Tag: Germany

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Animation Art Documentary Features Live Action Movies Music Shorts Top Ten

Top Ten Movies
(and more,
excluding re-releases)
2025

Work in progress – subject to change. Because I am still watching movies released in 2025, so it’s always possible that a new title could usurp the number one in due course.

All numbered films received either a theatrical, online or home media release in the UK between 01/01/25 and 31/12/25.

This version excludes re-releases (Battleship Potemkin, The Piano Teacher or Hard Boiled, among others) would top everything here). In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2025. For that even longer list, click here.

Finally, last year’s list is here.

Top Ten Movies (and more) 2025

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2024 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt.

*****

1=. Flow (2024, Belgium, France, Latvia)

1=. The Glassworker (2024, Pakistan, Spain)

1=. One Battle After Another (2025, US)

1=. Riefenstahl (2024, Germany)

1=. The Seed of the Sacred Fig (2024, Iran, Germany, France)

6=. Mars Express (2023, France)

6=. On Swift Horses (2024, US)

6=. … Read the rest

Categories
Animation Art Documentary Features Live Action Movies Music Shorts Top Ten

Top Ten Movies
(and more)
2025

Work in progress – subject to change. Because I am still watching movies released in 2025, so it’s always possible that a new title could usurp the number one in due course.

All numbered films received either a theatrical, online or home media release in the UK between 01/01/25 and 31/12/25.

This version includes re-releases, but those aren’t numbered. It’s hard to imagine movies improving on Eisenstein’s Battleship Potemkin, Haneke’s The Piano Teacher or Woo’s Hard Boiled.

In addition to re-releases, this version also includes films seen in festivals which haven’t had any wider UK release in 2025.

Finally, last year’s list is here.

Top Ten Movies (and more) 2025

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2024 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt.

*****

Babe (1995, Australia – reissue)

Battleship Potemkin / Music by Pet Shop Boys (1925, USSR – reissue, new score)

Brief Encounter (1945, UK – reissue; also in Film Tottenham’s BFI / Love & Obsession programme)

A Clockwork Orange (1971, US, UK – in Film Tottenham’s Cinema for All / 100 Years of Community Cinema programme)

The Devil’s Backbone (2001, Mexico, Spain – reissue)

Dogtooth (2009, Greece – reissue)

1=. … Read the rest

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Features Live Action Movies

The Ice Tower
(La Tour de Glace)

Director – Lucile Hadzihalilovic – 2025 – France, Germany, Italy – Cert. 15 – 117m

*****

Midwinter. A homeless girl stumbles onto a film set where a notoriously difficult actress is shooting an adaptation of The Snow Queen – out in UK cinemas on Friday, November 21st

Opening with microscopic images of of snowflakes and more abstract visuals of refracted light, this swiftly delivers a female voiceover (by Aurélia Petit from Saint Omer, Alice Diop, 2022; By the Grace of God, François Ozon, 2018; Happy End, Michael Haneke, 2017; Personal Shopper, Olivier Assayas, 2016; The Science of Sleep, Michel Gondry, 2006) in French with English subtitles for those of us in the UK, in which the word ‘neige’ (snow) is seemingly, endlessly repeated. Then images of a girl wandering snow covered mountainsides gives way to night time small town streets before Jeanne (newcomer Clara Pacini) is told off for arriving late at the supper table. “I was afraid you’d gone”, says one of the younger girls (Cassandre Louis Urbain).

At night, Jeanne surreptitiously reads a postcard from a friend picturing Alpenaille skating rink addressed to her at the Bon Secours (Good Rescue) Foster Home.

The little girl from earlier comes into her room complaining of a nightmare.… Read the rest

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Features Live Action Movies

Islands
(2025)

Director – Jan-Ole Gerster – 2025 – Germany – Cert. 15 – 123m

****1/2

A British ex-pat tennis coach working for a hotel on a sun-drenched island in the Canaries gets more than he bargained for when he befriends the couple whose young son he is coaching – out in UK cinemas on Friday, September 12th, and on BFI Player from Monday, October 27th

Tom (Sam Riley) wakes up in the desert and walks back to his car. He often nods off – at one point he is woken by a tap on his car window by the local police chief Jorge (Pep Ambròs) in a scene reminiscent of the one in Psycho (Alfred Hitchcock, 1960), one of the differences being that he’s a local and he and the cop not only know each other, but are friends. (Another is that in Psycho, the motorist is a woman and the cop a man, which brings a whole other dynamic into play.) Jorge fines him for a traffic violation, but apologises for the fact, and the two men’s friendship is able to accommodate that.

The desert, or beach, is a very specific location: Fuerteventura, one of the Canary Islands. And Tom has manoeuvred his life into a very nice routine, thank you very much, as he sees it.… Read the rest

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Features Live Action Movies

The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Austria, Germany – Cert. 15 – 144m

*****

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

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Features Live Action Movies

Hidden
(Caché)

Director – Michael Haneke – 2005 – Austria, France, Germany – Cert. 15 – 117m

***1/2

Covertly delivered VHS videotapes suggest to an upper middle class family that they are being watched, and begin to tease out guilt for an incident in the husband’s past – the closing film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 20th and on BFI Player from Thursday, September 11th 2025

A lengthy, locked-off camera shot of a street. A woman (Juliette Binoche) leaves the house through a full body height metal gate that seems to serve a security function, although the street seems largely quiet and unremarkable. Then the image starts to rewind in the manner of a videotape; what we are watching is a recording in the videotape player of a couple Georges and Anne Laurent (Daniel Auteuil and Juliette Binoche), who are discussing its contents. The tape has been left outside their front door for reasons that are not immediately obvious and by person or persons unknown.

