Philip K. Dick Archives - Jeremy C. Processing

Director – Paul Verhoeven – 1990 – US – Cert. 18 – 113m

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UK Release: July 27th 1990

Arnold Schwarznegger’s mind has been stolen – and he’s got to go to Mars to get it back! The seeming perpetrator of this heinous crime is Recall Incorporated, a travel company with a difference: they implant memories of the required holiday destination and period in the client’s brain, and it seems to him that he’s having that holiday then. Recall’s latest deal even allows the client to take a break from his/her personality for the period purchased. Arnie opts for two weeks on Mars as a secret agent.

While the requirements of megabudget Hollywood film making often water down the end result, the premise of this film – fashioned after SF author Philip K. Dick’s We Can Remember It For You Wholesale – is not only imaginatively preposterous but also so utterly cinematic that it has a phenomenal amount going for it right from frame one.

Add to this not only Schwarznegger but his contractually binding choice of director being none other than Dutchman Paul Verhoeven (The Fourth Man, 1983; Robocop, 1987) plus a final price tag which might well be as high as $70m, and you can see why expectations on this movie are so high.… Read the rest

Blade Runner –
The Director’s Cut

Director – Ridley Scott – 1993 (1982) – US – 15 – 116 mins 29 secs

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DO FILM EXECS DREAM OF ELECTRIC UNICORNS?

One of the two main motivating forces behind the current Tetsuo II: Body Hammer (Shinya Tsukamoto, 1992) – the other was Videodrome, (David Cronenberg, 1983) – Blade Runner turns up in the cinema here some ten years after its original release in a Director’s Cut.

According to the press handouts, this isn’t just the original cut prior to Warner Bros.’ encouraging director Ridley Scott to remove the downbeat ending and insert a film noir voice over to explain what was going on – the film has additionally been re-edited by the director to make it work for a nineties audience.

Thus, the redundant voice over has gone and the original down ending is back – to make more sense of the story. There’s also a new and crucial sequence in which Harrison Ford as Deckard (an ex-cop, or ‘blade runner’, who forcibly retires renegade androids known as ‘replicants’) dreams of a unicorn which looks suspiciously like an out-take from the director’s later big budget fairytale flop Legend (1985). The relationship between Deckard and the state-of-the-art replicant Rachel (Sean Young) (“she doesn’t even know,” he comments bitterly) is expanded too.… Read the rest