Tag: cop

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Bugonia

Director – Yorgos Lanthimos – 2025 – US, Ireland, South Korea – Cert. 15 – 118m

****

A man with a grievance against a corporation kidnaps its CEO, believing her to be an alien with hostile designs on the human race – out in UK cinemas on Friday, October 31st

As Teddy (Jesse Plemons from Civil War, Alex Garland, 2024; Kinds of Kindness, Yorgos Lanthimos, 2024; Killers of the Flower Moon, Martin Scorsese, 2023) explains it, they live among us. While he and his autistic bother Don (Aidan Delbis) eke out their very ordinary lives with Teddy working in a warehouse for big pharma company Auxolith, the company CEO Michelle (Lanthimos regular Emma Stone) has her life on a platter: expensive home outside which she works out on the landing every morning, expensive SUV to get her to corporate HQ and back, and an army of corporate minions around her to ensure her every order is carried out. Even so, she still has difficulty speaking complicated lines for a corporate video. But that’s nothing compared to the ordeal Teddy has planned for her.

Teddy and decidedly unsure about the whole thing sidekick Don ambush her when he car arrives home from work and, after a struggle, for Michelle is used to getting her own way and is not a woman to be trifled with, overcome her after injecting her with a sedative.… Read the rest

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Relay

Director – David Mackenzie – 2024 – UK – Cert. 15 – 112m

*****

A corporate whistleblower who has changed her mind hires a fixer to give her the leverage she needs to safely vanish and start a new life, only it doesn’t work out like that – out in UK cinemas on Friday, October 31st

Sometimes companies do bad things, and when you think they couldn’t do any worse, they set out to coerce or intimidate former employees attempting to expose them. How widespread this is in real life is anyone’s guess, but it makes for great copy and feeds into paranoid left wing ideas about the immorality of corporate capitalism. Don’t get me wrong: just because you’re paranoid, as the saying goes, it doesn’t mean they’re not out to get you.

To illustrate the point, this narrative opens with Hoffman (Matthew Mayer from Bringing Out The Dead, Martin Scorsese, 1999; Dogma, Kevin Smith, 1999, reissued in cinemas next week (Friday, November 7th); and Funny Pages, Owen Kline, 2022) entering a near empty New York restaurant to surrender a set of incriminating documents to McVie (Victor Garber from Family Law, TV series 2021-2025; Argo, Ben Affleck, 2012; Alias, TV series, 2001-6), safe in the knowledge that another copy of said documents will be mailed to an appropriate recipient should McVie not co-operate and ensure Hoffman’s safety.… Read the rest

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Alone in the Night
(Yoru ga Mata Kuru,
夜がまた来る)

Director – Takashi Ishii – 1994 – Japan – Cert. 18 – 108m

****1/2

After her undercover cop husband is killed by a gang, Nami infiltrates the gang and suffers much abuse as she attempts to identify and take her revenge on his killer – out on Blu-ray as part of the Takashi Ishii: 4 Tales of Nami Limited edition digipack set (2000 copies) 

A compelling yet initially indecipherable image is slowly revealed, as we pull out, to be a pink marker pen colouring the handle of a black pistol in the hands of a girl wearing the pyjama top of the man against the side of whose bed she is sitting. He, it turns out, is Mitsuru (Toshiyuki Nagashima from Godzilla Against Mechagodzilla, Miyagawa, 2002; Godzilla vs. Biollante, Seiichi Yamamoto, 1989; Mishima: A Life in Four Chapters, Paul Schrader, 1985), an undercover cop; she is Nami (Yui Natsukawa from I Wish, Hirokazu Kore-eda, 2011; Still Walking, Hirokazu Kore-eda, 2008; Zatoichi: The Blind Swordsman, Takeshi Kitano, 2003), and she’s fed up with his lack of contact while he’s on the job. As they embrace, she pleads with him, “Don’t do it!… Read the rest

