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Janet Planet

Director – Annie Baker – 2023 – US – Cert. 12a – 113m

**

Over the Summer, an 11-year-old girl abandons her idealised view of her mother as the latter traverses a series of relationships – out in UK and Irish cinemas on Friday, July 19th

11-year-old Lacy (Zoe Ziegler) isn’t enjoying summer camp. So much so, that she phones home from the payphone (it’s 1991) to ask her mother Janet (Julianne Nicholson) to come and get her. That sets us up for the rest of the film, in which Lacy shares her mother’s house over the remainder of the Summer. During this time, her mother embarks on a series of short-term relationships, with the body of the film split into three sections, one for each.

First up is war veteran Wayne (Will Patton), a damaged individual who is around long enough to briefly introduce Lacy to his own daughter Sequoia (Edie Moon Kearns). But then, before you’ve really got a handle on him, or his daughter, they’re gone from Janet’s life and so from Lacy’s.

Mother takes daughter to witness an open air performance by a bizarre theatre collective involving weird, archetypal, human-sized characters from homegrown hippie folklore (these scenes prove a high point in a largely uninspiring film).… Read the rest

Categories
Features Live Action Movies

Asteroid City

Director – Wes Anderson – 2023 – US – Cert. 12a – 104m

***

A stage play frames a tale of various characters in a 1950s US desert town, built on the site of an asteroid impact, which becomes the centre of a cover-up after an alien appears – out in UK cinemas on Friday, June 23rd

Iconoclast Anderson’s latest is being sold as one thing by its trailer, when it’s actually something else. And watching the film, that something else completely threw me. What we are being sold via the standard letterboxed movie framed image is, a 1950s family trapped in the town of Asteroid City, USA when their car irreparably breaks down, then the entire (not very large) population including visitors imprisoned there following an incident with an extra-terrestrial spaceship and an alien. The overall tone is of whimsy, but maybe there’s something unsettling and disturbing about it too.

Anderson’s movies have never been about photorealism as much as artifice, which is part of their undeniable charm. Perhaps that’s even more true of Asteroid City than most. The costumes, the production design, have gone for a very particular, stylized look. This is fifties American desert romanticised into pastel-shaded eye candy, and if all that were required of going to a movie were to sit down in your seat and soak up the scenery, then provided you’re not the type to insist on photo-representational accuracy, this would be a winner hands down.… Read the rest