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ManHunt
(Zhui bu,
追捕)

Director – John Woo – 2017 – China, Hong Kong – Cert. 15 – 109m

*****

Hong Kong action director John Woo’s return to form – currently on Netflix.

The late Japanese actor Ken Takakura who died in 2014 appeared in more than 200 films and made his name playing ex-cons and gangsters for Toei studios between the mid-fifties and mid-seventies. He was a major inspiration for Hong Kong director John Woo who here remakes the 1976 Takakura vehicle Manhunt.

Du Qiu (Chinese actor Zhang Hanyu) finds himself in a Japanese bar swapping notes on movies with the mama-san Rain (Korea’s Ha Ji-won). Almost immediately, a loutish group of men in suits storm into the same bar to demand he leaves so she can give them her full attention. Once he’s gone, Rain and her partner Dawn (the director’s daughter Angeles Woo) proceed to gun down the suits, the camera whirling around them as Woo choreographs the mayhem.

Du is a lawyer working for a pharma company. The morning after a huge corporate event he wakes up to find a dead woman (Tao Okamoto) lying next to him in his bed. Implicated in her murder, he goes on the run.… Read the rest

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Animation Features Movies

Over The Moon

Directors – Glen Keane, John Kahrs – 2020 – US, China – Cert. U – 95m

*****

A girl bereaved of her mother builds a rocket to the moon to prove the goddess Chang’e is real and convince her father not to re-marry – animated feature in cinemas from Friday, October 16th and on Netflix from Friday, October 23rd.

In Chinese mythology, archer Houyi’s wife Chang’e consumed an immortality potion then went to the moon where she mourned her lost love. The tale is also the basis of the Mid-Autumn Moon Festival celebrated in many countries in the Far East. Using the mythology as a backdrop, the late screenwriter Audrey Wells crafted an extraordinary story about a girl who fails to properly deal with bereavement when her mother dies.

The figure of Chang’e acts as a metaphor for Fei Fei (voiced by Cathy Ang) who wants her dad (voice: John Cho) to be faithful to his late wife. When dad introduces a new mum Mrs. Zhong (Sandra Oh), with a new and irritating little brother Chin (Robert G. Chiu) in tow, she decides that to convince him to remain true to mum, she must go to the moon and prove Chang’e real, which will convince her dad to do the right thing.… Read the rest

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Animation Features Live Action Movies

Capital
In The
21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest

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Features Live Action Movies

The Eight Hundred
(Ba Bai,
八佰)

Director – Guan Hu – 2019 – China – Cert. 15 – 149m – IMAX

****1/2

Hopelessly outnumbered Chinese soldiers take a last stand against the Japanese in a Shanghai warehouse – available to rent online in the UK & Ireland as part of the Domestic Hits strand in the Chinese Cinema Season 2021 which runs until Wednesday, May 12th

1937, the Sino-Japanese War. The Chinese have fallen back to , Shanghai as the Japanese advance. Rounding up Chinese deserters, Colonel Xie (Du Chun) and his men of the National Revolutionary Army (NRA) hole up in the Sihang warehouse on the other side of the Souzou Creek from the International Concession from which the horrified civilians compulsively watch the conflict unfold.

A Western movie covering such a subject would likely introduce us to specific soldier characters at some length, possibly derailing the larger narrative to do this. The Chinese here do it rather differently. They take the overall sweep of the story and drop the characters in to it. There are deserters, there are brave and heroic fighters and there are men who move from the former to the latter group. The writers also sketch civilian characters living across the river.… Read the rest

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Features Live Action Movies

Sheep Without
A Shepherd
(Wu Sha,
误杀)

Director – Sam Quah – 2019 – China – Cert. 15 – 112m

*****

A family stands together when their daughter kills the local police chief’s son who is both a rapist and blackmailer – available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland.

This opens with a prison break in which the escapee ends up interred in a coffin next to the corpse of the man who was trying to get him out. That turns out to be a story told by Li Wiejie or Jie for short (Xiao Yang), an insatiable watcher of detective and crime thrillers. The film lays its cinematic cards on the table almost immediately by referencing Hitchcock, montage, sound effects, excitement and The Shawshank Redemption (Frank Darabont, 1994). Sheep Without A Shepherd is in thrall to the West’s suspense movies and plays out like one while at the same time retaining its distinctive Chinese character with its emphasis on the importance of family ties and loyalty.

Jie and his wife (Tan Zhuo) run a small store in Thailand. Their daughter Ping known in the family as PingPing (Audrey Hui) persuades dad to fund her to go to summer camp where she is drugged and videoed being gang-raped by privileged brat Su Cha (Beety) and his pals.… Read the rest

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Features Live Action Movies

Mr. Vampire
(Geung See
Sin Sang,
殭屍先生)

Director – Ricky Lau – 1985 – Hong Kong – Cert. 15 – 96m

*****

The first ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

If your knowledge of vampire lore comes from Western movies about Dracula you’re in for some real surprises with the 1985 Hong Kong movie Mr. Vampire. This is the movie that put the Chinese hopping vampire on the map.

