defraud Archives - Jeremy C. Processing

Director – Shen Ao – 2022 – China – Cert. 15 – 129m

***

A rising star computer programmer and a dropped model are lured into working as forced labour for a fraudulent, foreign online gambling operation – out in UK cinemas on Friday, September 8th

Zhao Dongran (Yong Mei), the knowledgeable head of a well-equipped Chinese police team fighting internet fraud, gives a lecture in which she outlines the story of a top flight programmer lured into the shady world of gambling beyond China’s borders.

The talented Pan Sheng (Lay Zhang), after being passed over for a promotion in favour of a not-especially talented young relative of the boss, opts for his safety net – a job offer from a company in Singapore. Along with a number of other recruits, he boards the plane with company rep Cui (Sunny Sun from The Crossing, Bai Xue, 2018), who is in charge of them, but in Singapore the deal rapidly turns sour when in an alleyway the group are rounded up by thugs with baseball bats to be transported to the corporate compound which amounts to a slave labour camp from which Lu (Eric Wang) runs an online gambling company which is in fact a scam defrauding millions of people, many of them in China.… Read the rest

The Handmaiden
(Ah-ga-ssi,
아가씨)

Director – Park Chan-wook – 2016 – South Korea – Cert. 18 – 155m

****1/2

Available on BFI Player from Friday, March 18th

Weighing in at a lengthy two and a half hours, this lavish, sexually-explicit, South Korean pot-boiler is based on Sarah Waters’ 2002 novel Fingersmith, but moves the location from Victorian England to Japanese colonial-era Korea.

Waters’ tale concerns a conman’s plot to marry and then defraud a wealthy English heiress by confining her to an asylum. He bribes a young London pickpocket (the titular ‘fingersmith’) to take on a job as the wealthy lady’s maid, hoping to get her to persuade the woman to marry him. However, his plan falls apart when the two women fall for each other.

When director Park Chan-wook discovered the BBC had already made a 2005 miniseries, he transposed the plot to 1930s Korea (a Japanese colony at the time), co-writing his script with regular female collaborator Jeong Seo-kyeong. Broadly speaking, it substitutes well-off Japanese for well-off English, and Koreans for everyone else. The print being released in UK cinemas helpfully subtitles Japanese dialogue in yellow and Korean dialogue in white… [Read the rest]

Reviewed for All The Anime.… Read the rest