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Fast X

Director – Louis Leterrier – 2023 – US – Cert. 12a – 141m

*1/2

In this latest entry in the Fast & Furious franchise, the son of a crime lord killed ten years ago sets out to exact his revenge on daredevil driver Dom Toretto and his family and associates – out in UK cinemas on Friday, May 12th

The tenth installment in the Fast & Furious franchise turns out to be the first part of a two-parter, with Fast X Part 2 now in preproduction. So don’t be surprised when this ends on a cliffhanger (actually a couple of cliffhangers).

Ten years ago, in Rio de Janeiro, crime lord Hernan Reyes was pursuing along a lengthy bridge two cars which had physically ripped the vault containing all his monetary wealth out of the middle of his headquarters building before dragging it behind them, during which Dom Toretto (Vin Diesel) turned back to swing the vault on its chain to crush the crime lord to death in his car Hernan’s son Dante (Jason Momoa) survived the incident, and has sworn to inflict suffering and death upon Dom and his family. This is the move (or at least the first of two) in which he gets to work that out.… Read the rest

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Lust, Caution
(Se, Jie,
色, 戒)

Director – Ang Lee – 2007 – China, Taiwan, US – Cert. 18 – 158m

*****

A Chinese student joins an assassination plot against a high-up Japanese collaborator, for which she must sleep with him – originally published in Third Way, to coincide with 4th January 2008 UK cinema release.

Some will consider this erotic espionage thriller a no-go area, while others will want to see it for its director. Mandarin Chinese language outing Lust, Caution is based on a short story which highly regarded Chinese author Eileen Chang spent decades honing. Taiwanese-American director Ang Lee (award winner for both Brokeback Mountain, 2005, and Crouching Tiger, Hidden Dragon, 2000) claims he hasn’t so much adapted Chang’s tale as, in collaboration with his cast, re-enacted it. Given her story concerns the activity of a troupe of actors, perhaps this isn’t so surprising.

Shanghai 1942. Mrs Mak, waiting for a rendezvous in a café, is not who she appears. She recalls how in China 1938 she was shy Wong Chia Chi (Tang Wei) who as a university student got involved with a drama group to encourage patriotism under Kuang Yu Min (Wang Leehom). Acting before an enraptured audience, she realises she has found her métier.… Read the rest

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A Light
Never Goes Out
(Deng Huo Lan Shan,
Dang Fo Laan Saan,
燈火闌珊,
lit. Waning Light)

Director – Anastasia Tsang – 2022 – Hong Kong – Cert. 15 – 103m

****

The widow of a Hong Kong neon sign maker attempts to fulfil his last wish in constructing a specific neon sign, despite new regulations outlawing them – out in UK cinemas on Friday, May 12th #ALightNeverGoesOut

Mei-heung (Sylvia Chang) hangs around an amusement arcade coming to terms with the loss of her husband Bill (Simon Yam) who died just six weeks ago. He believed in luck and wishes coming true, and once won on a machine she thought a scam by inserting a coin whilst facing away from the machine. In their younger days, he proposed to her by fixing various neon lights on timers so that every time she’d make a wish, a switched off neon street sign would light up. Discovering her hard-nosed, go-getter daughter Prism (Cecilia Choi from Detention, John Hsu, 2019) has dumped Bill’s effects at the local communal recycle bin, she tries to retrieve them, falling foul of a cop more interested in enforcing rules than community spirit.

Bill was a much better craftsman than businessman, and packed in his business ten years ago so as to obtain a university grant for Prism.… Read the rest

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Plan 75

Director – Chie Hayakawa – 2022 – Japan – Cert. 15 – 113m

**1/2

Dystopian drama Plan 75 posits a plan whereby Japanese people can voluntarily have themselves terminated after age 75 and examines some of the resultant social fallout – out in UK cinemas and on Curzon Home Cinema from Friday, May 12th

Sedate classical piano music is playing on the soundtrack. The image – out of focus, could be looking down a corridor. After a long wait, a man in a T-shirt and jeans walks, in focus, into picture foreground. There appears to be blood on his arm and he is carrying a shotgun. Ahead of him, as it now comes into focus, the corridor floor is sparsely scattered with objects: a cup and a bowl, an old person’s walking stick with four legs, something else which we can’t quite make out. He washes at the sink. Another corridor – a fallen walking stick, a pair of slippers, an abandoned bathrobe or perhaps a towel, a collapsed, half-folded wheelchair, wheel still spinning. T-shirt and jeans with shotgun descends the stairs. After a contentious voice over, T-shirt and jeans waits a long while, then points the barrel of the shotgun at his head and uses his feet to pull the trigger.… Read the rest

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Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

*****

A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out on UK Blu-ray/DVD combi and on BFI Player on Monday, May 8th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men is being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest

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Lakelands

Director – Robert Higgins, Patrick McGivney – 2022 – Ireland – Cert. 15 – 100m

****

The health of an amateur player of Irish football suffers after he gets badly beaten up one night, forcing him to withdraw from playing – out in UK cinemas on Friday, May 5th

Football. Violence. This is a film that soft-soaps neither, yet it has no interest whatever in any justice / revenge plot resolution, opting instead for a very different approach.