This opening shot is mirrored by another static shot at the end taken from outside the school of their son Pierrot (Lester Makedonsky) as pupils leave, in which… well, you’ll have to see for yourself, and director Haneke doesn’t make it easy to see what it is he wants you to see, so you’ll have to work at it… and even then, you may miss it.… Read the rest

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Features Live Action Movies

From Hilde, With Love
(In Liebe, Eure Hilde)

Director – Andreas Dresen – 2024 – Germany – Cert. 15 – 125m

***

A young, pregnant German woman involved with a group of radicals trying to undermine the Nazi regime is arrested and put on trial with a possible death sentence – out in UK cinemas accompanied by the Kate Bush short Little Shrew (Snowflake) on Friday, June 27th

Its opening, pre-credits moments of a German mother and bespectacled, pregnant adult daughter picking strawberries in the garden belies what is to follow, but that sense of calm doesn’t last long as two barely seen black cars pull up in the lane. The pregnant woman packs a suitcase before the two men accompany her out to the car. How long will it take, she asks. That depends on you, comes the reply.

In the lift, the big, burly man asks after her pregnancy. It seems his wife, too, is expecting. When she is questioned in the interrogation room, she is asked about her husband’s radio equipment, on the table in front of her in a suitcase. She makes up stories about her innocence and ignorance, but they (including, when we finally see him, the man from the lift) run rings round her.… Read the rest

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Features Live Action Movies

The Seed
of the Sacred Fig
(Dane-ye
Anjir-e Ma’abed,
دانه‌ی انجیر معابد)

Director – Mohammad Rasoulof – 2024 – Iran, Germany, France – Cert. 15 – 167m

*****

An Iranian state functionary, married with two teenage daughters, is promoted to the position of judge at the same time as the Women, Life, Freedom protests erupt… And then, his gun goes missing at home… – out on Blu-ray and DVD from Monday, June 9th 2025

A film so extraordinarily brilliant that it is almost impossible to conceive.

An opening intertitle explains the remarkable life cycle of a tree which grows on one of the southern Iranian islands. Its seeds fall onto the branches of other trees through bird droppings. The seeds then germinate, and their roots move towards the ground. When the roots reach the ground, the sacred fig tree stands on its own feet and its branches strangle the host tree.

2022. The tireless and diligent work of state functionary Iman (Missagh Zareh) has finally been rewarded; he is to be appointed a judge. In a repressive regime like Iran, that’s not a job looked upon favourably by most of the population, so his work gives him a pistol just in case he should need to defend himself or his family. At home, in the Tehran apartment where he lives with his family, he keeps the weapon in a drawer.… Read the rest

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Documentary Features Live Action Movies

Riefenstahl

Director – Andres Veiel – 2024 – Germany – Cert. 15 – 115m

*****

An unsettling, deep dive into the indisputable artistic talent, evasive personality and self-reconstructed memory of Nazi filmmaker Leni Riefenstahl through her personal archive of some 700 boxes – out in UK cinemas on Friday, May 9th

Sepia / yellow images. A woman walking by the sea. Incidental music suggesting a reaching, a striving. Out of focus images of crowds lining the streets, coming into focus to proclaim, “Heil, mein Fuhrer.” The lighting of the Olympic flame, the firing of a gun at a track event. Leni Riefenstahl, as a young woman, examining hanging strips of 35mm film at the editor’s bench. And then an extract from a talk show: would she do it differently if she could live her life again? What were her mistakes? Her close association with Hitler? She hesitates – you can almost feel her squirming, trying to find a way round the question. She starts talking about her first film as director, The Blue Light (1932), a mountaineering picture in which she did all the rock climbing stunts herself. She didn’t know of Hitler at this point, she says. “If the Fascists saw you”, she was told, “you would become their hero.”… Read the rest

Categories
Documentary Features Live Action Movies

Riefenstahl

Directed by Andres Veiel
Certificate 15
115 minutes
Released 9 May

There is something deeply depressing about the fact that one of the most talented female film directors who ever lived is also without a doubt also one of the most troubling. Leni Riefenstahl (1902-2003) is best known today for the documentaries Triumph of the Will (1935) and Olympia (1938), the first a record of the Nazi Party’s Nuremberg Rally, the second of the 1936 Olympics in Berlin. Both eulogise large scale spectacle, with Olympia in particular celebrating the human body as it undergoes the rigour of sports disciplines. Both celebrate victory, superiority, dominance.

Riefenstahl lived to the ripe old age of 101, claiming over the years that she was an artist who happened to fall in with the Third Reich by dint of birthplace and time; she didn’t really understand what that regime was doing and simply got on with making the films that she made under their patronage.

There have been documentaries about her before, yet what makes this one different is that… [read the rest at Reform magazine…]

[Read my alternative review on this site…]

Trailer: