Where Is Anne Frank Directed by Ari Folman Certificate PG, 99 minutes Released 12 August
Amsterdam, about a year from now. Inside the Anne Frank House, Anne’s imaginary pen-friend Kitty (voiced by Ruby Stokes) materialises out of the ink from the pages of Anne’s diary. The perplexed Kitty wants to know what happened to Anne, and starts reading her diary to find out, taking it with her when she leaves the premises where she is invisible. Outside the house, she becomes visible.
Asking police ‘Where is Anne Frank?’ she is shown the bridge, hospital, school and theatre bearing Anne Frank’s name and is told, Anne Frank is all around you. [Read the rest at Reform magazine…]
Director – Olivia Newman – 2022 – US – Cert. 15 – 125m
***1/2
A young woman who grew up alone in the North Carolina Marshlands is the prime suspect for a murder she may or may not have committed – out in cinemas on Friday, July 22nd
The body of Chase Andrews (Harris Dickinson) is discovered having fallen to his death from an old, 63’ high viewing platform. But did he fall or was he pushed? The reclusive, local outcast and so-called ‘Marsh Girl’ Kya Clarke (Daisy Edgar-Jones) swiftly becomes the prime suspect after sheriffs find a red, woolly hat at her house, a fibre from which matches one found on Chase’s corpse.
As the investigation proceeds in the generic form of a whodunit by way of a courtroom drama, with the kindly Tom Milton (David Strathairn) as her self-appointed defence attorney against the state prosecutor in her jury trial, the narrative spilts into two separate strands, with the story of Kya’s personal history from childhood to the then present day of 1969 running in parallel until… well, refusing to divulge spoilers forbids me from saying, except that the final reel and the ending are arguably the most satisfying part of this engrossing movie.… Read the rest
Director – Lionel Jeffries –1970 – UK – Cert. U – 109m
****1/2
After their father is arrested and the family plunged into poverty, three siblings and their mother leave London for the Yorkshire countryside – now on BBC iPlayer until around mid-August, also recently back out in cinemas for one day only on Sunday, July 3rd
E. Nesbit’s book The Railway Children, set in 1905, has been filmed several times, most notably as the BBC TV series of 1968 and Lionel Jeffries’ 1970 cinema film, both of which starred Jenny Agutter as the eldest of three children sent from the city to Oakworth in Yorkshire. What is arguably the 1968 and 1970 version’s most memorable sequence has the children stand on train tracks waving red flags to stop an oncoming train and prevent an accident after a tree falls on the line ahead.
My parents used to sit me and my younger brother down and make us watch Sunday teatime BBC classic serials, something which has engendered a deep seated dislike within me for both filmed costume drama and literature considered worthy enough to film. I found the former stodgy and suspect the latter may be more to do with BBC cultural filters than anything else.… Read the rest
Director – Morgan Matthews – 2022 – UK – Cert. PG – 98m
***1/2
Almost four decades after the events in The Railway Children, three siblings are evacuated from the wartime bombing raids of Salford to the safer Yorkshire countryside– out in cinemas on Friday, July 15th
In 1944, with Britain at war and German bombing intensifying, children are being evacuated from the cities to the countryside, leaving their parents to live with substitute parents and / or families for the duration. Thus, in Salford, their mother puts Lily (Beau Gadsdon), Angela (Jessica Baglow) and Ted (Zac Cudby) on a train to the small country town of Oakworth in Yorkshire. Arriving with many other children, they wait to be assigned to a family.
However, because there are three of them – and possibly also because Angela has got rid of the smart dress that her mother made her wear for a more comfortable outfit – no family is forthcoming. So grandmother Bobbie (Jenny Agutter, reprising her role from The Railway Children, Lionel Jeffries, 1970) persuades her daughter Annie (Sheridan Smith), the local headmistress, to take the trio even though the latter isn’t sure they can manage three, and the three children move in to their new home, The Three Chimneys.… Read the rest
Director – Jay Bedwani – 2022 – UK – Cert. 15 – 75m
***1/2
A look at the everyday life of Donna Personna, a trans activist from a Baptist background living in San Francisco – released in cinemas and on Bohemia Euphoria on Friday, July 15th
This threw me at first because it appears to be partly Welsh funded yet it’s about someone living in San Francisco. No matter. The seventysomething Donna Personna is first seen powdering her face and telling a story from her youth about getting her sister’s boyfriend to kiss him when she wasn’t around. She seems a genial person, who I would imagine is a lot of fun to be around in real life and a perfect subject for the camera who lights up the screen whenever she’s on it (which is most of the time).
