Categories
Animation Features Movies

The Glassworker
(Sheesha Gar,
شیشہ گ)

Director – Usman Riaz – 2024 – Pakistan, Spain – Cert. 12a – 98m

*****

The son of a pacifist glassblower learning his father’s trade falls for the violin-playing daughter of an army colonel in wartime – complex, animated, anti-war drama is out in UK cinemas on Friday, September 19th

If you knew nothing about this animated film beforehand, you’d assume it to be Japanese. Love it or hate it, most animation made in Japan falls within very distinctive, stylistic, visual parameters. According to the press blurb, director Riaz is an admirer of Studio Ghibli directors Miyazaki and Takahata as well as more recent directors Mamoru Hosoda and Satoshi Kon. Visually, the film feels more like a Miyazaki than anything else, and of comparable quality too. Yet it’s also highly original, and Riaz, here directing his first feature after a number of shorts, clearly has his own voice.

It opens with a frame story about youthful glassblower Vincent Oliver (voice: Sacha Dhawan) who, with the help of his father, is preparing for the opening of his debut glassware exhibition. He rereads a letter from a girl which his father (voice: Art Malik) had told him years ago to destroy in their workshop’s furnace.… Read the rest

Categories
Features Live Action Movies

Red Path
(Les Enfants Rouges,
الذراري الحمر)

Director – Lotfi Achour – 2024 – Tunisia, France, Belgium, Poland, Saudi Arabia, Qatar – Cert. 15 – 100m

*****

When paradise is suddenly taken away from him, a young innocent must come to terms with stark and brutal forces of corruption and death – searing drama is out in UK cinemas on Friday, June 20th

** SPOILER ALERT**

Two boys are herding a flock of sheep cross-country. The older one (Wided Dabebi), who tells the younger not to be scared, but to watch out for mines, knows his way around. The younger one Achraf (Ali Helali) hasn’t told his mother he’s doing this, because he knows she would have forbidden him from coming.

They are navigating the slopes of Tunisia’s Mighila Mountain, which is fabulously beautiful. They find a perfect place to give the sheep a rest, and the older one shows the younger a good spot – they climb to the top of a ridge, with a stunning, panoramic view of the local landscape, and bask on the rock in the sunshine. Life is good. In fact, it is paradise. After some time, they head back down to the watering hole they left earlier, plunge their heads in the cool water.… Read the rest

Categories
Features Live Action Movies Music

Control

Director – Anton Corbijn – 2007 – UK – Cert. 15 – 122m

*****

UK release date 05/10/2007

The story of Joy Division lead singer Ian Curtis: his disintegrating marriage, struggles with epilepsy and eventual suicide – review originally published in Third Way magazine, September 2007

For the uninitiated, post-punk Mancunian band Joy Division formed in 1977, then achieved near immediate cult status through Tony Wilson’s Granada TV show and Factory Records label. The four-piece band grew out of a three-piece (guitar, bass, drums) who Ian Curtis (Sam Riley from Widow Clicquot, Thomas Napper, 2023; Firebrand, Karim Ainouz, 2023; Byzantium, Neil Jordan, 2012) joined as singer and songwriter. The resultant recordings still resonate down the annals of rock: even today, songs such as (to name but three) Transmission, the eponymous She’s Lost Control and Love Will Tear Us Apart carry an undeniable charge.

Curtis took his life in May 1980 just prior to the band’s first scheduled American tour. His three survivors carried on under the moniker New Order to become incredibly successful; yet to this writer’s mind, their work pales beside those early Curtis / Joy Division songs. Quite simply, his work with the band has a focus, a power and a bleakness rare in rock.… Read the rest

Categories
Features Live Action Movies

Silver Linings Playbook

Director – David O. Russell – 2012 – US – Cert. 15 – 117m

*****

Two people on the one hand meant for one another and on the other probably shouldn’t go anywhere near each other – disaster romance was released in the UK on Wednesday, November 21st 2012

Back in the outside world after eight months in a mental hospital, Pat Solitano (Bradley Cooper) is beset by anger management problems. He only has to hear a few bars of Stevie Wonder’s My Cherie Amour, and he’s trashing the waiting room of psychiatrist Dr.Patel (Anupam Kher from Bend It Like Beckham, Gurinda Chadha, 2002) whilst plunged into memories of walking in on his then wife Nikki (Brea Bee) in the shower with another man.

So now he’s living at home with his Philadelphia Eagles fan, inveterate gambler and small businessman father Pat Solitano Sr. (Robert De Niro) and his supportive mother Dolores (Jacki Weaver from Memoir of a Snail, Adam Elliot, 2024; Animal Kingdom, David Michod, 2010; Picnic at Hanging Rock, Peter Weir, 1975).

