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Promising
Young Woman

Director – Emerald Fennell – 2020 – US – Cert. US R – 113m

*****

A med school dropout seeks revenge on the students and others complicit in her best friend’s rape years before – on Sky Cinema and Now from Friday, April 16th

Cassie (Carey Mulligan) goes to bars, gets wasted and is picked up by men whose intentions are less than honourable. However, all is not what it seems – before you can shout spoiler alert (and we’re not going to because this is the start of the film, given away in the trailer and effectively part of the narrative set up) she’s not wasted at all, only pretending. Depending on exactly how dishonourable these men’s intentions are, she exacts her revenge accordingly.

These acts are premeditated in the sense that she goes out, entraps men and does what she does, but not in the sense that she knows any of the men beforehand. Indeed, they choose her, so you could argue their fate is self-inflicted. And were any of them to behave chivalrously – take her home, put her to bed, not try to take sexual advantage, perhaps phone the next day to check she was okay – she’d probably look favourably on them for doing the decent thing.… Read the rest

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True Mothers
(Asa Ga Kuru,
朝が来る)

Director – Naomi Kawase – 2020 – Japan – Cert. 15 – 140m

*****

An unmarried mum hands her child over to adoptive parents only to later decide that she wants the child back – Japan’s entry for the 2020/2021 Oscars is screening on Curzon Home Cinema from Friday, April 16th

Naomi Kawase’s new film True Mothers deals with the interface between unwanted teen pregnancy and infertility among married couples and was Japan’s entry for this year’s Best International Feature Film at the Oscars. Sadly, it didn’t make the Academy’s shortlist. However, UK audiences up and down the land will now be able to see it on Curzon Home Cinema. It had a brief UK big screen outing late last year at the London East Asia Film Festival (LEAFF), which, after several months of touch-and-go somewhat incredibly went ahead days before the UK went back into total lockdown.

Former documentarian Kawase has been getting a lot of exposure in the UK in recent years with both Sweet Bean (2015) and The Mourning Forest (2007) released here on Eureka! Video and Still the Water (2014) currently available on MUBI and BFI Player. I like Kawase but I must admit True Mothers sounded like it might be terrible.… Read the rest

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The Banishing

Director – Christopher Smith – 2020 – UK – Cert. 15 – 97m

***1/2

A vicar, his wife and their daughter move into a haunted rectory which seems to be out to get them – on digital platforms from Friday, March 26th and Shudder from Thursday, April 15th

The Rev Stanley Hall (Matthew Clarke) is found hanged from the top of four-poster bed in his bedroom in the old rectory near the village. This follows a session with his hefty bible, annotated in placed with scrawled pentagrams and pages burned through with holes, his reading out loud Pauline admonitions against ‘sexual immorality’ and a bizarre vision of himself either having sex with or inflicting extreme bloody violence upon his wife (or possibly both at once – it’s not entirely clear). Bishop Malachi (John Lynch) is summoned to the house.

Three years later, Malachi installs a new vicar Linus (John Heffernan) in the property which has remained vacant in the interim. Linus is joined by wife Marianne (Jessica Brown Findlay) and her illegitimate daughter Adelaide (Anya Mckenna-Bruce) as well as the house’s incumbent deaf maid Betsy (Jean St. Clair). Like his predecessor, Linus is obsessed with abstaining from sexual immorality, despite his wife’s pointing out to him that they are married.… Read the rest

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Tracey
(翠絲)

Director – Li Jun – 2018 – Hong Kong – Cert. N/C 15+ – 119m

*****

It’s complicated. Upon hearing of the death of his oldest and dearest friend, a fiftysomething questions the edifice of family life he has constructed around himself over the decades – screened online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Tung Tai-hung (Philip KeungA Witness Out Of The Blue, Fung Chi-Keung, 2019) is wakened from a dream by a phone call. In the dream, he’s a teenager hanging out with his friends Ching (Wong Yat-ho) and Jun (Sham Ka-ki) by a local waterfall. The phone caller informs him of Ching’s death. For years Tai-hung has been using the loo at work to change into the ladies undergarments he never wears at home where it’s unlikely he’d be able to hide their wearing from his misophobic wife Anne (Kara Wai) who recently shocked their son Vincent (Ng Siu Hin – A Witness Out Of The Blue, Fung Chi-Keung, 2019, Mad World, Wong Chun, 2016) by badmouthing the maid Parti (Candy Knutzen Darwati) after going through the latter’s things and finding a packet of condoms.… Read the rest

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Rose:
A Love Story

Director – Jennifer Sheridan – 2020 – UK – Cert. 15 – 86m

*****

A couple isolate themselves from the outside world by living off grid in the woods for reasons not immediately apparent – out in the UK on digital including Amazon Prime from Monday, April 5th

The LFF put this in their Cult strand and the label fitted perfectly. Impressionistic images show cutlery, cups, CDs hanging from trees. A man leaves a hunting cabin. A woman sleeps in a bed. An eye of a beast in close up. A rabbit. The woman wakes, startled by a man’s voice. She puts paper in a typewriter. The rabbit is killed in a trap.

