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Features Live Action Movies

Mo Papa
(Mo Papa)

Director – Eeva Mägi – 2025 – Estonia – 88m

*****

A young ex-con imprisoned as a teenager for killing his younger brother tries to make his way in present-day Tallinn – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

I am wary of unscripted feature films. There is a reason why most narrative movies are made working from scripts; actors have lines to speak, to help them get a handle on their characters. Technicians have an idea of what they are realising on the screen or the soundtrack for a director. Without a script, most attempts at making a film are liable to founder. And quite probably result in an indulgent, unwatchable movie.

Mo Papa, according to the Festival’s blurb, was unscripted. On the one hand, I fear the worst. On the other, after three years of watching Critics’ Picks at Tallinn, I know the standard to be generally high, and duff films are happily all too rare. Would Mo Papa turn out to be one of those rare blips?

It’s also an Estonian movie, and because this is an Estonian festival, in a sense that ups the ante. So I’m really hoping it’s going to be good.… Read the rest

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Features Live Action Movies

Alone in the Night
(Yoru ga Mata Kuru,
夜がまた来る)

Director – Takashi Ishii – 1994 – Japan – Cert. 18 – 108m

****1/2

After her undercover cop husband is killed by a gang, Nami infiltrates the gang and suffers much abuse as she attempts to identify and take her revenge on his killer – out on Blu-ray as part of the Takashi Ishii: 4 Tales of Nami Limited edition digipack set (2000 copies) 

A compelling yet initially indecipherable image is slowly revealed, as we pull out, to be a pink marker pen colouring the handle of a black pistol in the hands of a girl wearing the pyjama top of the man against the side of whose bed she is sitting. He, it turns out, is Mitsuru (Toshiyuki Nagashima from Godzilla Against MechagodzillaMiyagawa, 2002; Godzilla vs. Biollante, Seiichi Yamamoto, 1989; Mishima: A Life in Four Chapters, Paul Schrader, 1985), an undercover cop; she is Nami (Yui Natsukawa from I Wish, Hirokazu Kore-eda, 2011; Still WalkingHirokazu Kore-eda, 2008; Zatoichi: The Blind Swordsman, Takeshi Kitano, 2003), and she’s fed up with his lack of contact while he’s on the job. As they embrace, she pleads with him, “Don’t do it!… Read the rest

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Animation Features Live Action Movies

Avatar:
The Way Of Water

Director – James Cameron – 2022 – US – Cert. 12a – 192m

Immersive Cinema *****

Screenplay *

Now raising their own family on the planet Pandora, a couple flee the attacking Sky People to live among a tribe of sea people – first Avatar sequel is back out in cinemas on Friday, October 3rd

Having gone native on the planet Pandora following the events in Avatar (James Cameron, 2009), in which paraplegic human soldier Jake Sully (performance capture including voice or Pcap: Sam Worthington) was transformed into an avatar of a non-disabled, native Pandoran, in the first third of the film, Jake is raising a family with Na’vi partner Neytiri (Pcap: Zoe Saldaña): two boys, two girls. They play in the jungle forest with their friend Spider (Jack Champion), a human child who was too young to be evacuated when the other Sky People left. Spider has been raised by human scientists who remained behind, and he must constantly wear a breathing mask to survive in Pandora’s atmosphere; he is to all intents and purposes feral.

When the Sky People return to Pandora with a new remit – to prep the planet for human habitation since the Earth is becoming uninhabitable – Jake’s old commander Quaritch (Pcap: Stephen Lang), who died in the first film but is now reconstituted as an an avatar embedded with the character’s DNA and memories, is determined to hunt down and kill the Sully who, as he sees it, betrayed him.… Read the rest

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Features Live Action Movies

Islands
(2025)

Director – Jan-Ole Gerster – 2025 – Germany – Cert. 15 – 123m

****1/2

A British ex-pat tennis coach working for a hotel on a sun-drenched island in the Canaries gets more than he bargained for when he befriends the couple whose young son he is coaching – out in UK cinemas on Friday, September 12th, and on BFI Player from Monday, October 27th

Tom (Sam Riley) wakes up in the desert and walks back to his car. He often nods off – at one point he is woken by a tap on his car window by the local police chief Jorge (Pep Ambròs) in a scene reminiscent of the one in Psycho (Alfred Hitchcock, 1960), one of the differences being that he’s a local and he and the cop not only know each other, but are friends. (Another is that in Psycho, the motorist is a woman and the cop a man, which brings a whole other dynamic into play.) Jorge fines him for a traffic violation, but apologises for the fact, and the two men’s friendship is able to accommodate that.

