Tag: black and white

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Features Live Action Movies

Darling

Director – John Schlesinger – 1965 – UK – Cert. 15 – 128m

*****

A young woman abandons her dull marriage to navigate life and love in 1960s swinging London – back out in UK cinemas on Friday, May 30th, and on 4K UHD & Blu-ray on Monday, 16th June

Today, this stands as a testament to the 1960s, when social class in Britain began to break down and people began experimenting with lifestyle and morality in hitherto unthinkable ways. It plays as a fascinating snapshot of its contemporary time and mores, providing a glimpse into the sixties, the decade of Swinging London when, for a brief moment, this city was the coolest in the world.

Yet, for Darling’s characters, London is just where they happen to live. In a loose framing device, Diana Scott (Julie Christie) recounts her memories into a tape recorder, presumably for an unseen interviewer or biographer, although while this dramatic device anchors the narrative charting of the young woman’s life and career, it does little beyond ease the viewer into her story and allow her to interject pertinent comments at various points.

As a child in the school play, people are already referring to Diana as Darling.… Read the rest

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Features Live Action Movies Music

Control

Director – Anton Corbijn – 2007 – UK – Cert. 15 – 122m

*****

UK release date 05/10/2007

The story of Joy Division lead singer Ian Curtis: his disintegrating marriage, struggles with epilepsy and eventual suicide – review originally published in Third Way magazine, September 2007

For the uninitiated, post-punk Mancunian band Joy Division formed in 1977, then achieved near immediate cult status through Tony Wilson’s Granada TV show and Factory Records label. The four-piece band grew out of a three-piece (guitar, bass, drums) who Ian Curtis (Sam Riley from Widow Clicquot, Thomas Napper, 2023; Firebrand, Karim Ainouz, 2023; Byzantium, Neil Jordan, 2012) joined as singer and songwriter. The resultant recordings still resonate down the annals of rock: even today, songs such as (to name but three) Transmission, the eponymous She’s Lost Control and Love Will Tear Us Apart carry an undeniable charge.

Curtis took his life in May 1980 just prior to the band’s first scheduled American tour. His three survivors carried on under the moniker New Order to become incredibly successful; yet to this writer’s mind, their work pales beside those early Curtis / Joy Division songs. Quite simply, his work with the band has a focus, a power and a bleakness rare in rock.… Read the rest

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Features Live Action Movies

Schindler’s List

Director – Steven Spielberg – 1993 – US – Cert. 15 – 195m

*****

World War Two allows failed Czech industrialist Schindler to come into his own as he saves Jews from Aushwitz by employing them as slave labour in his factories– out in UK cinemas on Friday, February 18th 1994

Unsuccessful Czech businessman Oskar Schindler (Liam Neeson) comes into his own during the war years as a supplier of pots and pans to the German Army. Although a badge-wearing Party member, he is neither well- nor ill-disposed towards Jews, simply an honest businessman seizing the opportunities presented by their persecution under Nazi rule. As the Jews are ghettoised in Krakow, he realises that here are investors with capital to burn for whom it is illegal to invest in business under their own names – in other words, surefire financiers; here are workers required to work all hours of the day for virtually nothing, keeping down a businessman’s cost.

He hires brilliant, ghettoised, Jewish accountant Itzhak Stern (Ben Kingsley) to run his enterprise. Under the command of ruthless commandant Amon Goeth (an astonishing turn from an unknown Ralph Fiennes which catapaulted the actor to overnight stardom) the ghettos are cleared, and the Jews moved into Plasnow concentration camp, but Schindler continues undeterred until the transportation of inmates to the Auschwitz death camp, against which he compiles Schindler’s List of 1 100 Jews necessary to run his factory, saving them from extermination.… Read the rest

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Features Live Action Movies

Shoulders

Director – Jamie Flatters – 2024 – UK – Cert. 15 – 101m

* or *****, depending how I’m feeling at the time

A group of soldiers armed with sticks instead of guns fight a war against an unseen enemy on open ground near some woodlands – opens the Clapham International Film Festival which runs from Wednesday, November 27th to Saturday, November 30th.