It’s evening, as mortuary assistant Man-choi (Ricky Hui) checks a number of upright standing corpses with talismans affixed to their foreheads. All present and correct. Behind him a corpse without a talisman advances towards him. By the time he’s realised this is fellow mortuary assistant Chau-sang (Chin Siu-ho) playing a prank, the resultant air flow has blown the talismans off the other foreheads and eight vampires are hopping towards them, Man Choi runs to fetch his employer, Master Gau (Lam Ching-ying)…

I review Mr. Vampire for All The Anime to coincide with the film’s UK Blu-ray release from Eureka! See also my Manga Mania review published back in the nineties to coincide with the film’s UK VHS release from Made In Hong Kong.… Read the rest

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Features Live Action Movies

Green Snake
(Ching Se,
青蛇,
lit. The Blue /
Green Snake)

Director – Tsui Hark – 1993 – Hong Kong – Cert. 12 – 99m

****1/2

Two sister snake spirits, the white snake and the green snake, enter our world to discover the mystery of human sexual love – from the London East Asia Film Festival (LEAFF)

China’s White Snake legend has spawned numerous adaptations including the recent, animated White Snake / Baishe: Yuanqi (Amp Wong, Ji Zhao, 2019) which boasts fast paced action and state of the art CG visuals. Tsui Hark is from another era: the legendary Hong Kong director who almost single-handedly bought Hollywood-style special effects to Hong Kong movie production in such epics as Zu Warriors From The Magic Mountain (1983) and the Once Upon A Time In China films (1991 onwards) alongside period romps like Peking Opera Blues (1986). For Green Snake, Tsui turned to Lillian Lee’s novel based on the White Snake legend which she adapted into a screenplay for him. Rather than tell the story from the perspective of the white snake as the original legend does, Lee shifts her narrative to the perspective of the younger, less experienced green snake.

In appearance, the two spirits start off as female humans down to the waist and snakes below, not dissimilar to Harryhausen’s half woman/half snake Medusa in Clash Of The Titans (producer and effects: Ray Harryhausen, 1981) but using full size puppetry/animatronic effects rather than stop frame animation.… Read the rest

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Features Live Action Movies

Wings Of Eagles

Serving the true God

Wings Of Eagles
Directed by Stephen Shin, Michael Parker
Certificate 12, 108 minutes
Released 12 March 2018

A sequel of sorts to Chariots of Fire, Wings Of Eagles tells the story of Eric Liddell’s missionary years in China. He’s played here by Joseph Fiennes, an actor who has grappled with one aspect or another of Christianity in several stories (Risen, The Handmaid’s Tale, Luther) and seems to thrive on roles like this. The film’s focus on British missionary work in China evokes The Inn of the Sixth Happiness about Gladys Aylward.

Liddell famously refused to run an Olympic race on Sunday, believing that no work should be done on the Lord’s Day. Later, he went to China with the London Missionary Society, taking his family with him, then sending them home after the Japanese invaded… [Read the rest]

Trailer:

Review originally published in Reform, March 2018.

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Features Live Action Movies

Mad World
(Yat Nim
Mou Ming,
一念无名)

Director – Wong Chun – 2016 – Hong Kong – 101m

*****

Mental health is no child’s play: all the odds seem to be stacked against a father’s struggles to care for his bipolar adult son, in a film that’s a sharp comment on Hong Kong’s failure to care for the most vulnerable – played in Creative Visions: Hong Kong Cinema 1997 – 2017, which took place in London between November 17th and 19th 2017

Lorry driver Wong (Eric Tsang) lives in a cramped apartment block in Hong Kong. He collects his estranged adult son Tung (Shawn Yue) from the hospital. Tung is bipolar and the doctors say there is nothing more they can do in order to help him. He must return home.

But “home” is less simple than it sounds. His mum (Elaine Jin) was bipolar, too. Dad walked out on the family years earlier. Tung resents him for it just as he resents his brother, his mother’s favorite, who impressed her by doing well in school and getting himself a lucrative job in the US where he now lives.

As he pointed out to his mother while she was still alive, it was Tung – and not his idolised brother – who stayed behind to look after her.… Read the rest

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The Killer
(Dip Huet Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Starring Chow Yun-fat, Danny Lee, Sally Yeh

What’s it all about?

On the verge of retirement, contract killer Chow accidentally blinds singer Yeh during a hit that goes wrong. Guilt-ridden, he undertakes one last killing for the money to pay for the operation to restore her eyesight. Meanwhile, policeman Lee is determined to bring him to book.

Why is it in our top 100?

Because it enabled Woo to cross over from a Hong Kong to an international audience – a much more personal work than A Better Tomorrow (1986) or Hard Boiled (1992), complete with trademark bloody, balletic, bullet-strewn violence and familiar themes of guilt, redemption and brotherhood.

Something to tell your mates

Chow (his surname) is both a huge star in the Far East and an incredibly versatile, talented and charismatic actor comparable to Robert De Niro or Cary Grant. The detail in facial expression lost on VHS video is very much intact on MIHK’s impressive 1994 PAL laserdisc.

Originally published in Home Entertainment as part of a One Hundred Best Movies on Home Entertainment Formats feature.

Trailer: