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Joker

Director – Todd Phillips – 2019 – US – Cert. 15 – 122m
****1/2

Put on a happy face. Batman spin-off is a remarkable origin story / character study of one of that franchise’s great villains – in cinemas from Friday, October 4th

Arthur Fleck lives in a cramped apartment with his ageing single parent mother and dreams of being a successful comedian. They regularly watch the nightly Murray Franklin Show on TV together. One time Arthur was on the show in the audience and was a big hit as a heckler. Later, a video recording of him doing an act in a club, described by Murray as proving you can’t be funny just by laughing, gets such a strong audience reaction that he’s invited as a guest on the show.

There’s such a lot going on in this film that you could omit certain elements and write a number of very different – but accurate – synopses. One would involve rich entrepreneur Thomas Wayne running for mayor, believing that any poor person can improve their lot just by trying harder, inspiring a Gotham-wide protest which culminates in anarchic riots by people wearing clown masks. Another would involve Arthur’s being mugged by a gang of youths, being given a gun by fellow clown Randall (Glenn Fleshler), shooting three well-heeled but out of order suits on the subway, and becoming a serial murderer who brands himself Joker on prime time TV.… Read the rest

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The Dark Knight
The IMAX Experience

Director – Christopher Nolan – 2008 – US – Cert. 12a – 152m

*****

If you see The Dark Knight in an ordinary cinema rather than IMAX 70mm, you haven’t seen it at all – review originally published in Third Way in 2008.

The Caped Crusader is as significant a figure in the media landscape as he is on the Gotham City skyline. Ever since revisionist graphic novel The Dark Knight Returns (1986) suggested that the methods of a so-called hero who went around beating up villains might in fact be less than heroic, the complexity of the character has become increasingly apparent. In print, the high point has been the Red Rain trilogy (1991-98), which reinvented the character as a vampire! Hollywood has jumped on the bandwagon in the last two decades with two quirky Tim Burton movies, two vacuous, family-friendly Joel Schumacher sequels and two darker Christopher Nolan outings (Batman Begins and this one).

Nolan’s entries have focused on Batman / Bruce Wayne (Christian Bale) rather than simply on Batman, whose masked vigilante is less a fabrication than his everyday millionaire playboy alter-ego. Bruce is trapped between wanting to protect the city from criminals and the dubious methods he employs to do so as Batman.… Read the rest

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Batman
(1989)

Director – Tim Burton – 1989 – US – 12 – 126 mins

****

Batman amalgamates Blade Runner, Brazil, Star Wars and Vertigo while giving more screen time to its villain than its title character – UK release: August 11th, 1989

“What kind of a world is this where a man in a bat costume gets all my press?”, a confused Joker (Jack Nicholson) asks his aides. A fair question since Batman gives more screen time to its villain than its title character. Actually, it’s a movie that looks not unlike Brazil (Terry Gilliam, 1985), although it lacks that movie’s depth, with elements of Blade Runner (Ridley Scott, 1982), three scenes from Vertigo (Alfred Hitchcock, 1958) and one from Star Wars (George Lucas, 1977) thrown in for good measure. The screenplay compresses an incredible volume of action and about the right amount of necessary plot into its two hours, ensuring the audience gets its money’s worth.

Curiously, Batman (Michael Keaton) himself is simultaneously a peripheral, shadowy character in the background and the film’s main protagonist; this leaves much scope for further character development. Visually, he’s a vigilante Devil who drops in on unsuspecting criminals to mete out justice – an image at odds with the script’s paradoxical portrayal of him as a hi-tech policeman or James Bond figure.… Read the rest