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White Squall

UK PAL Laserdisc review

SURROUND SOUND MOVIE OF THE MONTH

Dir Ridley Scott (1996) Starring Jeff Bridges, Caroline Goodall, John Savage, Scott Wolf, Balthazar Getty, Ryan Phillipe Dur 124min Dist Encore; £26.99 Cert 12 DS Widescreen

1961 and a group of final year High School students sign up for a yacht cruise halfway round the world and back under a disciplinarian Cap’n (Jeff Bridges), the type of leader who’ll scare a boy into climbing the rigging even though he knows the lad’s brother died from falling out of a tree and breaking his neck. They slowly come together as a crew but then tragedy strikes.

Despite visually prettified opening, Scott’s visuals capture minutiae of nautical detail building to a crescendo in the terrifying storm sequence, where amazing sound effects engulf the living room. Great cinematography, unwatchable without widescreen, is well served by the crisp image transfer. Woefully underrated on theatrical release – this is one hell of a disc!

Film 5/5

Picture 5/5

Sound 5/5

Reviewed for Home Entertainment.

Trailer:

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Blade Runner –
The Director’s Cut

Director – Ridley Scott – 1993 (1982) – US – 15 – 116 mins 29 secs

*****

DO FILM EXECS DREAM OF ELECTRIC UNICORNS?

One of the two main motivating forces behind the current Tetsuo II: Body Hammer (Shinya Tsukamoto, 1992) – the other was Videodrome, (David Cronenberg, 1983) – Blade Runner turns up in the cinema here some ten years after its original release in a Director’s Cut.

According to the press handouts, this isn’t just the original cut prior to Warner Bros.’ encouraging director Ridley Scott to remove the downbeat ending and insert a film noir voice over to explain what was going on – the film has additionally been re-edited by the director to make it work for a nineties audience.

Thus, the redundant voice over has gone and the original down ending is back – to make more sense of the story. There’s also a new and crucial sequence in which Harrison Ford as Deckard (an ex-cop, or ‘blade runner’, who forcibly retires renegade androids known as ‘replicants’) dreams of a unicorn which looks suspiciously like an out-take from the director’s later big budget fairytale flop Legend (1985). The relationship between Deckard and the state-of-the-art replicant Rachel (Sean Young) (“she doesn’t even know,” he comments bitterly) is expanded too.… Read the rest

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Gladiator
(1992)

Director – Rowdy Herrington – 1992 – US – Cert. 15 – 101m

**

UK theatrical release: June 26th, 1992.

PLOT

Hitting on hard times, loner Tommy Riley (James Marshall) is living in a low life neighbourhood on Chicago’s South Side. High school days are punctuated by fights during the breaks; at night, Pappy Jack (Robert Loggia) rides around eyeing street brawls in search of new boxing talent. The moment he sets eyes on Riley defending himself in an alley, Pappy Jack signs him for a Friday night fight – to which Riley agrees in the face of loan sharks cornering him regarding payment his out-of-town father’s (John Heard) debts. Riley senior is attempting to put an alcoholic past (due to his wife’s untimely death) behind him, and believes that his current travelling salesman job will bring him back up from the social depths. The son’s match pays off the father’s immediate debts, but Tommy finds himself unwillingly trapped in the boxing game by Pappy Jack’s promoter boss Jimmy Horn (Brian Dennehy) when the latter buys Riley senior’s loan sharks’ debt so that he “owns” the lad. But our hero isn’t about to take all this lying down; he’s a fighter!… Read the rest

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Witness

UK PAL laserdisc review.

Originally published on London Calling Internet.

Distributor Pioneer LDCE

£19.99

BBFC Certificate 15

Director Peter Weir (1985)

Starring Harrison Ford, Kelly McGillis, Lukas Haas, Danny Glover

Running Time 108 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

First American movie by Australian director Weir was also Ford’s first attempt at serious acting (for all those who think the star didn’t have his work cut out on the Indiana Jones or Star Wars films which previously made his name). The piece shifts constantly between a generally unremarkable gun-laden, American cop thriller on the one hand and an utterly unique portrait of Amish life on the other – so unique, in fact, that most people who have heard of the Amish have done so through this film.

The simple respect afforded the Amish – an extreme post-Anabaptist, post-Mennonite Christian tradition that abhors post-industrial material in favour of a pre-industrial community lifestyle – is quite extraordinary given Hollywood’s usual smack-in-the-face / pat-on-the-head attitude towards Christianity. Here, Weir just notes and observes, making no judgements one way or the other, leaving us rather to make up our own minds.

What Weir does do, though – and to remarkable effect – is juxtapose this clean and idealistic world with a foul-mouthed, urban universe of corrupt cops.… Read the rest

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Black Rain

Director – Ridley Scott – 1989 – US – 15 – 120

**

UK Release date: January 26th 1990.

On paper, Ridley Scott’s Black Rain reads like a winner: a police action thriller with Michael Douglas and sidekick Andy Garcia (then a little known star in the ascendant) as an NYPD cop hunting a villain in Japan. Where the film scores heavily is on the visual style level; this is Blade Runner (Ridley Scott, 1982) imagery without the superficial Sci-Fi mega-budget special effects overlay. Or plot. The film looks startling throughout, due in part to Scott’s collaboration with Dutch cinematographer Jan de Bont (later director of Twister, 1996, not to mention Speed, 1994, and its sequel); every frame is a thing of beauty.

Unfortunately, Scott is not shooting a Hovis commercial here, and we need a rather more substantial screenplay – such as Alien (1979) or the extraordinary Thelma & Louise (1991) – than the flimsy sketch on which Scott hangs his current images. Generally, though, Michael Douglas – and the rest of the cast including the versatile Kate Capshaw (Indiana Jones And The Temple Of Doom, Steven Spielberg, 1984) – are wasted.

Things start off well enough with a leather-jacketed Michael Douglas racing his cycle against a fellow biker along a New York quayside.… Read the rest

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Batman
(1989)

Director – Tim Burton – 1989 – US – 12 – 126 mins

****

Batman amalgamates Blade Runner, Brazil, Star Wars and Vertigo while giving more screen time to its villain than its title character – UK release: August 11th, 1989

“What kind of a world is this where a man in a bat costume gets all my press?”, a confused Joker (Jack Nicholson) asks his aides. A fair question since Batman gives more screen time to its villain than its title character. Actually, it’s a movie that looks not unlike Brazil (Terry Gilliam, 1985), although it lacks that movie’s depth, with elements of Blade Runner (Ridley Scott, 1982), three scenes from Vertigo (Alfred Hitchcock, 1958) and one from Star Wars (George Lucas, 1977) thrown in for good measure. The screenplay compresses an incredible volume of action and about the right amount of necessary plot into its two hours, ensuring the audience gets its money’s worth.

Curiously, Batman (Michael Keaton) himself is simultaneously a peripheral, shadowy character in the background and the film’s main protagonist; this leaves much scope for further character development. Visually, he’s a vigilante Devil who drops in on unsuspecting criminals to mete out justice – an image at odds with the script’s paradoxical portrayal of him as a hi-tech policeman or James Bond figure.… Read the rest