Tag: social deprivation

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La Haine

Director – Mathieu Kassovitz – 1995 – France – Cert. 15 – 98m

***1/2

Three disenchanted, immigrant youths from a banlieu estate take themselves to Central Paris for 24 hours – in cinemas from Friday, September 11th, on Blu-ray from Monday, November 16th and on BFI Player from Friday, December 18th

There’s a verbal story opening and underscoring La Haine. A man falls off a building. Each storey he passes in his descent, he says, “so far, so good…” “so far, so good…” “so far, so good…” It’s not how you fall, it’s how you land. Cue an image of planet Earth with a flaming Mototov Cocktail descending towards it.

Shot in stylish black and white and set in the aftermath of a riot in a Parisian banlieu, the film follows three young friends who beneath their tough guy street banter are concerned for their friend Abdel who has been hospitalized and may well die. While ‘banlieu’ translates literally as ‘suburb’, the French banlieu is at the rough, opposite end of the social scale from cosy, English ‘suburbia’. The banlieu is more like an English sink estate, full of people at the bottom of the social order, powerless, excluded.

This particular banlieu is home to immigrants of various different ethnic backgrounds: Sayid (Saïd Taghmaoui) is Arabic, Vinz (Vincent Cassell) Jewish and Hubert (Hubert Koundé) Black.… Read the rest

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Features Live Action Movies

Les Misérables

Director – Ladj Ly – 2019 – France – Cert. 15 – 104m

****

Exclusively in cinemas from Friday, September 4th

Although this takes its title from Victor Hugo’s eponymous novel, it’s not really an adaptation except in the loosest possible sense. It ends on a quote from the book:

“There are no bad plants, nor bad people – only bad cultivators.”

What it DOES have is a poor underclass and a bunch of cops whose job it is to keep them in order and keep the peace. An optimistic prologue shows the whole of France watching a world cup match and celebrating as France wins – a joyous, transcendent occasion and an example of how things could or ought to be.

Then it quickly shifts gear: three cops in their car patrol a poor housing estate. Chris (Alexis Manenti) is white with an in your face, tough guy approach that commands the residents ‘respect’. The equally tough and no-nonsense Gwada (Djebril Zonga) is black, generally more conciliatory and better at negotiating with local people on the ground. Newcomer Ruiz (Damien Bonnard), in his first day on the job, hails from the countryside and finds himself at odds with the approach of the other two, particularly Chris.… Read the rest

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Features Live Action Movies

Sócrates

Director – Alexandre Moratto – 2018 – Brazil – Cert. 15 – 71m

*****

In selected UK cinemas and digital rental platforms including Barbican Cinema on Demand, BFI Player, Curzon Home Cinema and Peccadillo Player from Friday, September 4th

It’s morning in coastal São Paulo. Sócrates (Christian Malheiros), 15, goes in to see his mum in her room. But she doesn’t wake up. He is consumed with grief. The lady social worker talks to him, but his emotions are so consuming he can’t hear her. She tells him, if a guardian can’t be found, he’ll be put in a home.

He doesn’t want that, but if he’s to stay where he is, the rent has to be paid. He works his mum’s literally crappy job cleaning lavatories with a co-worker, but the boss won’t give Sócrates his mum’s money, she must collect it in person. He prints out fliers of his resume, negotiating a three payments of 50 cents deal with the shop manageress, and hands them out. He gets a lead on a shop that’s hiring and lies about his age on the form, an untruth that will disqualify him for the job when they fact-check.

A thick, red comb in the bathroom holds some of his mother’s hair.… Read the rest