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Zodiac

Director – David Fincher – 2007 – US – Cert. 15 – 158m

Two cops, a crime reporter and a geek working on the same paper attempt to solve the identity of San Francisco’s 1970s Zodiac Killer – engrossing crime thriller / character study is now out on 4K Ultra HD + Blu-ray

Fincher’s feature filmography is a fascinating hit-and-miss affair, debuting with the middling Alien3 (1992) then covering gems Se7en (1995, make sure you see a silvered print), Fight Club (1999) and The Social Network (2010) plus lesser outings The Game (1997), Panic Room (2002) and The Curious Case of Benjamin Button (2008). Zodiac concerning a serial killer, you’d be forgiven for pigeonholing it as similar to Se7en – but in fact it’s something rather different. Se7en is a fictional thriller concerning cops hunting a serial murderer – or, you might argue, the murderer himself – whose killings are inspired by the Seven Deadly Sins and an exercise in avant-garde visual style.

Zodiac is based on the unsolved case of the real life Zodiac Killer who terrorised San Francisco in the seventies. It spans decades, focusing on the four men attempting to solve the case. Attempting to stay true to the facts, it avoids a wrapped up, neat ending, presenting instead the contradictory evidence and leaving you to draw your own conclusions – or make your own guess as to the killer’s identity.… Read the rest

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The Naked Gun
(2025)

Director – Akiva Schaffer – 2025 – US – Cert. 15 – 85m

*****

Frank Drebin, the bumbling, self-confident, incompetent, cop and son of Frank Drebin, the bumbling, self-confident, incompetent cop sets out to solve a case involving a self-driving car and a P.L.O.T. Device – reboot of the classic comedy franchise is out in UK cinemas on Friday, August 1st

Sequels and reboots are often questionable, and can so easily be made for all the wrong reasons. The Naked Gun franchise started out as the six-episode, L.A. police procedural TV series spoof Police Squad! (1982) which spawned three features under The Naked Gun moniker (1988, 1991, 1994). The TV series is both extremely funny and groundbreaking in its use of the format. The three movies cleverly translated the humour to the big screen, and had the good sense to quit while still ahead. Both the TV series and the movies were well received at the time and are fondly remembered today.

The humour derives from a combination of ridiculous gags and non-comedy actors playing it straight. At the centre of the franchise was Lt. Frank Drebin, who despite a general cluelessness possesses a determination to follow through that means he always gets his man.… Read the rest

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Moor
(Mavr)

Director – Adilkhan Yerzhanov – 2024 – Kazakhstan, France – 83m

***

A mercenary known by the codename ‘Moor’ returns from the war to the big city to rescue his younger brother’s wife and son from her husband’s debts – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Found by the authorities, who apprehend him by a perimeter fence and remove his bag of home-made weaponry which includes a wooden bow and arrows and a knife carved from bone, which he will get back and make use of later in the plot, Moor is processed alongside wounded and traumatised veterans. He speaks few words and is in complete control of his faculties. The chief of police, who talks in a confident, jokey manner and insists on addressing him as Bro, feels more like a gangster than a cop, wearing a snakeskin jacket not unlike the hero of Wild at Heart (David Lynch, 1990) and often accompanied by a small entourage who read as gangsters rather than cops, even though the group occasionally expands to contain officers with the word POLICE on the back of their jackets.

He explains that Moor’s younger brother Houdini has disappeared, leaving behind him not only a mountain of debt but also a wife and small son.… Read the rest

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Point Break
(1991)

Director – Kathryn Bigelow – 1991 – US – Cert. 15 – 122m

*****

A rookie FBI man goes undercover with a group of surfers, believing them to be a gang of bank robbers who disguise themselves as former US Presidents – milestone action movie is out in a 4K Restoration in UK cinemas on Friday, November 8th as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

At a cursory glance, there’s nothing particularly remarkable about Point Break, a crime movie about bank robbers, surfers and undercover cops, except perhaps the juxtaposition of surfers on the one hand with cops and robbers on the other except as a route into making a film about cops undercover. Certainly, that juxtaposition pervades the film, with fresh out of training school, undercover FBI man Johnny Utah (Keanu Reeves) coming up against accomplished surfer Bodhi (Patrick Swayze) and his new age-y philosophy of life, which is all about living in the moment and experiencing the biggest rush. Those two concepts happen to embody elements that could potentially make a great action film. Point Break does exactly that. Even though it’s a 35-year-old film, it feels as fresh today as it did on initial release.… Read the rest

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The Guest
(301호 모텔 살인사건)

Director – Yeon Je-gwang – 2023 – South Korea – LKFF Cert. 18 – 77m

***

An out-of-the-way motel, with numerous hidden cameras covertly recording the unwitting guests, becomes the site of multiple killings – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

There’s an idea that the widespread presence of security cameras make the world a safer place, because things can be seen rather than hidden; equally, however, things can be recorded, turned into product and sold for profit. The Guest takes place in a familiar world of roads and car journeys and motels in the middle of nowhere at which the traveller can take a break. And all of it seems to be covered by security cameras.

That applies to the roads, where the cams are there for traffic enforcement (and, perhaps more pertinently, traffic tax raising or penalty charging) purposes. Why they are there, for good or ill, isn’t really discussed here. But their ubiquitous presence is inescapably noted.

It also applies in the seedy motel at the centre of this horror / drama / suspense / thriller. The loan shark Deuk-chan (Hyun Bong-sik) who owns the place employs two young staff members Min-cheol (Lee Joo-seung) and Young-gyu (Han Min) to run the place in a day-to-day basis both of whom are indebted to him and therefore have little choice other than to do whatever he asks, however unreasonable.… Read the rest

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Shiri
(Swiri,
쉬리)

Director – Kang Je-Gyu – 1999 – South Korea – Cert. 18 – 125m

****

South Korean intelligence men track a North Korean sniper who has gone to Earth – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This South Korean box office success story is a hard-boiled action movie, an Asian cross between Die Hard John McTiernan, 1988) and Nikita (Luc Besson, 1990) which could probably have been made in no other country. The North Korean villains in recent Bond outing Die Another Day (Lee Tamahori, 2002) seem saintly by comparison with the brainwashed, gun-toting mercenaries here, one of whom – deadly female sniper Hee (Kim Yun-jin) – goes to Earth following a series of assassinations of South Korean government officials.

But when some years later, Southern intelligence men Ryu (Han Suk-kyu) and Lee (Song Kang-ho) prove unable to prevent several likely targets from being killed by notorious Northern terrorist Park (Choi Min‑sik), the vanished Hee is their primary suspect for pulling the trigger.

Made in 1999, it originally concerned a slightly post-millennial future, which aspect has been lost with the film taking some four years to reach these shores.… Read the rest

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Yes, Madam!
(Huang Jia Shi Jie,
皇家师姐)

Director – Corey Yuen – 1985 – Hong Kong – Cert. 18 – 93m

***1/2

Michelle Yeoh and Cynthia Rothrock’s star debut, in which they play two plain-clothes, kickboxing Hong Kong cops – on Blu-ray from Monday, December 12th 2002 and now part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK from Monday, October 21st through November 2024

Michelle Yeoh, here credited as Michelle Kheng (in her early Hong Kong films she was often credited as Michelle Khan, and her birth nameis Yeoh Choo Kheng) plays Inspector Ng, a no-nonsense police officer who always gets her man (and, interestingly, all the criminals here are men), as illustrated in the opening scene when a flasher accosts her in a convenience store, and she promptly arrests him.

Her mentor Richard Nornen (Michael Harry, later seen in An Angel at my Table, Jane Campion, 1990) is visited in his hotel room by professional assassin Mr. Dik (Dick Wei) who shoots him point-blank through an apple in Nornen’s mouth in order to obtain a two-frame film clip of a legal contract for his gangster boss Tin Wai-keung (James Tien).… Read the rest