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Round 13
(13ème Round)

Director – Mohamed Ali Nahdi – 2025 – Tunisia, Cyprus, Qatar, Saudi Arabia – 85m

*****

A young boy is diagnosed with a tumour in his arm, and his parents must guide him through his ensuing medical treatment – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

My third Critics’ Picks entry is another five star movie. Which is great, but once again, I wonder, for how many more films can this last? What IS true is that this is not another ‘urban unease and finding your way in the world’ movie like China Sea (Jurgis Matulevičius. 2025) or Mo Papa (Eeva Mägi, 2025), it’s something altogether different.

Sabri (Hedi Ben Jabouria) is a very ordinary eight-year-old boy who likes boxing. We first meet him out with his dad in the cinema where the pair are watching a black and white movie about boxing. They return home where Sabri looks at his dad’s old photos of his days as a boxer in Rome.

They are interrupted by Sabri’s mum Semia whose name curiously isn’t spoken until about ten minutes before the end of the movie (Afef Ben Mahmoud) and who wants to know why she can never reach Kamel (Helmi Drid), the boy’s dad, on the phone.… Read the rest

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Features Live Action Movies

The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Austria, Germany – Cert. 15 – 144m

*****

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

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Features Live Action Movies

All We Imagine as Light

Director – Payal Kapadia – 2024 – France, India, Luxembourg, Netherlands – Cert. 15 – 118m

*****

The lives, loves and challenges of three women working in a hospital in Mumbai – on UK Blu-ray/DVD (Dual Format Edition) from Monday, March 3rd, on BFI Player from Monday, February 17th, and on iTunes and Amazon Prime from Monday, March 17th

Mumbai. Opening with serial, engrossing tracking shots showing first men working throwing goods onto lorries, then men in traffic riding in the open boot of a car, then people riding on the urban rail system, all to the accompaniment of soundtrack vox pops of men and women talking about their lives and how the city helps you forget, All We Imagine as Light is, among other things, a paean to the city of Mumbai.

On a typical working day in the hospital, Nurse Prabha (Kani Kusruti from Girls Will Be Girls, Shuchi Talati, 2024) explains to a doctor why an old lady refuses to take her pills (she’s seeing visions of the torso of her late husband) and opts out of going out to see the latest action blockbuster featuring dreamy male stars with her fellow nurses. She talks about helping with free legal advice to kitchen worker Pavarty (Chhaya Kadam from Sister Midnight, Karan Kandhari, 2024; Laapataa Ladies, Kiran Rao, 2023; Bombay Rose, Gitanjali Rao, 2019) who is having problems with intimidation by thugs to move out of her home.… Read the rest

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Animation Features Movies Music

The Colors Within
Kimi no Iro,
きみの色,
lit. Your Color)

Director – Naoko Yamada – 2024 – Japan – Cert. PG – 101m

*****

A Catholic schoolgirl with synaesthesia inadvertently forms a rock band who find themselves playing a gig at her school – out in UK cinemas on Friday, January 31st

God grant me the serenity
to accept the things I cannot change;
courage to change the things I can;
and wisdom to know the difference.

That’s the Serenity Prayer, and it opens this remarkable story of a schoolgirl in a boarding school as she prays it to a statue of Mary in the school chapel. A scene of her as a small girl attending the dance class, and scenes of her seeing other pupils in the corridor, are rendered in vivid, blinding colour where bright white light constantly threatens to engulf the pastel shades in which the girl sees. For more on synaesthesia, see A Sudden Glimpse to Deeper Things (Mark Cousins, 2024).

If you were to land in the middle of this film with no context, for a frame, or a scene (drawn animation parlance for a single shot), you could be forgiven for thinking there was something wrong with the print, or the colour balance. I am immediately reminded of the reviewer who said of Black Narcissus (Michael Powell, Emeric Pressburger, 1947) that the film was so visually perfect that it could be shown out of focus and upside down and the audience would still be enraptured by its kinetic abstract colour properties.… Read the rest

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Features Live Action Movies

Hard Truths

Director – Mike Leigh – 2024 – UK – Cert. 12a – 97m

*****

A woman with a chip on her shoulder makes her own and her extended family’s lives a misery, as she does with everyone with whom she comes into contact – expertly crafted slice of Brit Misery Porn is out in UK cinemas on Friday, January 31st

While her plumber husband Curtley (David Webber) and his assistant Virgil (Jonathan Livingstone) are out all day working, which seems to consist of removing plumbing fixtures and fittings from unoccupied houses, Pansy (Marianne Jean-Baptiste) stays at home berating their 22-year-old, videogame-playing son Moses (Tuwaine Barrett) for being unemployed and lacking in ambition.

It’s as if the world has it in for Pansy, and she takes it out on anything and everything. Without realising what she is doing, she turns the family home into a place of misery, making her son and husband’s lives a living hell through no fault of their own.

She couldn’t be more different from her sassy and outgoing sister Chantelle (Michelle Austin), who despite being abandoned by her husband has made a go of life, passing on her ‘can do’ spirit to her two moderately successful daughters Kayla (Ani Nelson) and Aleisha (Sophia Brown).… Read the rest

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Nosferatu
(2024)

Director – Robert Eggers – 2024 – US – Cert. 15 – 132m

*****

Unaware a woman has unwittingly summoned Count Orloc, her husband is sent to the latter’s castle in Transylvania – out in UK cinemas on Wednesday, January 1st 2025

The German expressionist silent film Nosferatu (F.W. Murnau, 1922) has been described as setting the cinematic template for the horror film. Broadly speaking, it’s an unofficial adaptation of Bram Stoker’s novel Dracula, with names changed for the purposes either of connecting to the German audience or avoiding copyright issues. While there have been numerous Dracula movie adaptations and spin-offs over the years, remakes of the 1922 film are comparatively few and far between; prior to the current film, Werner Herzog notably made Nosferatu the Vampyre (1979).

Eggers is a great admirer of the 1922 film, and originally planned to remake it after The Witch (2015). It’s not hard to see why. His films have about them a terrible sense of dread, of dire events about to occur. Like F.W. Murnau, he is a great visual stylist (although the silent film industry of the 1920s was very different to the far more sophisticated sector of today). The film has had time to marinate in his head for the best part of a decade, which has probably done the project no harm at all.… Read the rest

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Art Features Live Action Movies

Nobody Likes Me
(Nikdo Mne Nemá Rád)

Directors – Petr Kazda, Tomáš Weinreb – 2024 – Czechia, Slovakia, France – 105m
*****

The female gaze. An introvert woman finds love in an unlikely place where, it turns out, there are catches – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

A figure stands in interior darkness. Watching. She moves forward. She lies down on the bed. She sits up. She makes and eats a simple breakfast. She stands on a moving tram; the brown autumn leaves behind her. At her desk, wearing her military uniform, Sarah (Rebeka Poláková) details to the Commander his itinerary for the day, and fields requests from others for his attention. She seems content in her work.

One evening, Sarah sees a woman across the street in physical difficulty. Perhaps she should help but, frozen on the spot, she stares. The woman starts to throw up – presumably she’s had too much to drink. A man appears from nowhere and comes to the woman’s aid. Sarah can’t take her eyes off him. The female gaze. He looks back at her. She looks back at him.

She gets on well with her dad, a doctor, who she regularly visits at his surgery for health check-ups.… Read the rest

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Dreaming of Lions
(Sonhar com Leões)

Director – Paolo Marinou-Blanco – 2024 – Portugal, Brazil, Spain – 85m

****

A woman diagnosed with terminal cancer signs up with a corporate programme allegedly aimed at helping people in her situation to humanely end their own lives – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

“Chemo never worked. So I decided to beat the fucker to the punch.” Thus says Gilda (Denise Fraga) at the start of this tale about voluntary euthanasia. Gilda has cancer and a year and a half left to live. She exasperates her husband when he hilariously stumbles into the bathroom as she’s trying to shoot herself in the head, both of them winding up in hospital as a result.

She is determined to kill herself. If she does nothing, the condition will take its course and the end of the process won’t be pleasant. In the hospital, she picks up a leaflet of a company which might provide some help for those considering voluntary euthanasia. So Gildagoes for an interview with Joy Transition International and finds herself facing a panel of three: Isa (Joana Rebeiro), Eva (Sandra Faleiro), and Bruno (Alexander Tuji Nam).

Isa has her mouth fixed in a somewhat ingratiating, permanently lipstick-painted smile.… Read the rest

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A Woman Judge
(Yeopansa,
여판사)

Director – Hong Eun-won – 1962 – South Korea – 87m

***

A woman becomes a judge at a time when the idea of women in such professions is unheard of – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Heo Jin-suk (Moon Jeong-suk from Aimless Bullet, Yu Hyun-mok, 1961; The Devil’s Stairway, Lee Man-hee, 1964) wants to be a judge, traditionally a male profession. Her childhood sweetheart Wan Dong-hoon (Park Am from Promise of the Flesh, Kim Ki-young, 1975; The March of Fools, Ha Gil-jong, 1975) always assumed they were destined to be married. He too has entered the professions, in his case as a doctor. That’s okay for him, being a man, but for her, he thinks it will conflict with her duties as a wife and mother. So she dumps him. 

This looks like being a mistake since, on some level, his motives are pure. Instead, she ends up married to Chae Gye-sik (Kim Seok-hun) – not so much because of the man but because his social climber father, CEO of Sangyeon Construction Chae Sung-jin (Kim Seung-ho) thinks marrying off his son to one of the first female judges would be a really good idea, not least since it might put him in a useful position to be able easily bribe a member of the judiciary. … Read the rest

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Starve Acre

Director – Daniel Kokotajlo – 2023 – UK – Cert. 15 – 98m

***

As a couple become mired in grief following the death of their son, their behaviour turns increasingly obsessive, erratic and violent – terrifying and unsettling folk horror is out in UK cinemas on Friday, September 6th and on Blu-ray, DVD and BFI Player from Monday, October 21st

Thinking the fresh air of the countryside will benefit their son’s health, the family of Richard (Matt Smith), Juliette (Morfydd Clark), and their young son Owen (Arthur Shaw) move from their urban home to the wilds of the Yorkshire countryside and the house, named Starve Acre, in which Richard grew up. Owen doesn’t respond too well to the new environment. An unfortunate incident occurs offscreen at a village event, in which an animal gets stabbed in the eye and Owen’s clothing is stained with blood.

His understandably concerned parents take him to Dr. Monk (Roger Barclay) for advice. It isn’t immediately obvious as to what exactly is wrong, and the situation is set to worsen for the couple.

In Richard’s opinion, it doesn’t help that their hardened, elderly neighbour Gordon (Sean Gilder) visits quite often to fill the boy’s head with tales of a mysterious Jack Grey.… Read the rest