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Beetlejuice Beetlejuice

Director – Tim Burton – 2024 – US – Cert. 12a – 104m

***1/2

The hyperactive ghost from the afterlife returns, along with a number of characters from the original – sequel to the 1988 film is out in UK and Ireland cinemas on Friday, September 6th

When the original Beetlejuice (Tim Burton, 1988) came out, no-one had quite worked out what Tim Burton was about, and the film was arresting, shocking, completely out there, utterly bonkers and like nothing anyone had ever seen. It’s difficult to know exactly what one could do to achieve that same effect in a sequel, or whether one should even try that approach. In the interim, Burton has had a lengthy and successful Hollywood career, arguably the system’s resident maverick director. When he’s good he’s very good; when he’s not, you wait for the next one and it’s usually an improvement.

In the event, perhaps inevitably, Beetlejuice Beetlejuice doesn’t have the same shock of the new as its predecessor, but it’s similarly out there and bonkers and recognisably a sequel. It takes a while to get going – the first hour lumbers along with flashes of brilliance, such as a memorable, 3D-animated passenger aircraft crash at sea sequence, but the final third or so (from the point where one of the characters is lured in to the afterlife by another who turns out to be a ghost) is much more effective.… Read the rest

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Features Live Action Movies

Inland Empire

Director – David Lynch – 2006 – US – Cert. 15 – 180m

*****, *, or somewhere in between

Immersing herself in the role she plays in the movie she’s currently shooting, an actress loses herself in it as she becomes increasingly divorced from reality – 4K remaster is out in UK cinemas on Friday, May 26th then Blu-ray / DVD on Monday, June 19th

I first watched this when it came out in 2007. I wasn’t sure what to make of it then and, revisiting it for the first time in roughly a decade and a half, I’m still not sure what to make of it now. It’s a Hollywood film in the sense that Lynch is highly respected in Hollywood, yet it’s not a Hollywood film in the sense that it steadfastly refuses to play by any rules other than Lynch’s own – and whatever those rules are, they are almost certainly made to be broken.

To attempt to impose a plot on the film is probably a mistake. Most commercially produced movies have a script, characters, a plot and can be judged on their narrative coherence, technical expertise and the actor’s performances. Technical expertise may be a good place to start.… Read the rest