Tag: poetry

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Features Live Action Movies

All We Imagine as Light

Director – Payal Kapadia – 2024 – France, India, Luxembourg, Netherlands – Cert. 15 – 118m

*****

The lives, loves and challenges of three women working in a hospital in Mumbai – on UK Blu-ray/DVD (Dual Format Edition) from Monday, March 3rd, on BFI Player from Monday, February 17th, and on iTunes and Amazon Prime from Monday, March 17th

Mumbai. Opening with serial, engrossing tracking shots showing first men working throwing goods onto lorries, then men in traffic riding in the open boot of a car, then people riding on the urban rail system, all to the accompaniment of soundtrack vox pops of men and women talking about their lives and how the city helps you forget, All We Imagine as Light is, among other things, a paean to the city of Mumbai.

On a typical working day in the hospital, Nurse Prabha (Kani Kusruti from Girls Will Be Girls, Shuchi Talati, 2024) explains to a doctor why an old lady refuses to take her pills (she’s seeing visions of the torso of her late husband) and opts out of going out to see the latest action blockbuster featuring dreamy male stars with her fellow nurses. She talks about helping with free legal advice to kitchen worker Pavarty (Chhaya Kadam from Sister Midnight, Karan Kandhari, 2024; Laapataa Ladies, Kiran Rao, 2023; Bombay Rose, Gitanjali Rao, 2019) who is having problems with intimidation by thugs to move out of her home.… Read the rest

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Animation Features Movies

Chang’an
(Chang’an San Wan Li,
长安三万里,
lit. 3 000 Miles from Chang’an)

Directors – Xie Junwei, Zou Jing – 2023 – China – Cert. 12a – 168m

****

General Gao Shi of the Tang dynasty recounts his life, his struggle to become a poet and his friendship with Li Bai, a more renowned poet – animated epic is out in UK cinemas on Friday, February 28th

Set roughly halfway through the Tang dynasty (618-907 A.D.), this lengthy, animated epic starts off like an historical war movie in the vein of the live action Red Cliff (John Woo, 2008, 2009) but swiftly morphs into something else entirely as this initial narrative about the capture and interrogation of an enemy soldier turns into a frame story – which is rather more than that, popping up repeatedly throughout the narrative with the frame story’s resolution taking centre stage towards the end of the proceedings. Even this is deceptive; while military strategy and conflict is covered, the narrative is far less interested in that than in the overall life of main protagonist and minor poet Gao Shi, his meetings and friendship through the years with secondary character and major poet Li Bai, and the wider poetry of the period.

Believing himself about to be punished for the failure of his well planned and fought military campaign against the Tubos (the Tibetans, their ethnic identity never clarified within the film itself – at least, not in the English subtitles, presumably because the film is aimed at a Chinese audience who would already know this ethnic, historical; background), the ageing General Gao Shi (voice: Wu Junquan) falls neck first on his spear before receiving the Emperor’s emissary who wants to question him, it turns out, about not his military campaign but, rather, Li Bai.… Read the rest

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Features Live Action Movies

Kneecap

Director – Rich Peppiat – 2023 – Ireland, UK – Cert. 18 – 105m

****

A fictionalised origin story about an Irish language rap band as a music teacher teams up with two younger men to turn their confrontational, anti-British poetry into Irish rap music – provocative sex-, drugs-, and violence-laced music biopic is out in UK cinemas on Friday, August 23rd

NSFW

Kneecap are an Irish-speaking rap band who came together on the eve of the 2017 Irish language march in Belfast, Northern Ireland. This drama about them, whatever else it might be and whatever other accusations can be levelled against it, certainly never plays it safe.

That’s obvious from the get-go, when the voice-over by one of the band members explains and shows how all movies abut Northern Ireland start – with footage of terrorist explosions during ‘the troubles’. The film then proceeds to have its cake and eat it, having started in exactly that manner, by starting again with the story of one of its members as a child being baptised in a wood at night and attracting RUC helicopter searchlights for their pains.

It moves pretty swiftly on to show the two fully grown lads in the band as party animals, consuming alcohol and drugs and dealing the latter, for instance giving it away free at early gigs to attract an audience, and engendering a hostile attitude to the Peelers (as they refer to the British police).… Read the rest

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Features Live Action Movies

Shayda

Director – Noora Niasari – 2023 – Australia – Cert. 15 – 117m

*****

An Iranian mother and her young daughter, holed up in a women’s refuge in Australia, live in fear of the girl’s estranged father who wants to take them both back to Iran – out in UK cinemas on Friday, August 2nd

A woman is with a mum and her little girl in a shopping mall. The woman tells the little girl to remember the counters, because if daddy brings her here, she must find them and tell the security man nearby who she is. The girl’s mother reminds her that daddy said he’d take her on a plane. The woman tells the mother, she’s done the right thing.

