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Hani
(Hani)

Director – Hou Dasheng – 2024 – Canada – 73m

*

In a remote, Southern Chinese mountain village, a 14-year-old needs the money for the dowry to buy his 12-year-old sweetheart as a wife – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Credited on the Festival’s website as a Canadian production in the Burmese and Chinese languages, this is a Chinese-made film not sanctioned by the Chinese authorities dealing with subject matter which the filmmakers fear would not be passed by the Chinese censor. The caption review suggests that a number of the film’s cast and crew have used pseudonyms to avoid prosecution. The narrative takes place in the mountainous, Southern region of China close to the border with Myanmar, where people are known by their Burmese names, but occasionally refer to other people by their Chinese names. You get the feeling that this area of China has been largely forgotten by the distant Beijing authorities.

The central characters are young teenagers or pre-teenagers, Hani (14; Gao Xiaokang) and his friend Apao (Qian Long), who seems to be frequently seeking advice from others on his mobile phone, and Hani’s longtime sweetheart Pushiha (12; Pu Juan).… Read the rest

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Nowhere to Hide
(Injeong Sajeong
Bol Geot Eobtda,
인정사정 볼 것 없다)

Director – Lee Myung-se – 1999 – South Korea – Cert. 15 – 100m, 113m

***1/2

A cop determinedly pursues a gangland killer in a city where, since he committed the murder for which he is bing hunted, it always appears to be heavily raining – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Effectively a four-hander – an impulsive detective, his partner on the force, a ruthless killer gangster and his long-suffering girlfriend. Like a slobbish, South Korean version of Chow Yun-fat without the charm, Park Joong-Hung is the Oriental action movie homage-named Inspector Woo, who before the titles have rolled has pursued a black-clad gang into an underground train for a machete fight, shot in stylish, bleached black and white for no apparent reason.

The ground is covered in Autumn leaves, recalling The Conformist (Bernardo Bertolucci, 1970). The downtown location of public stairway 40 Steps has a schoolgirl look up and see it begin to rain, the torrential downpour continuing for the two months and more of the remainder of the narrative. A man leaves his car to ascend the steps; halfway up, he approaches another man (Song Young-chang) and kills him, even as the victim stretches out his hand in a futile attempt to keep his murderer’s knife at bay.… Read the rest

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Black Dog
(Gou Zhen,
狗阵)

Director – Guan Hu – 2023 – China – Cert. 12a – 106m

***1/2

An ex-con returns to his home town, which is infested with wild dogs, and befriends a stray – out in UK and Ireland cinemas on Friday, August 30th

Looking down from the edge of a slope towards Gobi Desert scrubland. In the distance, a coach moving along a road. Suddenly, a large pack of wild dogs come out of nowhere and charge down the slope. The startled bus topples over. The dogs are gone, the driver is getting everyone out of the bus. A man complains that his money, his life savings, have gone. He needs that money. Who has taken it? They are about ten miles from Chixia. One of those on the bus is Lang’s son. The police are called, they arrive and help get the bus back upright. Lang Yonghui (Eddie Peng), as required, shows an officer his parole ID. Lang walks behind the slow moving bus as the police escort the coach to Chixia.

As an announcement warns of a black dog seen around the town that may well be carrying rabies, Lang is strip searched at the station while the other passengers wait to be interviewed.… Read the rest

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Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest

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Lost In The Stars
(Xiao Shi De Ta,
消失的她)

Directors – Cui Rui, Liu Xiang – 2022 – China – Cert. 15 – 121m

*****

A man’s wife vanishes and is replaced by an imposter; when no-one believes him, he hires a hotshot lawyer to find out what’s happening and get his real wife back – out in UK cinemas on Friday, July 14th

He Fei (Zhu Yilong) walks into a police station to ask for help with finding his wife Li Muzi, who has disappeared. The desk sergeant, who has clearly heard it all before, tells him there’s nothing they can do. Outside the station, in the pouring rain, he is approached by Officer Zheng (Du Jiang) who overheard and helpfully tries to calm him. The couple are holidaying in the island of Barlandia, outside of Chinese jurisdiction. He has recurring nightmares of her (Huang Ziqi) calling out his name for help and feels helpless in the face of them.

The next morning, events take a turn for the worse when He wakes up beside his wife Li Muzi (now played by Janice Man), who is not the real Li Muzi but an imposter he’s never seen before. Yet every piece of evidence he can think of to support his story seems to have changed to support hers– her passport seems genuine and shows that she entered the country at the same time as him, she can answer all manner of questions about the couple’s personal life, she has a scar on her upper thigh that no-one but the two of them know about.… Read the rest

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La Syndicaliste
(lit. The Union Rep,
US: The Sitting Duck)

Director – Jean-Paul Salomé – 2022 – France – Cert. 15 – 121m

***1/2

After a smart and tough-talking woman union rep in the nuclear power industry is attacked, tied up and raped in her own home, the police suggest she may have staged the attack herself – out in UK cinemas on Friday, June 30th

Or, as its opening title states in the English subtitled print shown to press, La Syndicaliste Based On A True Story. That title comes after an opening in 2012 in which police are called to the home of Maureen Kearney (Isabelle Huppert) where her cleaning lady has freed her from a chair to which she was tied before being raped by an intruder. The forensic team are all over the premises, taking away evidence. At the police station, she requests a pad and pencil to write down the details of what happened. The police will later accuse Kearney of fabricating the whole incident herself.

The next half an hour or so is a flashback leading up to the incident. Immediately after the titles, it sets about establishing its heroine as a tireless campaigner for employee rights at French state-owner nuclear power company Areva, standing up for ruthlessly exploited workers in an Hungarian subsidiary and well in with Anne Lauvergeon (Marina Fois), the one female executive in an otherwise male boardroom who despite her reliability and excellent track record is being forced out, with as she later tells Maureen lots of dirty tricks used against her.… Read the rest