Tag: UK

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Features Live Action Movies Music

Slade in Flame

Director – Richard Loncraine – 1975 – UK – Cert. – 91m

****

Slade play Flame, a small-time rock band who cut their musical teeth managed by lowlife crooks before going on to a meteoric rise and fall managed by corporate suits– 2K Remaster for the film’s 50th Anniversary Re-release is out in UK cinemas on Friday, May 2nd following BFI Southbank premier on Thursday, May 1st

In the early 1970s, four-piece pop act Slade (singer-guitarist Noddy Holder, bass player Jim Lea, guitarist Dave Hill and drummer Don Powell) were a British pop phenomenon. They clocked up six number one singles, with three going straight to the number one position. To capitalise on that success, the band’s manager Chas Chandler, previously Jim Hendrix’s manager and, before that, the bass player with The Animals, decided Slade should make a movie; the band, however, didn’t want to make light, upbeat, whimsical fantasies like The Beatles vehicles (A Hard Day’s Night, 1964; Help!, 1965, both Richard Lester; Yellow Submarine, George Dunning, 1968); they wanted instead to make something darker, reflecting the experience of trying to make it in a band in England in the late 1960s.

First-time feature director Richard Loncraine proved to be an inspired choice, confirmed both by the gritty, urban nature of his many subsequent films (The Missionary, 1982; Bellman and True, 1987; Richard III, 1995) and for his signature compositional style (letterbox frame, sepia-dominated palette), developed with cinematographer Peter Hannan (The Missionary, not to mention Monty Python’s The Meaning of Life, Terrys Gilliam and Jones, 1983).… Read the rest

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Documentary Features Live Action Movies Music

Pink Floyd at Pompeii

Director – Adrian Maben – 1972 – UK – Cert. PG – 93m

*****

Around the time of Meddle, Pink Floyd perform in the amphitheatre at Pompeii and in a Paris sound studio; later, at EMI Abbey Road, they work on their next album The Dark Side of the Moon – Pink Floyd at Pompeii – MCMLXXII is out in UK cinemas on Thursday, April 24th

This review is of the Pink Floyd Live at Pompeii – The Director’s Cut version that came out on DVD in 2003. There have been various versions over the years; indeed, that DVD release also contains the 62-minute cut which excises all the Abbey Road material. The newly released version (as yet unseen by this writer) boasts a 4K restoration and a new sound mix by Steven Wilson. Even without these new enhancements, the film is pretty impressive some fifty odd years on.

It starts and ends with a version of Echoes (which originally took up the second side of Meddle and is here conveniently broken up into a part one and a part two). This is followed by Careful With That Axe Eugene and another lengthy opus A Saucerful of Secrets. Three more numbers are recorded in Studio Europa-Sonor in Paris: the shorter, punchier (to give it its long title used in the film, which also constitutes the song’s entire vocal lyrics) One of These Days I’m Going To Cut You into Little Pieces, a blues called Mademoiselle Nobs similar to Meddle’s Seamus without lyrics but with a dog (the eponymous Nobs) howling along, and Set The Controls for the Heart of the Sun.… Read the rest

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Features Live Action Movies

The Devils

Director – Ken Russell – 1971 – UK – Cert. 18 – 106m 41s (cut)

*****

UK DVD release date 19/03/2012, cert. 18, 107 mins plus extras, £19.99. Reviewed for Third Way

40 years after its 1971 theatrical release, the late Ken Russell’s key work reaches UK DVD in its original UK X Certificate version with a host of invaluable DVD extras. Although a more complete (2004 restoration) director’s cut exists, the nature of the excised material makes the current cut as complete as is ever likely to be released on DVD. In terms of controversy, the film has everything – sex, religion, politics and torture – and Russell’s original cut didn’t hold back in any of these areas. This presented headaches for not only the distributor Warner Bros. in terms of a mainstream US release but also the UK censor who questioned, as the BBFC’s secretary John Trevelyan succinctly put it, “whether artistic quality justifies total freedom.”

The plot concerns seventeenth century France where Cardinal Richelieu (Christopher Logue) is attempting to increase the Catholic Church’s hold on the nation by persuading decadent monarch Louis XIII (Graham Armitage) to knock down the walls surrounding cities that enable their functioning as self-governing entities.… Read the rest

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Features Live Action Movies

This is England

Director – Shane Meadows – 2006 – UK – Cert. 18 – 101m

A young, pre-teenage lad falls in with a gang of skinheads in Post-Falklands War, Thatcherite Britain – originally published in Third Way in 2007, to coincide with the film’s UK release date

The above one line synopsis, although accurate, doesn’t even begin to convey the piece’s considerable strengths. (Note: Meadows would subsequently develop this into a series of TV dramas in the UK using many of the same cast and characters: This is England ‘86, This is England ‘88 and This is England ‘90 in 2010, 2011 and 2015 respectively.)

Meadows is a unique and powerful voice, a teenage school dropout who kicked off his career in features with 1996’s 60-minute feature Small Time and went on to greater things TwentyFourSeven (1997) and critical favourite A Room For Romeo Brass (1999). His highest profile effort is the less impressive Once Upon A Time In The Midlands (2002), which suffers from trying to make an epic with an all-star British cast. Meadows is not about big movies (not yet, anyway) – he began shooting movies with mates as actors and has an uncanny ability to draw incredible performances out of actors and non-actors alike, based as much on the people concerned as on their acting ability.… Read the rest

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Features Live Action Movies

The Return

Director – Uberto Pasolini – 2024 – Italy, Greece, UK, France – Cert. 15 – 116m

**

Odysseus returns home to his island kingdom of Ithaca ten years after the Trojan War to find faithful wife Penelope fending off insistent suitors who threaten to kill son Telemachus – out in UK cinemas on Friday, April 11th

A young man (Charlie Plummer) stares out on clear blue Mediterranean waters crashing against the shore’s rocks. In an interior, an older woman (Juliette Binoche) weaves at her shuttle. On a beach, unobserved, the flotsam and jetsam of a shipwreck wash up, as does the unconscious body of a man (Ralph Fiennes). In the local village, a man threatens the young man with a knife.