With a title that sounds like a mis-pronounciation of ‘Soldiers’, Shoulders is a pretty strange experience. Photographed, ***** SPOILER ALERT ***** apart from a couple of shots in colour ***** SPOILER ALERT ENDS *****, in at once stark and ravishing black and white, it features a visually partially diverse cast some of whom are instantly recognisable and some of whom it’s easy to confuse with one another. There is (I believe) a script, although any narrative coherence is largely lost under what feels like multiple layers of improvisation. And yet… Somehow, the whole thing coheres, at least up to a point, by virtue of its own peculiar internal logic and succeeds almost entirely on its energy and that of its various collaborators, director, cast, and crew. I’m not even sure that that logic can be adequately expressed in words.… Read the rest

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Animation Features Live Action Movies

Godzilla Minus One
/ Minus Color
(Gojira-1.0 / C,
ゴジラ -1.0 / C)

Director – Takashi Yamazaki – 2023 – Japan – Cert. 12a – 124m

*****

Japan, defeated and demoralised after World War Two, must somehow defeat the seemingly unstoppable menace of Godzilla when it rises from the depths of the ocean – now in black & white – out in UK cinemas from Friday, November 1st

Something happens when you watch this / Minus Color version of Gozilla Minus One, which director Yamazaki has gone through cut by cut and personally overseen. You are watching a 2023 movie, yet you feel as if you’re watching a 1954 one. Because the film is about Japan, World War Two and its immediate aftermath, the film seems to play better in black and white.

World War Two, Pacific theatre. Unwilling Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) feigns engine trouble and lands on an island for aircraft maintenance, where he is grounded. While there, he notices deep sea fish curiously floating on the surface of the surrounding ocean: they presage the arrival of a huge monster, named Godzilla by the locals. With Koichi failing to fire his 20mm aircraft guns at the creature to kill it, almost everyone else on the small island is killed.… Read the rest

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Animation Features Live Action Movies

Hundreds
of Beavers

Director – Mike Cheslik – 2022 – US – Cert. 12 – 108m

***1/2

A ruined drinks purveyor reduced to hunting beavers (played by actors in onesies) attempts to kill the amount required to buy a trader’s daughter’s hand in marriage – visually astonishing slapstick comedy is out in UK and Ireland cinemas on Tuesday, July 9th and on Blu-ray from Monday, August 5th

Opening with what is essentially a music video extolling the bibulous virtues of the booming, farm home of Jean Kayak’s Acme Applejack, this shows a simplistic caricature of a prosperous nineteenth century business when the wooden supports of one of Kayak’s gigantic barrels of beverage is nibbled by a beaver causing it to roll down a hill on which it’s situated into his house at the bottom of the hill, causing it to burn down his hillside apple orchard.

Leaving aside such questions as, why store the huge barrel on top of a hill above your house? – the answer, so it can roll down a hill, catch fire and burn down your orchard to get the plot going, proving less than satisfactory – this leaves the ruined Jean Kayak (co-writer Ryland Brickson Cole Tews) homeless in midwinter and forced to survive by hunting animals.… Read the rest

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Features Live Action Movies

The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Germany – Cert. 15 – 144m

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

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Features Live Action Movies

The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest

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Documentary Features Live Action Movies Music

Ryuichi Sakamoto | Opus

Director – Neo Sora – 2023 – Japan – Cert. U – 103m

*****

Composer Ryuichi Sakamoto performs a final concert of his music in 2022, months before finally dying of cancer on March 28th, 2023 – out in UK cinemas on Friday, March 29th, 2024

Released in the UK within a day of the anniversary of his passing, Ryuichi Sakamoto’s final concert is an intimate affair, shot in a sound studio by his son Neo Sora in crisp, iconic black and white, the sound of his piano recorded with state-of-the-art equipment. Within months of this performance, cancer would have taken him from us. This is very different from concert films where the performer(s) is / are still alive. Much of Sakamoto’s music tends towards the melancholy, and watching this remarkable, musical testament, one is constantly reminded of the fact that he is no longer with us.

Caught by the camera, he is clearly aware that he doesn’t have that much time left. One of the pieces, he struggles to get right. “This is too hard”, he says, “I need a break.” Nevertheless, the camera and sound recording equipment proceed to capture him playing his 20 chosen compositions with all the considerable skill of the great player that he is / was.… Read the rest

Categories
Features Live Action Movies

Drift

Director – Anthony Chen – 2023 – Singapore, UK, France, US – Cert. 15 – 93m

****

A Liberian woman and former London student from a privileged background has lost everything and lives on her wits in a Greek holiday resort until she makes a connection with a tour guide – out in UK cinemas on Friday, March 29th

A T-shirt-clad back sits on the beach, facing away from us, looking out to a calm, blue sky and sea. A figure of indeterminate gender at this point. In an isolated, unpopulated landscape. However, as this young black woman (Cynthia Erivo) starts to make her way around the place, elements of both are gradually revealed to us. She travels on a bus with white tourists to a small, sleepy town where Greek lettering on the shop signs gives us some idea of where we are. Later, she takes the return journey and is back on the beach. She washes her underwear (she appears to only have the one pair) and T-shirt in the sea, letting them dry in the sun while she shelters in a cave. She momentarily panics at the sight of a coastguard vessel before realising it’s merely a small fishing skiff.… Read the rest