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Features Live Action Movies

Scare Out
(Jing Zhe wu Sheng,
惊蛰无声)

Director – Zhang Yimou – 2026 – China – Cert. 15 – 104m

***1/2

A mole in a small National Security department is narrowed down to one of two operatives… But which one of the two is it?– high tech surveillance thriller is out in UK cinemas on Friday, February 20th

A National Security operation involving numerous operatives and frankly overwhelming high tech surveillance technology is tracking Nathan (Nathaniel Boyd) who is receiving a package from a contact on the street. A fast and furious attempt to catch him involving numerous officers, notably Yan Di (Jackson Yee from ResurrectionBi Gan, 2025; The Battle at Lake ChangjinChen Kaige, Dante LamTsui Hark, 2021; Better Days, Derek Tsang, 2019) and Hwang Du (Zhu Yilong from Dongji RescueFei Zhenxiang, Guan Hu, 2025; Only the River FlowsWei Shujun, 2023; Lost in the Stars, Cui Rui, Liu Xiang, 2022), goes badly wrong when drone operator Chen Yi (Lin Bo Yang) accidentally steers her drone into an operative causing him to fall from a great height. After much frantic running, Nathan is apprehended hiding high up in the scaffolding behind an advertising hoarding.… Read the rest

Categories
Documentary Features Live Action Movies

The Story Of Looking

Director – Mark Cousins – 2021 – UK – Cert. 15 – 87m

****

A highly personal film essay on the importance and significance of our visual senses – out in cinemas and on rental on BFI Player and Curzon Home Cinema from Friday, September 17th

This opens with archive interview footage of musician Ray Charles, blind since losing his sight in childhood, asked about whether he’d like to have sight back. He says no – he’s already seen the things he needs to see and can picture them – the stars, his mother. And when he hears the news, there are a lot of things he frankly is glad he can’t see, and feels sorry for all the people who can. Pushed as to whether he’d like to be able to see for just one day, he’d less sure, responding with a guarded “maybe”.

This footage appears to be a touchstone for film-maker Cousins, who constantly refers back to it in this film essay. Another pertinent, recurring image is a man standing on a row of chimney pots. If we could see through his eyes, what would we see?

Cousins has spent a life looking at things, firstly as a human being with a visual leaning, then later on professionally as a film maker.… Read the rest