The desert, or beach, is a very specific location: Fuerteventura, one of the Canary Islands. And Tom has manoeuvred his life into a very nice routine, thank you very much, as he sees it.… Read the rest

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Features Live Action Movies

Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – out in UK cinemas on Friday, August 22nd

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

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Features Live Action Movies

Jurassic World Rebirth

Director – Gareth Edwards – 2025 – US – Cert. – 134m

***

A group of mercenary hunters and a traumatised family find themselves on an equatorial island populated by mutant dinosaurs – out in UK cinemas on Wednesday, July 2nd

The difficult seventh movie, made on a shorter production schedule than its predecessors – according to the production notes – and probably made too quickly for its own good. First there were three Jurassic Park movies, then there were three Jurassic World movies, and now there’s a seventh Jurassic. What to call it? Jurassic Beyond? Jurassic Outside? Jurassic Environment? Jurassic Habitat? Jurassic Equator? Jurassic Island? Jurassic Laboratory? Jurassic Lab? Jurassic Experiment? Jurassic Mutation? (Those took me a mere five minutes.) No: unable to think of a word to replace Park or World, this one is saddled with the marketing-led Jurassic World Rebirth. Which no doubt will do the job, but when Michael Crichton coined Jurassic Park for his novel’s title and Spielberg ran with it, no-one outside of palaeontologists and dinosaur-geeks (I number myself among the latter) knew what ‘Jurassic’ was. It didn’t matter: it was Spielberg and dinosaurs, that sold it, and the film more than lived up to the lure and the promise.… Read the rest

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Live Action Movies Shorts

Afternoon Clouds

Director – Payal Kapadia – 2017 – India – 13m

*****

An old woman, her home and her cat interact in the former’s coastal flat – Kapadia’s first short evidences a sensibility which will inform her debut feature All We Imagine as Light – on the UK Blu-ray/DVD (Dual Format Edition) of All We Imagine as Light, released Monday, March 3rd

A room with two windows looking out on the sea. The constant sound of its roar, the net curtains stir in the breeze. An elderly woman (Usha Naik) holds a bowl of milk as she calls out for, “Koshu”. Elsewhere in the house, a younger woman (Trimala Adhikari) sits, dozing, on a bench, until she hears the older woman calling her name, “Malti”. She opens her eyes.

The older and younger women stand in a room, staring, the elder explaining to the younger that the plant will last two days. As the ginger cat Koshu feeds contentedly, the younger woman Malti limps back to her room. Preparing food in the kitchen, the younger tells the older that three chillis are too much for her. The older protests.

The conversation turns to the older’s medication, the next life, and why not get a plant that lasts longer, asks the younger.… Read the rest

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Animation Features Movies

Moana 2

Directors – David G. Derrick Jr., Jason Hand, Dana Ledoux Miller – 2024 – US – Cert. PG – 100m

*** 1/2

The desire to connect with the people who must surely live beyond the known horizons of her world drives Moana on a new seafaring adventure – out in UK cinemas on Friday, November 29th

Set three years after Moana (John Musker, Ron Clements, 2016), this features the eponymous Polynesian heroine (voiced once again by Auli’i Cravalho) not as a 16-year-old but as a 19-year-old. She has now become a wayfinder and the leader of her island people. Weirdly, perhaps, for a leader, she likes nothing better than going off into the middle of the island, accompanied by her two Disney-obligatory small animal friends Pua the pig and HeiHei the dim-witted cockerel (voice, or at least cockerel noises: Alan Tudyk), climbing to its highest point and blowing a shell in the hope that someone out in the world beyond the one she knows might respond. She wants to reach out and connect with other islander populations. Alas, she gets little more than Heihei blowing a shell a few yards away.

Following a vision in which she is visited by Tautai Vasa (voice: Gerald Faitala Ramsey), a wayfinder from a distant generation who sent out to sea and never came back, Moana and her small crew set sail for the lost island of Motufetu.… Read the rest

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Features Live Action Movies

Point Break
(1991)

Director – Kathryn Bigelow – 1991 – US – Cert. 15 – 122m

*****

A rookie FBI man goes undercover with a group of surfers, believing them to be a gang of bank robbers who disguise themselves as former US Presidents – milestone action movie is out in a 4K Restoration in UK cinemas on Friday, November 8th as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

At a cursory glance, there’s nothing particularly remarkable about Point Break, a crime movie about bank robbers, surfers and undercover cops, except perhaps the juxtaposition of surfers on the one hand with cops and robbers on the other except as a route into making a film about cops undercover. Certainly, that juxtaposition pervades the film, with fresh out of training school, undercover FBI man Johnny Utah (Keanu Reeves) coming up against accomplished surfer Bodhi (Patrick Swayze) and his new age-y philosophy of life, which is all about living in the moment and experiencing the biggest rush. Those two concepts happen to embody elements that could potentially make a great action film. Point Break does exactly that. Even though it’s a 35-year-old film, it feels as fresh today as it did on initial release.… Read the rest

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Animation Features Movies Music

The Island

Director – Anca Damian – 2021 – Romania, France, Belgium – 84m

*****

A reimagining of the Robinson Crusoe story with Robinson as a doctor on an island where Friday is the only survivor of a refugee ship – plays with the accompaniment of the Bălănescu Ensemble at BFI Southbank on Friday, September 6th 2024 – from the Annecy 2022 Animation Festival in the Official Competition section

The story of Robinson Crusoe, the man shipwrecked on a desert island befriended by a native he calls Friday, is here turned on its head by director Damian (Marona’s Fantastic Tale, 2019) bringing to life a clever script using an inventive mixture of 2D and CG animation techniques. Robinson (voiced by musician Alexander Bălănescu, who composed the music and songs with Ada Milea) is a Westerner, a well-off doctor who spends most of his time lounging around on an island with an i-Pad. He might be a shipwreck survivor, at least metaphorically. He sings about dreaming of shopping when hungry, and after a while we wonder if he’s simply disillusioned with the Western materialist way of life.

He finds himself in the company of Friday (Lucian Ionescu), sole survivor of a refugee boat who treats the doctor as his saviour.… Read the rest