Under pressure to marry one of the men in the village – her husband Odysseus, the island’s king, never having returned from the Trojan War – Penelope (for the woman played here by Binoche is she) claims she will do so once she has finished weaving her grandfather’s shroud. She is accused of having been weaving it for months.

The Fiennes character is rescued from the sea by a boat, only for crew members to throw him back into the sea.… Read the rest

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Art Documentary Features Live Action Movies

War Paint
Women at War

The Crying Game. Between a Rock and a Hard Place 2017 by Marcelle Hanselaar

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

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Art Documentary Live Action Movies

Exhibition on Screen
Dawn of Impressionism
Paris 1874

Director – Ali Ray – 2025 – UK – Cert. U – 91m

*****

The origins of Impressionism are revealed via the 1874, anti-art-establishment exhibition which birthed what is today the world’s favourite art movement – out in UK cinemas from Tuesday, March 18th

At the present time, the best known school of painting in the history of art must surely be Impressionism. To both open this latest Exhibition on Screen outing and promote the film on its posters, the filmmakers head to arguably the most iconic Impressionist painting of them all, Claude Monet’s Impression: Sunrise (1872), pictured above. To reinforce the point, a brief art auction sequence shows one of his paintings fetching astronomical prices.

Exhibition on Screen’s excellent, history of art documentary series entries are often built around one or more specific art exhibitions, and this one uses two as its foundation. The Musée d’Orsay in Paris held Paris 1874: Inventing Impressionism from March 26th until July 14th 2024, after which the exhibition travelled to the National Gallery of Art, Washington DC to appear under the slightly different moniker Paris 1874: The Impressionist Moment from September 8th 2024 until January 19th 2025. Alas, this is not one of those cases where your appetite will be whetted to go and see a current or upcoming exhibition, because both shows have already been and gone.… Read the rest

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Animation Features Live Action Movies

Sister Midnight

Director – Karan Kandhari – 2024 – UK, Sweden, India – Cert. 15 – 110m

***1/2

A young woman in an arranged marriage discovers herself to be a creature of the night… and one of the undead – genre-bender is in UK cinemas on Friday, March 14th

A young woman travels cross-country by train, face veiled by beaded hangings, to join the arranged marriage husband she has (presumably) never met in their new, urban home. Uma (Radikha Apte) and Gopal (Ashok Pathak best known here from The Second Best Exotic Marigold Hotel, John Madden, 2015) don’t seem to know what to do with each other. Certainly not any sort of sexual congress as they unveil sitting beside one another for the first time. As the tale proceeds, sleeping with him comes to consist of curling up on her own on the other side of the bed from him. Later, her sleeping patterns will start to shift…

Theirs is a pretty basic home – a room with a mattress and a door out onto the bustling, main street outside. Her husband has a job, so goes out in the morning and comes back in the evening, although sometimes he goes out drinking after work and comes back later.… Read the rest

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Features Live Action Movies

Cottontail
(コットンテール)

Director – Patrick Dickinson – 2023 – UK, Japan – Cert. 12a – 94m

****

A Japanese widower comes to England to scatter his late wife’s ashes at Lake Windermere – out in UK cinemas on Friday, February 14th

Kenzaburo (Lily Franky from Shoplifters, 2018; After the Storm, 2016; Like Father, Like Son, 2013, all Hirokazu Kore-eda), on occasion abbreviated to Ken, seems somehow lost as he wanders around Tokyo, looking out over a cityscape of roofs, travelling in passenger train carriages, wandering round a food market in search of octopus for he and his wife’s anniversary meal. 

He wistfully observes a live specimen in a tank. It’s not yet in season and the prices are ridiculous, so he shoplifts a packet, taking it to the restaurant where he and his wife Akiko had their first date all those years ago. She (Yuri Tsunematsu from Wife of a Spy, 2020; Before We Vanish, 2017, both Kiyoshi Kurosawa) comes in young as ever, as is he (Kosei Kudo), that pendant on her neck. He ignores the question from the present day chef (Hiroshi Okawa) as to how she’s doing.

Back at his flat, his panicking, besuited son Toshi (Ryo Nishikido) gets him ready for the funeral.… Read the rest

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Features Live Action Movies

Bridget Jones
Mad about the Boy

Director – Michael Morris – 2025 – UK – Cert. 15 – 124m

*****

Following the death of her husband, Bridget must carry on raising her kids even as she restarts her career and attempts to find love, sex and romance once again – out in UK cinemas on Thursday, February 13th

The character of Bridget Jones first burst onto cinema screens in Bridget Jones’s Diary (Sharon Maguire, 2001) in what turned out to be a hugely successful adaptation of a hugely successful publishing phenomenon. The book spawned three more volumes, and the film spawned adaptations of them. For reasons best known to the producers, they skipped the third published book Bridget Jones: Mad about the Boy to film the fourth one, Bridget Jones’ Baby, as the third movie.

The reason may be that Mad about the Boy is set following the death of the heroine’s beloved husband, a top human rights lawyer, making her not the single woman of the first film, but a widow navigating not just life, with all its ups and downs, but grief, which doesn’t sound like a great premise for a comedy. The script, co-written like its three predecessors by author Helen Felding, doesn’t shirk this difficult subject either.… Read the rest