Tag: fake news

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Documentary Features Live Action Movies

Riefenstahl

Director – Andres Veiel – 2024 – Germany – Cert. 15 – 115m

*****

An unsettling, deep dive into the indisputable artistic talent, evasive personality and self-reconstructed memory of Nazi filmmaker Leni Riefenstahl through her personal archive of some 700 boxes – out in UK cinemas on Friday, May 9th

Sepia / yellow images. A woman walking by the sea. Incidental music suggesting a reaching, a striving. Out of focus images of crowds lining the streets, coming into focus to proclaim, “Heil, mein Fuhrer.” The lighting of the Olympic flame, the firing of a gun at a track event. Leni Riefenstahl, as a young woman, examining hanging strips of 35mm film at the editor’s bench. And then an extract from a talk show: would she do it differently if she could live her life again? What were her mistakes? Her close association with Hitler? She hesitates – you can almost feel her squirming, trying to find a way round the question. She starts talking about her first film as director, The Blue Light (1932), a mountaineering picture in which she did all the rock climbing stunts herself. She didn’t know of Hitler at this point, she says. “If the Fascists saw you”, she was told, “you would become their hero.”… Read the rest

Categories
Documentary Features Live Action Movies

Riefenstahl

Directed by Andres Veiel
Certificate 15
115 minutes
Released 9 May

There is something deeply depressing about the fact that one of the most talented female film directors who ever lived is also without a doubt also one of the most troubling. Leni Riefenstahl (1902-2003) is best known today for the documentaries Triumph of the Will (1935) and Olympia (1938), the first a record of the Nazi Party’s Nuremberg Rally, the second of the 1936 Olympics in Berlin. Both eulogise large scale spectacle, with Olympia in particular celebrating the human body as it undergoes the rigour of sports disciplines. Both celebrate victory, superiority, dominance.

Riefenstahl lived to the ripe old age of 101, claiming over the years that she was an artist who happened to fall in with the Third Reich by dint of birthplace and time; she didn’t really understand what that regime was doing and simply got on with making the films that she made under their patronage.

There have been documentaries about her before, yet what makes this one different is that… [read the rest at Reform magazine…]

[Read my alternative review on this site…]

Trailer:

Categories
Documentary Features Live Action Movies

Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m

****

An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest

Categories
Features Live Action Movies

Observing
(Opazovanje)

Director – Janez Burger – 2023 – Slovenia, Italy, Croatia, North Macedonia – Cert. none – 83m

*****

A paramedic must deal with the aftermath of a man being kicked unconscious after people watch the incident on social media livestreaming – plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The sounds of a man (Vito Weiss) being beaten up by others. No images. Mercifully.

If you lived in Slovenia, you’d be familiar with a news story about a man who was beaten up by others who livestreamed the event over social media, picking up an audience of 20 000, out of whom only a negligible number, maybe a handful, thought to call the police. That incident was the starting point for this film, which is an attempt to come to term with such events.

It’s a drama based around the three-person ambulance detail who find themselves picking up the victim of the livestreamed attack. He’s in a bad way and winds up in intensive care. Most of the ambulance pickups either die on the way to or in hospital, or they make a full recovery; this man, however, remains stable but unconscious in the ICU with no sign of either recovery or lapse.… Read the rest

Categories
Documentary Features Live Action Movies

20 Days
In Mariupol
(20 днів
Y Маріуполі)

Director – Mstyslav Chernov – 2023 – Ukraine – Cert. 18 – 94m

*****

A Ukranian-born, Associated Press video journalist and his stills photographer go to Mariupol where they report on Russia’s assault and invasion of that city – out in UK cinemas on Friday, October 6th

There are some films that are incredibly tough to watch which you nevertheless know you need to watch. This documentary is one of those films. The experience of watching it clearly pales beside the actual experience of being in the Ukranian city of Mariupol during the first 20 days of the attack and subsequent siege by Russian armed forces, more so beside the actual experience of being trapped there. And I am British, so Ukraine is not my country; I find it almost incomprehensible to imagine what it would be like if what has happened to Mariupol were to happen in my home town. (If you’re an urban Brit, insert the name of your city at this point.)

I’m not convinced that the credited director Mstyslav Chernov, a Ukranian-born, Associated Press video journalist who has reported on conflicts around the globe since joining AP in 2014, set out to make a feature film. He was just (just!)… Read the rest