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Animation Features Live Action Movies

It Comes
(Kuru,
来る)

Director – Tetsuya Nakashima – 2018 – Japan – 133m

****

A monster relentlessly pursues its victims until one day it comes to take them away forever – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

This is basically a monster film in which the monster is a bogeyman or evil spirit who after taunting potential victims – usually children – for a long time, then turns up and abducts them from this world into its own. You never see the monster: it’s all conveyed by preparation, suggestion and effect, and the characters’ actions and reactions.

And although the monster is apparently intent on abducting the child, various adult characters who appear to be significant protagonists suddenly get abducted by it. While it’s nowhere near the same league, in this respect, the film resembles Psycho (Alfred Hitchcock, 1960) i.e. a significant character is despatched part-way through leaving another character to step into their shoes for the remainder.

The monster as such never physically appears (or, at least, we in the audience never actually see it) – its appearance is often presaged by following peculiar occult instructions, e.g. laying out multiple bowls of water on a corridor floor, or breaking all the mirrors in the house, accompanied by frenzied editing of quasi-abstract footage including camera-less animation (the sort of thing Len Lye and Norman McLaren used to make in the 1930s at the UK’s GPO Film Unit).… Read the rest

Categories
Features Live Action Movies

Everything
Everywhere
All At Once

Director – Daniels (Daniel Kwan & Daniel Scheinert) – 2022 – US – Cert. 15 – 139m

*****

Do you know kung fu? A launderette owner in trouble with the IRS is sucked into serial, parallel worlds to defeat the being who threatens to annihilate the multiverse – available on demand in the UK from Monday, June 13th

You could describe it as a Cubist take on The Matrix. Or a mother-daughter relationship drama. Or a multiverse movie. Or a film about filing taxes with the IRS. Or a (multiple set of) romance(s). Or a Michelle Yeoh action movie. Or a Chinese American movie. Or a film put together unlike any other you’ve ever seen. All these descriptions would be accurate.

Chinese American Evelyn Wang (Michelle Yeoh) runs her own business. A launderette (or laundromat in American parlance). She sits at the table in her apartment which is covered with piles of receipts. She is sorting through them in preparation for an upcoming interview with the IRS. She isn’t sure she’s ready.

This pressing issue aside, her life is not without its challenges. Her husband Waymond (Ke Huy Quan, formerly the kid from Indiana Jones And The Temple Of Doom, Steven Spielberg, 1983; The Goonies, Richard Donner, 1985) is attempting to file for divorce and wants her to sign the papers.… Read the rest