Pat wants to win his wife back, but since she has a restraining order on him, that’s unlikely to happen. Determined to remain faithful to his estranged wife, he’s introduced to and befriends widow Tiffany (Jennifer Lawrence), an obsessive amateur dancer whose sights are set on competing in an upcoming dance competition… for which she needs a partner.… Read the rest

Categories
Features Live Action Movies

September 5

Director – Tim Fehlbaum – 2024 – US, Germany – Cert. 15 – 95m

****1/2

A dramatisation of the events of September 5, 1972 when broadcast TV sports journalists found themselves covering the terrorist kidnapping of Israeli athletes in the Olympic village – out in UK cinemas on Thursday, February 6th

There have been movies about the terrorist incident at the 1972 Olympics before: the documentary One Day in September (Kevin McDonald, 1999) and the drama about its aftermath Munich (Steven Spielberg, 2005). Like the latter, September 5 is a drama. What marks it out as different, however, is that it tells the story from the point of view of broadcast journalists working out of a studio.

In this respect, its feeling for capturing the processes of live US network television renders it not entirely dissimilar to recent release Saturday Night (Jason Reitman, 2024), yet in many ways, it couldn’t be more different. Saturday Night is about the birth of a legendary US comedy show; September 5 starts in an arguably similar area of entertainment (live sports coverage) before swiftly moving into the wider, more problematic area of live broadcast news coverage. The coverage of the incident around which September 5 is based forever changed the face of broadcast television media.… Read the rest

Categories
Features Live Action Movies

The Guest
(301호 모텔 살인사건)

Director – Yeon Je-gwang – 2023 – South Korea – LKFF Cert. 18 – 77m

***

An out-of-the-way motel, with numerous hidden cameras covertly recording the unwitting guests, becomes the site of multiple killings – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

There’s an idea that the widespread presence of security cameras make the world a safer place, because things can be seen rather than hidden; equally, however, things can be recorded, turned into product and sold for profit. The Guest takes place in a familiar world of roads and car journeys and motels in the middle of nowhere at which the traveller can take a break. And all of it seems to be covered by security cameras.

That applies to the roads, where the cams are there for traffic enforcement (and, perhaps more pertinently, traffic tax raising or penalty charging) purposes. Why they are there, for good or ill, isn’t really discussed here. But their ubiquitous presence is inescapably noted.

It also applies in the seedy motel at the centre of this horror / drama / suspense / thriller. The loan shark Deuk-chan (Hyun Bong-sik) who owns the place employs two young staff members Min-cheol (Lee Joo-seung) and Young-gyu (Han Min) to run the place in a day-to-day basis both of whom are indebted to him and therefore have little choice other than to do whatever he asks, however unreasonable.… Read the rest

Categories
Features Live Action Movies

Save the Green Planet!
(Jigureul Jikyeora!,
지구를 지켜라!)

Director – Jang Joon-Hwan – 2003 – South Korea – Cert. 18 – 118m

*****

NSFW

Convinced that a corporate boss is an alien who killed his mother, a man takes him prisoner and tortures him to find out his race’s plans for planet Earth – plays alongside Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Lee Byong-gu (Shin Ha-kyun) is convinced that corporate CEO Kang Man-shik (Baek Yoon-shik) is not only responsible for the death of his mother but also is an alien spy set to communicate with his extra-terrestrial superiors at the next full moon in seven days time. So, aided by girlfriend Sooni (Hwang Jung-min), Lee kidnaps Kang and brings him back to his underground workshop beneath his hilltop home near which he keeps bees in hives. Lee wants to hear the truth from Kang’s own lips, and is prepared to torture him to get it.

CEO Kang is clearly not a nice guy – he is obviously raking in the money, yet we watch him driven home drunk by a valet who he shamelessly short changes on his fare.… Read the rest

Categories
Features Live Action Movies

Mist
(Angae,
안개)

Director – Kim Soo-yong – 1967 – South Korea – 78m

****

A married man leaves Seoul to visit his dull hometown for a few days, where he embarks on a brief affair with a music teacher from the local school – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Yun Gi-jun (Shin Seong-il from The Barefooted Young, Kim Ki-duk, 1964) is bored with his job. He sits at his desk in a huge office looking at the paperwork, seeing it crawling with insects. But when others enter the office, they don’t see any of that, so it’s clearly all in his head. In many ways, that sets the scene for the mood of this heavily introspective piece which makes much use of voice over and flashback, as Gi-jun takes time out in his hometown of Mujin, for which he claims not to feel much affection but which is nevertheless full of personal history and memories for him.

We see him at home with his wife as she straightens his tie, and later as she brings her rich father over to the house.… Read the rest

Categories
Animation Features Movies

Watership Down
(new 4K restoration)

Directed by Martin Rosen
Certificate PG
92 minutes
Released 25 October

Reviewed for Reform magazine.

Now fully restored in a new 4K restoration, this 1978 tale of rabbits on the run proved that an animated film need be neither made by Disney nor sugar-coated for children. Watership Down, although a children’s film, came from the producer of the Oscar-winning DH Lawrence adaptation Women in Love (1969), Martin Rosen. He ended up directing it too.

A prologue details the relationship between the creator-god Frith – represented as the sun – and rabbitkind. As with most creation myths outside the Judeo-Christian, there’s quite a bit of sex and violence. The rabbits breed furiously; hitherto non-carnivorous animals are given teeth to keep the rabbit numbers down. The rabbits are given powerful hind legs to outrun their predators.

Having established rabbits as intelligent creatures possessing a mythology and a world view, the main story… [Read the rest at Reform magazine]

[Read my alternative, longer review for this site.]

Trailer:

Categories
Features Live Action Movies

The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest