creative Worlds Of Powell + Pressburger in late 2023

(Warning: may contain spoilers.)

What would have happened to Michael Powell if he and Emeric Pressburger had never met each other? Powell cut his teeth making ‘quota quickies’ in the 1930s British film industry: low budget films whose function was to ensure British talent got a chance in an international industry dominated by product from Hollywood. His final film before he and Pressburger began working together is the impressive The Edge Of The World (1937) about a remote Scottish island. One of his first after they went their separate artistic ways was Peeping Tom (1960), now widely regarded as his strongest solo outing.… Read the rest

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Animation Features Movies

Princess Mononoke
(Mononoke-hime,
もののけ姫)

Director – Hayao Miyazaki – 1997 – Japan – Cert. PG – 134m

*****

The groundbreaking, mythological Japanese animated epic returns to UK cinemas from Friday, 17th October 2025

Originally reviewed for What’s On in London when the film appeared in the Barbican’s 2001 Studio Ghibli season. It never got a proper theatrical release in the UK at the time. The review presents a fascinating snapshot of the cinema landscape in the UK from the time when, outside of anime fandom, film journalists, and industry insiders, Studio Ghibli and Hayao Miyazaki were largely unknown.

Film critics are occasionally privileged to see incredible films that, for one reason or another, never receive proper UK release. The Barbican is currently hosting a season of 11 films by Japan’s legendary Studio Ghibli (Jib-Lee), an animation company as familiar in Japan as Disney is here, that fall into exactly this category. They include Ghibli director Hayao Miyazaki’s legendary masterpiece My Neighbour Totoro (1988) and his imaginative fantasy epic Princess Mononoke (1997). Both took the Japanese box office by storm, the latter topping $150m putting it second only to Titanic (James Cameron, 1997). Miyazaki’s latest Spirited Away (2001) has topped the Japanese box office for weeks.… Read the rest

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Features Live Action Movies

Steve

Director – Tim Mielants – 2025 – UK – Cert. 15 – 93m

****1/2

In 1996, the head, his staff and their students struggle to get through a particularly difficult day at a school for troubled teenage boys – out in UK cinemas on Friday, September 19th, and worldwide on Netflix on Friday, October 3rd

Steve (a burned out, visually unrecognisable Cillian Murphy, also the producer) is asked if he’s ready to do an interview to camera. He isn’t, but now is as good a time as any. He drives into work across a vast estate and spots teenager Shy (Jay Lycurgo) dancing to drum and bass music on his Walkman cassette player and smoking a spliff. Steve disciplines his pupil in a friendly manner, then returns to his car after being reminded that today is the day a TV film crew is coming to the school to film a segment for the local TV news magazine programme. Shy attempts, playfully, to ride on the bonnet of Steve’s car. Steve, talks him out of it.

Most of what follows, which covers the next 24 hours, takes place within the school buildings themselves, although the action occasionally wanders (or flies drone-shot style) out into and around the wider grounds of the school estate.… Read the rest

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Features Live Action Movies

Brides

Director – Nadia Fall – 2025 – UK – Cert. 15 – 93m

***

Two radicalised British, teenage girls run away from home intending to become brides for Islamic State – out in UK cinemas on Friday, September 26th

When they meet at the local school, Doe (Ebada Hassan) and Muna (Safiyya Ingar) strike up an unlikely friendship. In a way, they’re like chalk and cheese – Doe is the quiet one, always observing, while Muna is brash, loud and outgoing. Both come from Muslim backgrounds, and both feel alienated from their classmates, their school and wider British culture. Muna sticks up for herself against school bullies, and effectively gets vilified by the school authorities, and as a result her father, for doing so.

So, without their parents’ permission, they fly off to Turkey to meet up with a man who has groomed them online as brides for Islamic State. When their contact never shows up at the airport, they resolve to find their own way into Syria. As well as following their journey, the narrative frequently lapses into often confusing flashbacks about their home and school lives. And infuriatingly, it never explores how they fare when their their rose-tinted idealism collides with the harsh reality of becoming jihadist brides.… Read the rest