Tag: 3D animation

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Animation Documentary Features Live Action Movies Music

The Sparks Brothers

Director – Edgar Wright – 2021 – UK – Cert. 15 – 140m

****

The rollercoaster career of musical duo Sparks with its successful hits and intermittent lapses into obscurity – out in cinemas on Thursday, July 29th

There’s a story about John Lennon phoning Ringo Starr to say, “you won’t believe what’s on television – Marc Bolan doing a song with Adolf Hitler.” This was Sparks’ auspicious debut on BBC music show Top Of The Pops in the early 1970s playing what is probably their best known track, This Town Ain’t Big Enough For The Both Of Us, a broadcast estimated to have reached some 15 million people. Everyone was talking about this the day after – that’s mentioned here, and it’s something I myself remember from my own school days: the lively energetic singer (Russell Mael) and the suited, almost motionless, keyboard player (Ron Mael) with the slicked back hair and the Hitler moustache. The Hitler appearance may not have been deliberate, but that image of the duo – the extrovert and the introvert – has become the band’s enduring media image over the years.

TOTP 1974

One gets the impression from passing moments in this film that Charlie Chaplin was an equally formative presence for Ron – and though it’s never mentioned, Chaplin made the film The Great Dictator (1940) in which he played a Hitler type despot as well as a Jewish barber unfortunate enough to look like him…but I digress.… Read the rest

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Animation Art Features Movies

Snotty Boy
(Rotzbub)

Directors – Santiago Lopez Jover, Marcus H. Rosenmüller – 2021 – Austria, Germany – 95m

*****

A young artist with a predilection for large ladies with large breasts finds himself in confrontation with closet Nazi racists – from the Annecy 2021 Animation Festival in the Official Competition section

1968, the small, rural Austrian town of Siegheilkirchen. Teenage schoolboy Snotty Boy (voice: Markus Freistätter) is obsessed with members of the opposite sex. He is equally obsessed with drawing. He combines the two passions in making a flick book of newly arrived in town, large-breasted girl next door Trude (Katharina Straßer) in her underwear so he can watch her remove her bra whenever he wants.

Two boys at school, the enterpreneurial and duplicitous Spotface (Mario Canedo) and his side-kick Grasberger (Maurice Ernst) discover the book and befriend him so he can draw them pictures for sale to the town’s boys. Class swot and tell-tale Fridolin shows a purchased Trude drawing to his mother and gets Snotty Boy in trouble.

Such activities run counter to the way the authorities would have things. The school is run by a repressive priest (Juergen Maurer) who is first seen teaching his bored class of boys St. Paul’s admonition against fornication.… Read the rest

Categories
Animation Features Live Action Movies

The Lord
of the Rings:
The Fellowship
of the Ring
(Extended Edition)

The Lord Of The Rings: The Fellowship Of The Ring (Extended Edition)

Director – Peter Jackson – 2002 (2001) – New Zealand – Cert. PG – 229m

*****

(NB Extended Edition, in cinemas from Monday, July 24th 2020, 227m in cinemas due to extended frame rate = 218m version released on DVD 2004. Original theatrical cut: 178m)

It’s a very different thing writing about a new movie which you’re watching for the first time and an old movie with which you’re familiar. Even stranger when the movie concerned is an adaptation of a book with which you’re equally familiar. Odder still when the property exists in its original form (which was actually a side project of something else, Professor J.R.R.Tolkien’s Middle-earth project) but also in a highly regarded 13 x 1 hour BBC radio adaptation skilfully adapted by Brian Sibley.

Although it’s Tolkien’s material, for me it’s as if The Lord Of The Rings existed somewhere out there and Tolkien wrote it down in book form (Where does artistic creativity come from? Discuss) after which Sibley successfully wrote it down in radio drama form and Jackson and his two screenwriting collaborators Fran Walsh and Philippa Boyens turned it into a movie trilogy.… Read the rest

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Animation Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m (263m)

*****

(NB Extended Edition, in cinemas from Monday, August 10th 2020, 263m in cinemas due to extended frame rate = 252m version released on DVD 2004.)

This review of the 201m theatrical version was originally published in Third Way.

A much shorter review appeared in What’s On In London.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Tolkien’s The Lord Of The Rings is a labour of love by a brilliant academic obsessed by myth and language better at creating an alternate world than at story construction. Nowhere in the trilogy is this more evident than in The Return Of The King. Frodo’s trip to Mount Doom to unmake Sauron’s One Ring builds up incredibly to a climactic pivotal event running little more than a paragraph. This is followed by another hundred pages or so tying up loose ends, including a sequence in which evil wizard Saruman turns the Shire into a post-industrial dictatorship that’s trivial compared with the geographic enormity of what has gone before.

Jackson and co-writers wisely omit that sequence; indeed, in its last weeks of post-production his The Lord Of The Rings: The Return Of The King has chopped its scenes of Saruman (Christopher Lee) at Isengard – on the grounds that it slowed down the start.… Read the rest

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Features Live Action Movies

The Lost World:
Jurassic Park

Director – Steven Spielberg – 1997 – US – PG – 129m

***

UK PAL laserdisc review.

Originally published on London Calling Internet.

Given the original Jurassic Park (Steven Spielberg, 1993) movie left out some of the best bits of a brilliant book, had a plot so full of holes it was virtually transparent and still elevated itself to the level of technically groundbreaking, cinematic achievement (not to mention making more money than any other movie ever) the quality of any sequel movie was nothing if not uncertain. Michael Crichton’s uninspired follow-up novel, with all the un-Spielberg-y rough edges removed, didn’t bode well and while audiences flocked to see the second film, most critics responded poorly to it. Their main criticism – it has a weak plot. Or scarcely a plot at all.

Basically, having escaped Jurassic Park, chaos theorist Dr. Malcolm (Jeff Goldblum), his ideas this time round largely reduced to the repeated phrase “life finds a way”, journeys to the second island to bring back palaeontologist girlfriend Sarah Harding (Julianne Moore), who’s there documenting the dino-wildlife for founding billionaire Hammond (Richard Attenborough) before his nephew Peter Ludlow (Arliss Howard) – who has just wrested control of the InGen company from his uncle – arrives there with an army of men and an arsenal of big game hunting weapons under the command of big game hunter Roland Tembo (Pete Postlethwaite).… Read the rest

Categories
Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

Categories
Animation Features Movies

White Snake
(Baishe: Yuanqi,
白蛇：缘起)

Directors – Amp Wong, Ji Zhao – 2019 – China – 99m

****

A young man falls in love with a demon resembling alternately a woman and a giant snake, in this Chinese animated feature – now available on Amazon Prime

Conceived as a prequel to China’s White Snake legend which has spawned numerous adaptations including Green Snake / Ching se (Tsui Hark, 1993), this computer animated Chinese epic concerns demon sisters Blanca and Verta (voiced by Zhang Zhe and Tang Xiaoxi) who look to all intents and purposes like beautiful women but are actually demon snakes in disguise – a white snake and a green snake as you might guess from their names. With her power and form enhanced by her sister’s gift of a green hairpin, Blanca leaves the demon world and visits ours for a showdown with a human General trying to prove his worth to the Emperor by dabbling in occult rituals involving snakes. When the showdown doesn’t go as planned, Blanca finds herself alone and suffering a complete loss of memory as to who (and indeed what) she is.

She awakes in a small, human, rural village where the local economy is built on catching snakes for the General.… Read the rest

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Features Live Action Movies

Spring

Directors – Justin Benson, Aaron Moorhead – 2014 – US – Cert. 15 – 109m

*****

UK release date 22/05/2015

The New Girlfriend

The New Girlfriend (Une Nouvelle Amie)

Director – François Ozon – 2014 – France – Cert. 15 – 108m

*****

UK release date 22/05/2015

Both these films can easily be ruined by spoilers, so be wary of reading reviews or cinema blurb or even watching trailers before you see them. That said, the following is spoiler free. Now read on.

Spring

The single, male protagonist of US indie Spring suffers serious emotional trauma then becomes involved with a woman who is not all that she seems. The married, female protagonist of French maverick Ozon’s The New Girlfriend – based on a book by Ruth Rendell who passed away last month – suffers serious emotional trauma then becomes involved with a man who is not all that he seems. In both films, the question is: can their relationship survive?

Spring

Spring‘s Evan (Lou Taylor Pucci) witnesses the death of his bedridden mother. Distraught, he heads to the local bar, gets into drunken fight which ends up with his leaving the US to evade the police. He heads to Italy where he meets a bunch of Brit backpackers and indulges in more binge drinking, but everything changes when he meets and falls for the mysterious Louise (Nadia Hilker)… (This reviewer confesses that by this point – about ten minutes into the film – he wasn’t feeling much sympathy for the character – or, indeed, liking the film very much at all – but Evan’s subsequent relationship with Louise had him hooked.)… Read the rest

Categories
Animation Features Movies

Over The Moon

Directors – Glen Keane, John Kahrs – 2020 – US, China – Cert. U – 95m

*****

A girl bereaved of her mother builds a rocket to the moon to prove the goddess Chang’e is real and convince her father not to re-marry – animated feature in cinemas from Friday, October 16th and on Netflix from Friday, October 23rd.

In Chinese mythology, archer Houyi’s wife Chang’e consumed an immortality potion then went to the moon where she mourned her lost love. The tale is also the basis of the Mid-Autumn Moon Festival celebrated in many countries in the Far East. Using the mythology as a backdrop, the late screenwriter Audrey Wells crafted an extraordinary story about a girl who fails to properly deal with bereavement when her mother dies.

The figure of Chang’e acts as a metaphor for Fei Fei (voiced by Cathy Ang) who wants her dad (voice: John Cho) to be faithful to his late wife. When dad introduces a new mum Mrs. Zhong (Sandra Oh), with a new and irritating little brother Chin (Robert G. Chiu) in tow, she decides that to convince him to remain true to mum, she must go to the moon and prove Chang’e real, which will convince her dad to do the right thing.… Read the rest

Categories
Animation Features Live Action Movies

The Fabulous
Baron Munchausen
(Baron Prášil)

Director – Karel Zeman – 1961 – Czechoslovakia – Cert. U – 85m

*****

Available on Blu-ray/DVD and now on BFI Player too.

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.

Using not only live action but also every form of animation you can imagine, the 1961 Czech fantasy The Fabulous Baron Munchausen (BD/DVD, cert U, 85 mins) puts the infamous teller of tall tales in the company of a rational astronaut he meets on the moon for a series of improbable adventures. It’s a charming and delightful piece of escapism and a visual marvel from start to finish.

Director Karel Zeman has probably come closer than anyone to filming the equivalent of a moving woodcut and the whole thing is highly inventive throughout, challenging the very idea of what a film might look and feel like. Children and adults alike will be entranced. For good measure, the disc includes a documentary in which students try to recreate some of the film’s spectacular special effects.

Trailer here:

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.