It’s actually quite a gentle, downplayed affair focusing on the after effects of violence on a person’s life. It’s a rare foray into the landscape of masculine sensibilities, in a far more thoughtful and considered way than is usual in the cinema. For a start, it’s framed by farming, with protagonist Cian (Éanna Hardwicke) working on his dad’s farm caring for livestock, mucking out cowsheds, driving in fence posts and so forth, a slow, seasonal pace of life. And then his involvement in football (in this case, Irish football, which isn’t something this reviewer has seen much of on the screen, or, indeed, anywhere) is presented as a driving passion in marked contrast to the farming; you get the impression of a full, worthwhile existence, punctuated by nights out drinking with fellow players in the local town’s pubs and clubs.… Read the rest

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The Blue Caftan
(Le Bleu Du Caftan)

Director – Maryam Touzani – 2022 – Morocco – Cert. 12a – 122m

****

A love triangle between a gay dressmaker, his wife and the man’s new apprentice, a movie which deserves to be cherished for a wide variety of reasons – out in UK cinemas and on BFI Player (rental) from Friday, May 5th

Halim and Mina (Saleh Bakri and Lubna Azabal) run a traditional clothing store in the street of one of the oldest medinas in Morocco. He inherited the store from his father, a maleem or master craftsman, and laments the fact that, with the rise of modern technology, the old skilled craftsman is dying out as people can buy the same products, made instead by machines, for lower cost. He gets very excited when his new apprentice Youssef (Ayoub Missioui) turns out to possess a rare aptitude and enthusiasm to learn those skills.

At the same time, Halim has a secret: in a conservative Muslim country where homosexual acts constitute a punishable offence, he is a gay man. He loves his wife dearly and would do anything for her, but his preference is for those of his own gender. She has learned to live with the fact.… Read the rest

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Godland
(Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. 12a – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – out to rent on Amazon Video, Sky Store, Chili, Rakuten TV, BFI Player and Curzon Home Cinema from Friday, May 5th

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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Infernal Affairs II
(Mou Gaan Dou II,
無間道II)

Directors Andrew Lau, Alan Mak – 2003 – Hong Kong – Cert. 15 – 119m

***

Prequel in which a cop begins undercover in the triads and a triad undercover in the cops – reviewed for What’s On In London to coincide with UK cinema release, Friday, August 6th 2004

Set mostly in 2002, Infernal Affairs detailed the power struggle between undercover triad member Ming (Andy Lau) in the police and undercover cop Yan (Tony Leung Chiu-Wai) in the triads. Neither star appears second time round, younger versions of their characters played instead by Edison Chen (Ming) and Shawn Yue (Yan). This strategy’s success is debatable since neither is as watchable.

More successfully, Eric Tsang and Anthony Wong reprise their roles as police inspector Wong and triad member Sam, with the original’s directors Andrew Lau and Alan Mak wisely placing these two rather than the youngsters centre stage. Hong Kong buffs will recognise worthwhile bit parts from Carina Lau (Days Of Being Wild, Wong Kar-wai, 1990) and Roy Cheung (City On Fire, Ringo Lam, 1987).

On one level, the film plays out as a buddy movie between honest, good-natured gangster (really) Sam and driven law enforcer Wong.… Read the rest

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Infernal Affairs
(Mou Gaan Dou,
無間道)

Directors Andrew Lau, Alan Mak – 2002 – Hong Kong – Cert. 15 – 98m

*****

Two moles: a cop undercover in the triads and a triad undercover in the cops – reviewed for What’s On In London to coincide with UK cinema release, Friday, February 27th 2004

Hong Kong thrillers are known less for clarity of plot than for bravura action sequences popularised by The Matrix (Larry and Andy Wachowski, 1999). But this latest cops and triads entry manages an interesting twist on the theme of the undercover operative. Or rather, in this case, two undercover operatives.

Ming (Fulltime Killer’s Andy Lau) is a triad member commanded at age 18 by Triad boss Sam (Eric Tsang) to become a mole on the police force. The latter’s tip-offs about rival gangs have over a decade taken Ming’s career through Criminal Intelligence Bureau sergeant to possible head of Internal Affairs investigating… informational leaks to the Triads. Himself!

Yan (Tony Leung Chiu-Wai from every other Hong Kong movie you’ve ever seen) is Ming’s nemesis: Sam’s enforcer and a Triad member since his teenage years. But Yan is actually an undercover cop, a fact known only to his recruiter Superintendent Wong (Hard Boiled’s Anthony Wong).… Read the rest