Shayda (Zar Amir Ebrahimi from Holy Spider, Ali Abassi, 2022) and her young daughter Mona (Selina Zahednia) are separated from Shayda’s husband. The other woman is Joyce (Leah Purcell), who runs a woman’s refuge house catering for residents from a variety of ethnic groups. Shayda and Mona, for example, are Iranian. Shayda’s photo album tells the story of her life. In the mid-1980s, she graduated and got married in Iran; in the early 1990s, the couple moved to Brisbane, Australia.… Read the rest

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Features Live Action Movies

Luminous Woman
(Hikaru Onna,
光る女)

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest

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Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

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Features Live Action Movies

Orphée

Director – Jean Cocteau – 1950 – France – Cert. PG – 112m

*****

Acquitted by mirrors! Rereleased two thirds of a century on, Cocteau’s reimagining of the Greek legend of Orpheus remains as magical as ever – out in the UK on Friday, October 19th, 2018

Jean Cocteau (1889-1963) was a self-styled ‘poet’, a versatile, avant-garde French artist who worked across a number of different media – novels, visual art, design, theatre, cinema as well as poetry. 1950’s Orphée is one of his most celebrated films. And rightly so.

Famed poet Orphée (Jean Marais) is going through a bad creative patch when newcomer rival Cégeste (Edouard Dermithe) is killed by two speeding, leather-clad motorcycle riders. Orphée becomes obsessed with messages transmitted over the radio of the car belonging to Cégeste’s patron the Princess (Maria Casarès) which seem to him better than any lines he’s written recently.

So obsessed with these broadcasts does Orphée become that he fails to pay enough attention to his wife Eurydice (Marie Déa) who becomes increasingly restless. Every night as he sleeps, the Princess – who a voiceover (read by Jean Cocteau himself) informs us is actually Orphée’s death – visits his room through his wardrobe mirror to watch over him.… Read the rest

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Documentary Features Live Action Movies

Anselm
(Anselm
– Das Rauschen
Der Zeit)

Director – Wim Wenders – 2023 – Germany – Cert. PG – 93m

****

An exploration of the work of German artist Anselm Kiefer and the influences which lie behind it – 3D documentary plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, December 8th

Wim Wenders seems to step effortlessly between narrative and documentary feature films, and you never feel that he considers one or the other more important. To him, they are all movies. As with his earlier Pina (2011), similarly about an artist – the choreographer Pina Bausch – this is another portrait of an artist shot in 3D. Wenders’ subject here, again eponymously designated by Christian name, is Anselm Kiefer, a practitioner of the plastic rather than the performing arts.

From the outset, it’s clear that the film needs to be seen in 3D. Wenders’ camera moves deliberately and formally around maquettes that resemble life-sized women wearing dresses, but without the women in them so that they stand as empty objects, often with strange constructions in the space where you would expect their neck and heads to be. The forest setting in which Wenders films them seems almost as significant as the maquettes themselves as we slowly pass by an upright tree trunk between the sculpture and us.… Read the rest

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Features Live Action Movies

Benediction

Director – Terence Davies – 2021 – UK – Cert. 12a – 137m

****

The life of First World War poet Siegfried Sassoon, his homosexual lifestyle and his heterosexual marriage – out in cinemas on Friday, May 20th

It’s been five years since Davies’ previous film A Quiet Passion (2016) and the curious thing is, both these films have been about poets and poetry. The earlier film was about Emily Dickinson, with its discussion about religion and Christianity very much to the fore; the new film is about Siegfried Sassoon and while the Catholicism he embraced in later years is in the mix, alongside that element Davies’ research revealed others of far greater interest to the writer-director, notably that Sassoon was gay. As you might expect, the first half hour or so concentrates on the First World War, but more time is spent in the middle of the film exploring some of Sassoon’s gay relationships with a small section towards the end skimming over his later years and heterosexual married life.

Siegfried Sassoon (Jack Lowden) saw action in the First World War and had the utmost respect for the men under his command – and they for him. He was appalled by the conditions under which they found themselves serving.… Read the rest

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Features Live Action Movies

Benediction

Glum heroes

Benediction
Directed by Terence Davies
Certificate 12a, 137 minutes
Released 20 May

Films about poets are few; however, the director Terence Davies has now made two in a row as different as their historical subjects. The earlier A Quiet Passion (Reform, April 2017) concerns the introverted, isolated, American spinster Emily Dickinson while the current Benediction is about First World War poet Siegfried Sassoon (Jack Lowden) – a homosexual man when this sexual preference was illegal, before the word ‘gay’ was used to describe such things.

His Military Cross earned for bravery as a First World War officer drops into a stream then sinks, an image expressing Sassoon’s dissatisfaction with the way the war is being run, and the hardships endured by the troops. He writes in protest to the top brass, but instead of the court-martial and platform to speak he expects, he is diagnosed with ‘shell shock’, partly thanks to literary mentor Robbie Ross (Simon Russell-Beale). Sent to Craiglockhart War Hospital near Edinburgh… [Read more…]

Full review published in Reform magazine.

See also my alternative review.

Trailer: