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The Naked Gun
(2025)

Director – Akiva Schaffer – 2025 – US – Cert. 15 – 85m

*****

Frank Drebin, the bumbling, self-confident, incompetent, cop and son of Frank Drebin, the bumbling, self-confident, incompetent cop sets out to solve a case involving a self-driving car and a P.L.O.T. Device – reboot of the classic comedy franchise is out in UK cinemas on Friday, August 1st

Sequels and reboots are often questionable, and can so easily be made for all the wrong reasons. The Naked Gun franchise started out as the six-episode, L.A. police procedural TV series spoof Police Squad! (1982) which spawned three features under The Naked Gun moniker (1988, 1991, 1994). The TV series is both extremely funny and groundbreaking in its use of the format. The three movies cleverly translated the humour to the big screen, and had the good sense to quit while still ahead. Both the TV series and the movies were well received at the time and are fondly remembered today.

The humour derives from a combination of ridiculous gags and non-comedy actors playing it straight. At the centre of the franchise was Lt. Frank Drebin, who despite a general cluelessness possesses a determination to follow through that means he always gets his man.… Read the rest

The Housemaid
(Hanyo,
하녀)
(2010)

Director – Im Sang-soo – 2010 – South Korea – Cert. 18 – 110m

****

The husband of a well-heeled family has an affair with the new maid, arousing the ire of his loyal housekeeper and ruthless mother – screening on Saturday, October 22nd, 17.15 at Odeon Luxe West End 2 as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also showing on BFI Player subscription

It’s inevitable that a South Korean film with this title invites comparisons with Kim Ki-young’s 1960 film of the same name, a watershed in Korean cinema. Whatever its virtues, Im Sang-Soo’s film can’t similarly be a watershed. If it’s based on that film as its end credits claim, it abandons the original’s central thesis. The housemaid here is not a social climber intent on seducing the husband. Rather, the family are part of the pampered super-rich elite, a small girl Nami (Ahn Seo-hyun, star of Okja, Bong Joon Ho, 2017) who takes having a maid for granted, a heavily pregnant wife Hae-ra (Woo Seo) who thinks the difficulties of having to raise children yourself are “for common people” and a husband Hoon Go (Lee Jung-jae from TV mini-series Squid Game, Hwang Dong-hyuk, 2021) who, unable to get full sexual services from his pregnant wife, seeks his pleasures with the new maid Li Eun-yi (Jeon Do-youn) who appears, initially at least, somewhat uncomfortable with the idea, but then goes with the flow.… Read the rest