Category: Features

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Animation Features Live Action Movies

Ninjababy

Director – Ingvild Sve Flikke – 2021 – Norway – Cert. 15 tbc – 103m

*****

An artist draws constantly, her life punctuated with animated inserts, as she finds she is pregnant with a ninjababy – out in cinemas and on Curzon Home Cinema from Friday, September 10th. Also free to watch on All4 for 26 days from Friday, March 11th

Rakel (Kristine Kujath Thorp) is the messy one, Ingrid (Tora Christine Dietrichson) is the tidy one. They share a flat. All this is apparent from Rakel’s simple, sketched black lines on white background, animated plan of their flat. That opens this essentially live action film, which is thereafter punctuated by animation either in similar inserts or apparently drawn into the moving live action images e.g. on light areas of wall (this may be a special effect, but it’s an extremely low tech one).

Ingrid thinks something is up with Rakel – the larger breasts, the vast quantities of fruit drink consumed – could Rakel be pregnant? Do a test. Positive. To the abortion clinic. Sorry, 26 weeks and the legal limit is 12. That’s Mos-Aikido (Nader Khademi) off the hook, the sex with him (and it was good) was more recent.… Read the rest

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Features Live Action Movies

Till We Meet Again
(Yue Lau,
月老)

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 82

Director – Giddens Ko – 2021 – Taiwan – Cert. 15 – 128m

***1/2

A man ripped from his true love by a fatal lightning strike partners with another dead person as gods of love linking romantic souls together – out in cinemas on Friday, March 11th

A young man is struck by lightning in a thunderstorm and dies. When you die, it seems, you have the choice of reincarnating and going through another life (in whatever form that might take for you) or of staying behind as a god to help people during their lifetimes. For instance, you could be a god of love who helps people to find their soul mate.

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 82

At least this is what happens to lightning-struck Alan Shi (Kai Ko from The Road To Mandalay, Midi Z, 2016) who discovers parts of his face burned off and allocated a bureaucratic caseworker in echoes of movies as diverse as Beetlejuice (Tim Burton, 1988) and After Life (Horokazu Kore-eda, 1998). After some indecision and an encounter with the none too happy girl Pinky (Gingle Wang from Detention, John Hsu, 2019) in the next compartment, he opts to become a god of love and starts training as such.… Read the rest

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Features Live Action Movies

The Matrix:
Resurrections

Director – Lana Wachowski – 2021 – US – Cert. 15 – 148m

**

One of the original directors returns for a fourth film in the popular franchise – available to own on Digital Download from Monday, March 14th

Helmed by one of the directing duo behind The Matrix (1999), this is the fourth feature film in the popular franchise. Thomas Anderson (Keanu Reeves) is now the designer of the popular computer game The Matrix and being asked by owners Warner Bros. to make a fourth game, something he’s always decided he wouldn’t do. But under pressure from his boss, he capitulates. Tiffany (Carrie-Anne Moss) frequents his local coffee shop, but they don’t know each other. The hero of his game Neo is loosely modelled on himself while Tiffany reminds him of its heroine Trinity.

With these two stars of the original film and its sequels returning, this fourth film starts off like a rerun of the original with different or substitute characters: the feisty Bugs (Jessica Henwick) as a Trinity substitute fleeing a series of suits in dark glasses, running into a man claiming to be Morpheus (Yahya Abdul-Mateen II) who states, “I have to find Neo”.

And this is where The Matrix: Resurrections’ problems start to occur.… Read the rest

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Features Live Action Movies

Amulet

Director – Romola Garai – 2020 – UK – Cert. 15 – 99m

*****

A border checkpoint soldier moves into a suburban, London house with a dark secret in the attic – out on VoD on Monday, February 28th

Somewhere in Russia or Eastern Europe – it’s not clear exactly where – a soldier (Alec Secareanu) is billeted in an austere wooden hut within walking distance of the border checkpoint he mans between certain hours of the day. The rest of the time, he wanders in the local woodlands. In one location, he gets the urge to dig in the peaty earth and finds a small figure – the eponymous amulet – of a female deity.

One day, a woman (Angeliki Papoulia) runs down the road towards the checkpoint, despite his warnings that he’ll shoot her, then trips. He takes her in, introduces himself as Tomaz and lets her use the shelter of his hut. Eventually it comes out that Miriam wants to cross the border, over which her estranged husband took their daughter, with whom she wishes to be reunited.

Is this in his past? It it a dream? It’s not entirely clear. In another reality or time period, Tomaz (now with a beard) is an immigrant in London, living in a squat and struggling to hold things together with piecemeal building work.… Read the rest

Categories
Features Live Action Movies

Cyrano

Romantic self-doubt

Cyrano
Directed by Joe Wright
Certificate 12a, 124 minutes
Released 25 February

Edmond Rostand’s 1897 romantic play Cyrano de Bergerac concerns a man who, because of his long nose, considers himself too ugly to tell the girl of his dreams and childhood friend Roxanne that he loves her. This new version ditches the nose to cast Peter Dinklage (Game Of Thrones) as the hero whose dwarfism becomes his reason for thinking Roxanne (Haley Bennett) couldn’t possibly love him. Then she falls in love… with one of the men in the regiment he commands.

However… [Read more]

Full review published in Reform magazine.

See also my alternative review.

Cyrano is nominated for Best Costume Design in the 2021/22 (94th) Oscars.

Cyrano is out in cinemas in the UK on Friday, February 25th.

Trailer:

Categories
Features Live Action Movies

Cyrano

Director – Joe Wright – 2021 – UK – Cert. 12a – 124m

*****

The short stature of Cyrano de Bergerac makes him believe that no woman could ever love him – not even his beloved friend Roxanne, who he can’t bring himself to tell – out in cinemas on Friday, February 25th

17th Century Italy. Witty and articulate Captain of the Guard Cyrano de Bergerac (Peter Dinklage) is never at a loss for words. His rapier wit defeats any opponent, as does his rapier proper should any be foolish enough to challenge him to a duel. Being short in stature, he can’t imagine that any normal sized woman could love him for who he is.

He is therefore unable to confess his love for her to the beautiful Roxanne (Haley Bennett), the woman and lifelong childhood friend for whom he would do anything. So when she falls in love at first sight with Christian (Bashir Salahuddin), a new recruit to Cyrano’s regiment, Cyrano finds himself torn between her rejection and his desire for her to be happy with the man she loves. Unfortunately, this intelligent and free-spirited young woman enjoys nothing more than the literary cut and thrust which Cyrano is able to provide but the inarticulate and out of his depth Christian is not.… Read the rest

Categories
Features Live Action Movies

La Mif

Director – Fred Baillif – 2021 – Switzerland – Cert. 15 – 110m

*****

The lives of inmates in a girls’ care home, and the working lives of the staff who look after them – out in UK & Irish cinemas on Friday, February 25th

This ‘docudrama’ (for want of a better term) follows the residents of a Geneva care home for vulnerable young people.

Screaming blue murder, a young woman is escorted from the premises by a policewoman.

Lora (Claudia Grob), the manager of this care home, returns after time off to say “hi” to the girls. (The fact of her returning is thrown in to the narrative almost casually at this point; only later does its significance become apparent.) These girls are vulnerable children in the State’s care, and Lora feels like a mother to them. They, in turn, refer to the home – meaning themselves and the other girls, with their support workers on hand in the background as sort of substitute parents – as La Mif (French slang for “the family”; literally, “The Fam”).

Novinha (Kassia Da Costa) is a sassy, pushy teenager who talks frankly about sex, And everything else. Audrey (Anaïs Uldry) – the arrested girl from the opening – has been caught having sex with a boy three years younger than her; after this, the centre is turned into a home for girls only.… Read the rest

Categories
Features Live Action Movies

Detention
(Fanxiao,
返校)

Director – John Hsu – 2019 – Taiwan – 12A – 103m

****

Two Taiwanese students find themselves trapped in their school overnight under that country’s White Terror regime in 1962 – on Shudder (US, Canada) from Monday, February 21st

This is a real oddity: an adaptation of a video game set in a specific historic period of political turmoil. That period is Taiwan’s White Terror (1949-87) under which, among other things, numerous books were banned by the ruling Kuomintang party on the grounds of promoting left-wing or Communist ideas. Merely reading some of these books could provide grounds for execution.

Like the video game, the film is set in the Greenwood High School. It’s 1962 and boy and girl students Fang Ray-shin (Gingle Wang) and Wei Chong-ting (Tseng Jing-Hua) find themselves trapped overnight in the school building after flood waters destroy the access road to the school. What follows isn’t particularly linear in terms of its narrative as school corridors, walkways, rooms and halls are visited by various supernatural beings and become scenes of terror, torture and execution.

The elliptical and sometimes repetitive nature of the storytelling and its component images mean that the film isn’t always that easy to follow, at least not to Western audiences familiar with mainstream Hollywood narrative.… Read the rest

Categories
Features Live Action Movies

KIBA:
The Fangs Of Fiction
(Damashie
No Kiba,
騙し絵の牙)

Director – Daihachi Yoshida – 2020 – Japan – 112m

*****

Forward thinkers take on the conservative old guard within a Japanese publishing corporation – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

Megumi Takano (Mayu Matsuoka from One Night, Kazuya Shirashi, 2019; Shoplifters, Hirokazu Kore-eda, 2018; A Silent Voice, Naoko Yamada, 2016; Lesson Of Evil, Takashi Miike, 2012; Love Exposure, Sion Sono, 2008), daughter of local bookstore owner Takano (Shinya Tsukamoto), is as dedicated an editor as you’ll find anywhere in publishing. Alas, she lacks the political savvy needed to survive in its ruthless, corporate, dog-eat-dog world. When the owner of the publishing company Kunpu which employs her dies unexpectedly, she finds herself caught up in the machinations of a large organisation where some employees resist change while others plan to completely reinvent the business model to ensure the company’s survival, possibly at the expense of some of its employees.

Thus it is that new CEO Tamatsu (Koichi Sato from Fukushima 50, Setsuro Wakamatsu, 2020; Sukiaki Western Django, Takashi Miike, 2007; Where The Last Sword Is Drawn, Yojiro Takita, 2002) comes in with plans to restructure the company.… Read the rest

Categories
Features Live Action Movies

Spaghetti Code Love
(Supagetikodo Rabu,
スパゲティコード
・ラブ)

Director – Takeshi Maruyama – 2021 – Japan – 96m

***1/2

The intersecting lives of several young Tokyoites suggests they don’t know how to communicate with one another – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

A young woman hangs out in an amusement arcade. Suddenly she’s aware of a young boy. Running, shouting, “why me”. He needs something. She steps into the breach and – for a moment, at least – provides it by holding him tight, a surrogate mother, an understanding human connection.

How far this understanding goes, it’s impossible to say. We never find out the source of the boy’s malaise, we never learn anything more about the woman who holds him in the arcade. However they have connected on some level – physically and emotionally. And that’s what this film seems to be about.

It’s basically a series of character study vignettes in which the characters occasionally cross paths which could well have been written or conceived as a half dozen of so short films. They connect with or become alienated from one another. It’s set in Tokyo with a title suggestive of complex networks and computer language with the catch-all ‘love’ tacked on the end.… Read the rest