Tag: battle

Categories
Features Live Action Movies

The Lord
Of The Rings:
The Return
Of The King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m (263m)

*****

(NB Extended Edition, in cinemas from Monday, August 10th 2020, 263m in cinemas due to extended frame rate = 252m version released on DVD 2004.)

This review of the 201m theatrical version was originally published in Third Way.

A much shorter review appeared in What’s On In London.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Tolkien’s The Lord Of The Rings is a labour of love by a brilliant academic obsessed by myth and language better at creating an alternate world than at story construction. Nowhere in the trilogy is this more evident than in The Return Of The King. Frodo’s trip to Mount Doom to unmake Sauron’s One Ring builds up incredibly to a climactic pivotal event running little more than a paragraph. This is followed by another hundred pages or so tying up loose ends, including a sequence in which evil wizard Saruman turns the Shire into a post-industrial dictatorship that’s trivial compared with the geographic enormity of what has gone before.

Jackson and co-writers wisely omit that sequence; indeed, in its last weeks of post-production his The Lord Of The Rings: The Return Of The King has chopped its scenes of Saruman (Christopher Lee) at Isengard – on the grounds that it slowed down the start.… Read the rest

Categories
Features Live Action Movies

The Lord
Of The Rings:
The Fellowship
Of The Ring
(Extended Edition)

The Lord Of The Rings: The Fellowship Of The Ring (Extended Edition)

Director – Peter Jackson – 2002 (2001) – New Zealand – Cert. PG – 229m

*****

(NB Extended Edition, in cinemas from Monday, July 24th 2020, 227m in cinemas due to extended frame rate = 218m version released on DVD 2004. Original theatrical cut: 178m)

It’s a very different thing writing about a new movie which you’re watching for the first time and an old movie with which you’re familiar. Even stranger when the movie concerned is an adaptation of a book with which you’re equally familiar. Odder still when the property exists in its original form (which was actually a side project of something else, Professor J.R.R.Tolkien’s Middle-earth project) but also in a highly regarded 13 x 1 hour BBC radio adaptation skilfully adapted by Brian Sibley.

Although it’s Tolkien’s material, for me it’s as if The Lord Of The Rings existed somewhere out there and Tolkien wrote it down in book form (Where does artistic creativity come from? Discuss) after which Sibley successfully wrote it down in radio drama form and Jackson and his two screenwriting collaborators Fran Walsh and Philippa Boyens turned it into a movie trilogy.… Read the rest

Categories
Features Live Action Movies

The Lord
Of The Rings:
The Two Towers
(Extended Edition)

Director – Peter Jackson – 2003 (2002) – New Zealand – Cert. 12a – 225m

*****

(NB Extended Edition, in cinemas from Monday, July 27th 2020, 235m in cinemas due to extended frame rate = 225m version released on DVD 2004. Original theatrical cut: 199m)

This always had the problem that it’s the second film in a trilogy. If you think you might want to watch all three, you’ll watch the first movie. If you want to see how the story ends up, you might possibly jump straight in at the last movie (although to be honest, you’d be better watching the first movie The Lord Of The Rings: The Fellowship Of The Ring and then if you like it the other two as well.)

That said, both this second movie The Lord Of The Rings: The Two Towers and the third film The Lord Of The Rings: The Return Of The King deal with the problem of opening the film admirably, in both cases doing so in creative ways. This one leaps back to Gandalf being dragged down a chasm by a Balrog in FOTR and then, once we think we’re getting closer to finding out what happened, has Frodo waken from a dream.… Read the rest

Categories
Animation Art Movies Shorts

The Battle Of San Romano

Director – Georges Schwizgebel – 2017 – Switzerland – 2m 26s

*****

The Battle Of San Romano is the fourth of 13 Original Short Films in the Annecy Festival 2020’s selection for We Are One: A Global Film Festival.

This film is based on the eponymous painting by Paulo Uccello in London’s National Gallery which has produced this helpful filmed talk about it. The painting’s subject matter is a 1432 battle between two regional Italian armies. The camera as we know it today didn’t exist at that time and had it done so, Uccello might anyway not have been very interested in using it to record an historical record as such. He seems to be more interested in constructing representational images, forms, and the illusion of three dimensional space.

What interests Schwizgebel is not so much the subject of the painting but the painting itself. It’s a study of the painting in much the same way that painters make studies of subjects with a view to exploring them, perhaps for use in a larger composition. Whether he is employing animation in quite the right medium is debatable. When I say medium, I mean that of the short film.

This short feels less like a film with a beginning, middle and end and more like a cycling loop of images which could go on for ever, so much so that I’ve found myself going back to it and re-watching in whole or in part.… Read the rest

Categories
Features Live Action Movies

The Lord
Of The Rings:
The Return
Of The King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m

*****

(NB Extended Edition, in cinemas July 2020, 252m version released on DVD 2004)

This review was originally published in What’s On In London.

A much longer review appeared in Third Way.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Peter Jackson and co-screenwriters Boyens and Walsh rise admirably to the considerable challenges posed by The Lord of the Rings’ third and last volume. Gandalf comments early on that Saruman no longer has any real power, jettisoning that evil wizard (and Christopher Lee) plus related Scouring Of The Shire plot strand to make Tolkien’s lengthy section following the Mount Doom climax more manageable

However all the book’s requisite material is here, brilliantly condensed. The Mount Doom scene itself – far too quick in Tolkien after the incredible build up preceding it – is expanded and so given the necessary dramatic weight. Liberties taken with The Paths Of The Dead likewise serve the narrative well. Jackson’s opening is as unexpected and stunning as that of The Two Towers, while his finale effectively pictures Tolkien’s closing metaphor for life after death.… Read the rest