“I’m trying to give the doctor a reason to be in Prague so Susie can meet him,” Rose (Sophie Rundle) tells Sam (Matt Stokoe, also the film’s screenwriter). She is writing a book and they are living in isolation in the woods. This seems to suit them although something odd is definitely going on. They have supplies of leeches in jars, and he sits reading of an evening after applying a few of these to the upper part of his legs. Then he mashes up the results into a red pulp which comprises her diet.… Read the rest

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Synchronic

Directors – Justin Benson, Aaron Moorhead – 2019 – US – Cert. 15 – 102m

*****

Two New Orleans paramedics stumble upon a designer drug causing weird hallucinations and inexplicable deaths in this mind-bending science fiction yarn – – on Blu-ray and DVD from Monday, April 5th

The prior films of creative partners Benson & Moorhead (The Endless, 2017; Spring, 2014; Resolution, 2012) inevitably set the bar high since they’ve consistently astonished audiences with their mind-bending narratives. Normally I watch films once then review them, but on this occasion I’ve had the privilege of wilfully watching Synchronic three times in the last year or so. This in itself tells you something about this film’s narrative pleasures. And given that Marvel recently signed the duo up to direct episodes of Moon Knight for Disney+, it would seem Hollywood is of a similar opinion.

Its extraordinary story involves two New Orleans paramedics whose characters completely engage you and pulls you in. Which is just as well because they stumble on some pretty strange stuff in the course of their work – in particular, calls involving trauma and sometimes death in the aftermath of bad drug trips.

It opens with a couple at home taking some hallucinogenic drugs and seeing / experiencing some extremely weird goings on.… Read the rest

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Dunkirk

Director – Christopher Nolan – 2017 – UK – Cert. 12a – 106m

*****

Review originally published in DMovies.org. On Amazon Prime from Thursday, April 1st.

British filmmaker Christopher Nolan – now one of the highest-grossing film directors in history, with the Dark Knight trilogy under his belt – has created a complex and multilayered film that cleverly interweaves three separate narrative strands: 1) on land over a week a young soldier (Fionn Whitehead) after he arrives alone at Dunkirk beach and falls in with others (including the music superstar and heartthrob Harry Styles); 2) on sea over a day a small, requisitioned, civilian boat (crew: three) go to bring home trapped combatants; and 3) in the air over an hour three Spitfires fly a sortie.

Nolan is fascinated by time and runs these in parallel so that an incident partly revealed in one strand is later retold in another revealing more. There’s a constant sense of the clock ticking differently in the three time frames: mind-bending and exhilarating stuff.

Full review at DMovies.org.

On Amazon Prime from Thursday, April 1st.

Trailers:

Original UK theatrical release: Friday, July 21st 2017.

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Beyond The Dream
(Huan Ai,
幻愛)

Director – Kiwi Chow – 2021 – Hong Kong – Cert. N/C 15+ – 120m

***

A recovering schizophrenic man falls in love with his psychiatric counsellor, who has relationship issues of her own – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

An opening a sequence throws you off guard: a woman, clearly distressed, starts removing her clothes in a busy street. Soon she is sitting huddling on the pavement naked. One passer-by stops to take pictures (the video will later go viral). A second woman (Cecilia Choi Detention, John Hsu, 2019) and a young man (Lau Chun Him), who both know the first woman as Ling, come to her aid. Between them, they find a dull red blanket and wrap her in it in an attempt to preserve her dignity, and soon an ambulance arrives.

Having set up Ling as a character, she never appears again. Instead, the two main characters are the young man and a woman who meet in the lift as it ascends their housing block: she lives on the floor above, and he returns the blanket, which is now inexplicably a dull blue.… Read the rest

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Once Upon a Time
in China
(Wong Fei Hung,
黃飛鴻)

Director – Tsui Hark – 1991 – Hong Kong – Cert. 15 – 135m

****1/2

Groundbreaking, period martial arts epic features some of the most spectacular stunt sequences ever filmed, spawned five sequels and made Jet Li a star – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

The real life Wong Fei Hung (1847-1925) was a Chinese practitioner of martial arts and medicine who lived in Foshan and has been the subject of over a hundred films. Tsui Hark’s 1991 production is one of the best known and spawned a series of six movies in total, four of them with Jet Li as Wong, arguably his most iconic role.

Militia-laden American and British and French ships anchored in the harbour put Foshan in an uneasy position and Wong is concerned, as well he might be since it turns out in the course of the narrative that the Americans under a man named Jackson (Jonathan Isgar) are not only tricking local men into debt via getting them to pay for their passage to San Francisco but also trafficking Chinese women into prostitution in the New World. The film isn’t particularly interested in these misdemeanours except as providing motivation for its villain.… Read the rest

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My Prince Edward
(Gam Dou,
金都)

Director – Norris Wong Yee-Lam – 2019 – Hong Kong – Cert. N/C 15+ – 91m

****1/2

A Prince Edward resident starts to question whether marrying her boyfriend as the couple have long planned is really such a good idea – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Whatever your nationality, one of the great thrills of world cinema is when a film informs you about all sorts of aspects of a culture other than your own. That’s the case here. To call this a romantic drama is misleading because what it’s actually about is a woman on a culturally approved trajectory starting to question whether it really is something for her or whether she’d be better off finding a different life journey entirely by another route. That approved trajectory is: girl meets boy, girl moves in with boy, girl marries boy.

Perhaps there’s a second trajectory here too, suggesting that Hong Kong is a sealed, navel-gazing world caught up with looking at itself and that perhaps Hong Kongers need to get out of their homeland more, be that to mainland China to which the heroine travels for reasons of her complicated personal situation and later visits of her own volition, or be it to America, described by the film’s mainland Chinese lead as a place of freedom.… Read the rest