Category: Movies

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Live Action Movies Trailers

The Endless

Directors – Justin Benson, Aaron Moorhead – 2017

Never go back. Watch a kaleidoscopic marvel, the extraordinary, online trailer for the latest film by (and featuring) independent filmmakers Justin Benson and Aaron Moorhead – in cinemas and digital HD on Friday, June 29th 2018

Quote: “I was told… that they were all going to kill themselves… and THAT’S why we left the cult.” The opening words on the soundtrack of the new trailer for The Endless. Directors Justin Benson and Aaron Moorhead (Resolution/2012, Spring/2014) play two brothers named Justin and Aaron. Tension between them. A thunderclap and a flashing image of a man putting a gun to his head. Light, eerie music. Sun-soaked rocks in a daylight American desert. A yearning. “They were our family. I want to go back.” A car journeying across Western desert country, then the image flipped so the sky is beneath and the land above, with no car… and superimposed over this, logos from half a dozen major film festivals. The brothers’ car passing a beatifically smiling man standing beside a sign that reads: ‘Camp Arcadia’. A videotape features strange circular images in a landscape. A man in a group of people round a table asks, “what video?”… Read the rest

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2001:
A Space Odyssey
(50th anniversary,
70mm)

Director – Stanley Kubrick – 1968 – UK – Cert. U – 149m

*****

“Dave, do you mind if I ask you a personal question?” Fifty years after its original release, the SF movie considered by many the greatest ever made returns to UK cinemas in 70mm – exclusively at Picturehouse Central for two weeks from Friday 18th May, 2018

2001: A Space Odyssey is back in a brand new 70mm print struck from new printing elements made from the original camera negative. Like known champion of physical celluloid over digital print Christopher Nolan who was involved in the process, I saw the film in a cinema as a boy with my father, although in my case I saw one of its many reruns in the seventies. Nevertheless, I relish the chance to go back and see this brand new ‘unrestored’ 70mm print because it recreates what audiences saw on release, no remastering, re-edits or redone effects… [Read more]

2001: A Space Odyssey (70mm)is back out in the UK on Friday, May 18th. Watch the film trailer below:

Review originally in DMovies.org.

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Wings Of Eagles

Serving the true God

Wings Of Eagles
Directed by Stephen Shin, Michael Parker
Certificate 12, 108 minutes
Released 12 March 2018

A sequel of sorts to Chariots of Fire, Wings Of Eagles tells the story of Eric Liddell’s missionary years in China. He’s played here by Joseph Fiennes, an actor who has grappled with one aspect or another of Christianity in several stories (Risen, The Handmaid’s Tale, Luther) and seems to thrive on roles like this. The film’s focus on British missionary work in China evokes The Inn of the Sixth Happiness about Gladys Aylward.

Liddell famously refused to run an Olympic race on Sunday, believing that no work should be done on the Lord’s Day. Later, he went to China with the London Missionary Society, taking his family with him, then sending them home after the Japanese invaded… [Read the rest]

Trailer:

Review originally published in Reform, March 2018.

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Documentary Features Live Action Movies Music

Bill Frisell:
A Portrait

Director – Emma Franz – 2017 – US – 118m

*****

Jazz guitarist Bill Frisell is a unique talent, a shy man and an extraordinary individual about whom fellow musician turned director Franz has made a remarkable film – now on DVD, BD and VoD

This extraordinary character study of one of the most significant jazz guitarists of modern times is remarkable not only for the portrait it paints of Frisell himself but also for the noteworthy list of names it interviews in passing. The newcomer with little knowledge of who’s who in jazz could take a notebook and and acquaint themselves with a remarkable number of incredible musicians of one sort or another, from the late drummer Paul Motian through more familiar, popular stars like singer Paul Simon and guitarist Bonnie Raitt to big band orchestra leader and composer Michael Gibbs. Indeed, the latter’s 2009 concert at London’s Barbican Centre featuring Frisell bookends the film allowing Franz to close on ‘Throughout’, the first of Frisell’s self-composed tunes the guitarist ever recorded. And that’s just one reason why you should watch Bill Frisell: A Portrait.

Australian independent director Franz worked for a while as a musician herself, which means that her director’s eyes and ears are attuned to what musicians do in composition and performance as well as how their minds work.… Read the rest

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A Dirty Carnival
(Biyeolhan Geori,
비열한 거리)

Director – Yoo Ha – 2006 – South Korea – 140m

*****

As GoodFellas as it gets! Yoo Ha’s gangster film compares favourably to Scorsese’s classic on many levels, an underrated dirty gem of Korean noir – from the London Korean Film Festival (LKFF) 2017

Byung-doo, 29, (Jo In-sung) is a smart, lean and hungry gangster on the mean streets of Seoul, in A Dirty Carnival. As a debt collector he successfully collects payments from difficult customers. Yet his immediate boss Sang-chul (Yun Je-mun) pays him so little that Byung-doo must constantly beg him for the money to pay his mother’s apartment rent. Looking out for those beneath him and determined to better himself in the wider organisation, Byung-doo realises that its overall boss Hwang (Chun Ho-jin) would like nothing more than to get the sycophantic Prosecutor Park (Kwon Tae-won) off his back. Sang-chul clearly isn’t going to do anything about it so Byung-doo takes the task upon himself. He and one of his men drive into the back of Park’s car in a secluded spot and he kills the prosecutor when they get out of their cars to exchange details.

Byung-doo’s best mate Min-ho (Min Nam-koong) is an aspiring film director who can’t sell the script for the gangster film on which he’s working because the studio producer he approaches doesn’t think it’s realistic enough.… Read the rest

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Documentary Features Live Action Movies

The Remnants
(Gong-Dong-
Jeong-Beom,
공동정범)

Director – Kim Il-rhan, Lee Hyuk-sang – 2016 – South Korea – 116m

****

Revisiting the Korean towering inferno: follow-up doc to Two Doors, has survivors of the Yongsan tragedy released from prison to tell their side of the story and grapple with the resulting emotional and psychological problems – from the London Korean Film Festival 2017

Set to open in Korea in 2018, this is the follow-up documentary to Two Doors (Kim il-rhan/ Hong Ji-you, 2012) about the Yongsan tragedy in which a policeman and five protesters were killed in a fire atop a housing block during a protest. One of the limitations imposed on that film was the incarceration of those protesters that escaped the burning rooftop lookout atop the Yongsan building. Viewers of the first film kept asking what had happened to these people.

The short answer is: four years after originally being sentenced, they were pardoned and released. This meant that they were now available to tell their own stories, so Kim and Lee from the Pinks film making collective and their crew started talking to them on camera. Slowly, a second film started to emerge. It’s not exactly a sequel, more a follow up.… Read the rest

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Documentary Features Live Action Movies

Two Doors
(Doo Gae-eui
Moon,
두개의 문)

Director – Kim Il-rhan, Hong Ji-you – 2011 – South Korea – 101m

*****

Is this the Korean Grenfell Tower? Threatened eviction, SWAT, lethal building fire: compelling documentary about the Yongsan tragedy in which a police raid on a group of housing protesters went horribly wrong – from the London Korean Film Festival 2017

The story of the Yongsan tragedy. Yongsan is an area of Central Seoul which had been the site of a US military base and the infrastructure such as bars and prostitution which had grown up around it. Once the US military decamped to another area, the developers hoped to move in and regenerate the area. For ‘regenerate’ read ‘gentrify’, a situation not entirely unfamiliar in parts of the UK at present. In Yongsan, when some tenants in one particular housing block refused to move out, activists seized on this and helped stage a protest.

Instead of listening to their grievances as the protesters would have hoped, the authorities surrounded the block with police whose presence only served to aggravate the protesters into throwing firebombs. The police subsequently stormed the building with intent to remove the protesters who barricaded themselves inside and whose last stand would take place in a lookout structure on the roof of the building.… Read the rest

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Documentary Features Live Action Movies

78/52

Director – Alexandre O. Philippe – 2017 – US – Cert. 15 – 91m

*****

Oh, mother, mother, what have you done??? Find out everything you ever wanted to know about the infamous shower scene, in this doc about Psycho – in the London Film Festival on October 13th and 15th 2017, cinemas on Friday, November 3rd 2017, and then on DVD and BFI Player Rental in 2018

When Psycho (Alfred Hitchcock) first came out in 1960, no one knew about the shower scene. These days it’s been so referenced in films, television and popular culture that everyone, it seems, does so.

This documentary is called 78/52 after the shower scene’s number of set-ups (78) and cuts (52). Psycho was shot in four weeks; one of the four was dedicated to shooting that one scene.

In some ways, 78/52 doesn’t do what it says on the tin. It talks a lot about Psycho the cultural phenomenon before it eventually gets round to the shower scene… [Read the rest]

78/52 is on BFI Player. It played BFI London Film Festival 2017 prior to cinema and DVD release.

Full review: DMovies.org.

Trailer:

Psycho trailer:

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Alien
Covenant

Director – Ridley Scott – 2017 – US – 15 – 122m

*** 1/2

The latest Alien franchise entry is an effective horror sci-fi, teeming with shocks, scares and twists, but it lacks the mythological depth of Prometheus and the twisted sexual connotations of Alien – in cinemas on 12th May 2017

This is Ridley Scott’s third Alien movie as director. His second Alien (1979) prequel or first Prometheus (2012) sequel – take your pick – is more like the former than the latter. On the one hand, its sci-fi ideas are more coherent and in line with other Alien franchise outings; on the other, unlike Prometheus it doesn’t periodically throw out lots of new ideas mining some of Alien‘s unexplained elements. Yet it does refer back to Prometheus.

A civilisation of charred or petrified bodies amidst otherworldly, ancient classical architecture suggests Scott is revisiting the Roman world of Gladiator (2000) or toying in his head with a film about Vesuvius erupting onto Pompeii. Again, take your pick. [Read more]

Alien: Covenant was out in UK cinemas on 12th May 2107, when this piece was originally written for DMovies.org.

Trailer:

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Detour

Director – Christopher Smith – 2016 – UK – Cert. 15 – 97m

****1/2

Should I stay or should I go? Smart thriller wherein a man’s life is literally split in two as he chooses between an ill-advised road trip to Vegas or staying at home with his hated stepfather – now on DVD and VoD

Opening with a lengthy, single locked off camera shot title sequence of a woman pole dancing, this then switches to law student Harper (Tye Sheridan – Ready Player One, Steven Spielberg, 2018) visiting his comatose mother in hospital. He’s convinced his stepfather is cheating on her using out of town business trips as a cover. Hitting a bar to drown his sorrows, he overhears a conversation in which Johnny Ray (Emory Cohen – Brooklyn, John Crowley, 2015) explains how his girlfriend Cherry shot a man who cut her face. Johnny Ray berates Harper for eavesdropping and drags him to the pole dancing joint where Cherry works and whisky gets Harper talking.

Brief echoes of Strangers On A Train (Alfred Hitchcock, 1951) are played up in the film’s trailer (at the bottom of this review) as Johnny Ray offers to take care of his stepdad at a price.… Read the rest