What’s great about this film, for a non-trans viewer, is that it gives an idea of what it‘s like to be trans, both in terms of day to day living and upbringing. It doesn’t seem to have an axe to grind, rather it just wants to show how life is for someone like Donna. Her father was a Christian minister and her mother (not surprisingly) a minister’s wife who between them had a total of 15 kids!… Read the rest
Director – Laura Wandel – 2021 – Belgium – Cert. 15 – 72m
****1/2
A quiet, seven-year-old girl starts school and has to deal with the trauma of her older brother being bullied by bigger boys – out in cinemas on Friday, April 22nd
They hug in the playground before going in. It’s the first day of school for seven-year-old Nora (Maya Vanderbeque) and she doesn’t want to be separated from her elder brother Abel (Günter Duret). When she’s pulled off him, she just wants to hug her dad (Karim Leklou) and doesn’t want him to leave. Eventualy, the kindly lady schoolteacher takes her firmly by the hand and walks her into the building. In class, she’s hesitant about speaking her name. At lunch, she’s not allowed to sit with her brother but must stay with the kids the same age as her.
In the playground, she approaches Abel, but he tells her to keep away as “we’re beating up the new kids with Antoine”. She blunders in anyway and sees him trying to defend her from the bullies. Later, witnessing an incident on the stairs, she reports that older boys are bullying her brother causing a teacher to intervene. He won’t tell the teacher what’s going on, believing that will only make things worse.… Read the rest
Various personal crises beset three families occupying the separate floors of a three storeyapartment block – out in cinemas on Friday, March 18th
This drama is based around the lives of three families, the occupants of three floors of a three storey residential block in Rome. On the ground floor is a couple with a young daughter, on the first is a woman whose husband is frequently away on business, on the top are are married couple who are also judges.
In the course of its narrative it runs through in greater or lesser detail the subjects of birth, drink-driving, dementia, child sex abuse, seduction, jealousy, financial fraud, and flight from the law. It divides neatly into three sections, each five years apart, by means of two ‘Five Years Later’ titles. Most of the story’s surprises occur in the first section, with the two later sections providing time for the consequences of these events to be explored in the long run.
It adapts a novel that was originally set in Tel Aviv, here moving the action to Rome.
Frames from “Tre Piani” .
Director Nanni Moretti
DOP Michele D’Attanasio
It is (to say the least) a challenging film to review – or for that matter to sell – without ruining it in advance for audiences, containing, as it does, a number of major plot twists which completely redefine what happens afterwards, one of them occurring in the opening minutes.… Read the rest
Director – Aleem Khan – 2014 – UK – Cert. – 17m 11s
****
A teenager must take care of his two brothers when their father vanishes – available as an extra on the After Love Blu-ray released on Monday, August 23rd
It’s not entirely clear what’s happened to London teenager Hamid (Zain Muhammad Zafar) and his two younger brothers Humza (Yousuf Hussain) and Billy (Muhammad Mujahid-Ali Shahzad). An opening family video complete with dropout at picture bottom shows the parental hassle of getting the three boys into the car for a trip, then mum (Sona Vyas) and dad (Kulvinder Ghir) driving, then – presumably – a car accident (because the picture cuts out) in which the mother is kiled (because she’s never seen again (apart from as a presence in a photograph). This is mashed up with footage of the brothers, most notably Hamid caring for his chicken and inspecting eggs he keeps in a little electric-powered hatchery device in his bedroom.
Neither parent is around and there are dire warnings on the phone from school about how this can’t go on. There’s a parents evening coming up, so Hamid takes the other two and sends them in to the classroom alone, but his teacher (Kate Russell-Smith) comes out and demands he stop walking away down the corridor and take off his mask.… Read the rest
Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m
****1/2
A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring FilmProgramme 2021 in the UK
A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.
Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest
