Jason Reitman Archives - Jeremy C. Processing

Director – Gil Kenan – 2023 – US – Cert. 12a – 115m

****

Back in New York, running the family Ghostbusters business out of the old fire station, the Spenglers must thwart an evil entity who possesses the power to freeze things – out in UK cinemas on Friday, March 22nd

This sequel to Ghostbusters Afterlife (Jason Reitman, 2021), written by the same three-man writing team of father and son Ivan and Jason Reitman and Ghostbusters geek Gil Kenan, picks up and runs with some of the strengths of its predecessor even as it dispenses with others. One thing it dumps is the previous entry’s completely out-there originality; instead, it follows the time-honoured principle of Hollywood movie sequels: go out and make the first movie again.

It’s basically a rehash of the original Ghostbusters (Ivan Reitman, 1984) with the younger generation of Spenglers standing in for the old, and with Winston Zeddemore (Ernie Hudson), Ray Stantz (Dan Ackroyd), Janine Melnitz (Annie Potts) and Peter Venkman (Bill Murray) from the original helping the newer characters out. There is not, perhaps, as much of Bill Murray as one would like, and his heart doesn’t seem to be in it. Otherwise, though, fans of the franchise will probably be happy.… Read the rest

Ghostbusters Afterlife

Director – Jason Reitman – 2021 – US – Cert. 12a – 124m

*****

A single parent mum and her two teenage kids relocate to a small American town to find strange, paranormal goings-on – currently streaming in Ultra HD and from Monday, January 31st on BD and DVD in the UK

Hollywood loves sequels to or reboots of successful films. The original Ghostbusters (Ivan Reitman, 1984), in which three parapsychologists set up as a team to capture the many ghosts that have inexplicably begun appearing in New York City, was unlike anything that had gone before with its mixture of comedy, action and the paranormal. Deservedly a huge hit, it spawned the inevitable sequel Ghostbusters II (Ivan Reitman, 1989) which didn’t have a strong enough plot to maintain interest beyond the first 20 minutes or so. The reboot Ghostbusters (Paul Feig, 2016), recasting the parapsychologists as women, worked well enough.

Ghostbusters Afterlife, however, is another attempt at a sequel. A very brave attempt it is too, because sequels are often expected to basically rerun the original film in an attempt to serve the audience a second helping of what they enjoyed before. After seeing it, you might argue that Afterlife does that, but going in, you might wonder what on Earth is going on.… Read the rest