Eastern Europe Archives - Jeremy C. Processing

Director – Alex Tsitsilin – 2023 – UK, Cyprus – Cert. PG – 94m

***

Her true love must rescue the princess before three rival princes after a dragon abducts her on behalf of an evil wizard – fairy tale animation is out in UK cinemas on Friday, October 25th

A dad reads his small daughter a bedtime story, a fairytale about a kingdom where an evil dragon carries off innocent princesses, sometimes as they are about to be married. I’d never stand for that, intones young Mina (voice: Alyson Leigh Rosenfeld), who is herself a princess, and her father a king (voice: David Wills).

Jump forward to her as a young woman hanging out with architecture graduate boyfriend Ronan (voice: Dan Edwards), despite the fact that her more traditional father thinks she ought to marry a foreign prince for political reasons. As Ronan points out, he can handle all the design stuff like strategy, construction and weaponry while she is better at hands on combat, so they make a good pair to rule the kingdom.

There are three princely candidates in the offing: strong but brutish Eastern European Rogdai (voice: Matt Giroveanu), vain Indian ladies’ man Kezabor (voice: Pete Zarustica), and overeating, obese, Oriental Fa Chan (voice: Brian Kim) who is in thrall to his Mommy Dearest (voice: Jennifer Sun Bell).… Read the rest

Undergods

Director – Chino Moya – 2020 – UK – Cert. N/C 18+ – 91m

**1/2

Overlapping narratives unfold within a mysterious city which resembles something out of Eastern Europe – in cinemas from Monday, May 17th

In a grey urban environment resembling an unspecified city somewhere in Eastern Europe or possibly Russia, two lorry drivers go about their daily routine of picking up corpses from the street. These two characters form the frame story of what is to follow, although exactly what that is isn’t clear from the narrative’s meandering nature. There are stories within stories wherein the character you think is the main character is suddenly usurped by a different character. Several times over.

That’s a pity because they are potentially very interesting stories, so it’s frustrating to see them consistently half-baked. The anthology film is, after all, a tried and tested format and this film attempts do something radical and new with it. The problem is though, to make that form work you really need to understand its rules before you play around with them, break them, or abandon them altogether. This film seemingly lacks that understanding, or thinks you can throw away the framework and everything will still somehow work.… Read the rest