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Round 13
(13ème Round)

Director – Mohamed Ali Nahdi – 2025 – Tunisia, Cyprus, Qatar, Saudi Arabia – 85m

*****

A young boy is diagnosed with a tumour in his arm, and his parents must guide him through his ensuing medical treatment – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

My third Critics’ Picks entry is another five star movie. Which is great, but once again, I wonder, for how many more films can this last? What IS true is that this is not another ‘urban unease and finding your way in the world’ movie like China Sea (Jurgis Matulevičius. 2025) or Mo Papa (Eeva Mägi, 2025), it’s something altogether different.

Sabri (Hedi Ben Jabouria) is a very ordinary eight-year-old boy who likes boxing. We first meet him out with his dad in the cinema where the pair are watching a black and white movie about boxing. They return home where Sabri looks at his dad’s old photos of his days as a boxer in Rome.

They are interrupted by Sabri’s mum Semia whose name curiously isn’t spoken until about ten minutes before the end of the movie (Afef Ben Mahmoud) and who wants to know why she can never reach Kamel (Helmi Drid), the boy’s dad, on the phone.… Read the rest

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Red Path
(Les Enfants Rouges,
الذراري الحمر)

Director – Lotfi Achour – 2024 – Tunisia, France, Belgium, Poland, Saudi Arabia, Qatar – Cert. 15 – 100m

*****

When paradise is suddenly taken away from him, a young innocent must come to terms with stark and brutal forces of corruption and death – searing drama is out in UK cinemas on Friday, June 20th

** SPOILER ALERT**

Two boys are herding a flock of sheep cross-country. The older one (Wided Dabebi), who tells the younger not to be scared, but to watch out for mines, knows his way around. The younger one Achraf (Ali Helali) hasn’t told his mother he’s doing this, because he knows she would have forbidden him from coming.

They are navigating the slopes of Tunisia’s Mighila Mountain, which is fabulously beautiful. They find a perfect place to give the sheep a rest, and the older one shows the younger a good spot – they climb to the top of a ridge, with a stunning, panoramic view of the local landscape, and bask on the rock in the sunshine. Life is good. In fact, it is paradise. After some time, they head back down to the watering hole they left earlier, plunge their heads in the cool water.… Read the rest

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Papicha

Director – Mounia Meddour – 2019 – France, Algeria, Belgium, Qatar – Cert. 15 – 108m

****

In selected cinemas (Curzons Bloomsbury and Mayfair). Also on Barbican cinema on demand, BFI Player, Curzon Home Cinema and Peccadillo Pictures On Demand from Friday, August 7th.

Algerian university fashion student Nedjma (Lyna Khoudri) is often called ‘Papicha’, a typically Algerian word that refers to a funny, attractive, liberated young woman. Nedjma and her roommates love life and think nothing of going out to nightclubs to put on fashion parades.

However, this being the late 1990s an upsurge of Islamic conservatism manifests itself throughout the narrative. First, fly posters advocating the hijab for women appear on walls (Nedjma immediately tears down these posters on seeing them). Later, she confronts a young man putting these posters up, but after challenging him notices a handgun tucked in his waistband so quickly backs off.

Groups of hijab-clad women take the law into their own hands vigilante style. They surround and take away a lecturer addressing Nadjma’s class. They turn up in the middle of the night at her shared room and threaten the occupants. And worse is to come.

One of the difficulties about writing about this film is that some of its narrative incidents would be much more shocking if you don’t know exactly what’s coming.… Read the rest