Tag: prison cell

From Hilde, With Love
(In Liebe, Eure Hilde)

Post author By Jeremy Clarke
Post date 27 June 2025
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(In Liebe, Eure Hilde)
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Director – Andreas Dresen – 2024 – Germany – Cert. 15 – 125m

***

A young, pregnant German woman involved with a group of radicals trying to undermine the Nazi regime is arrested and put on trial with a possible death sentence – out in UK cinemas accompanied by the Kate Bush short Little Shrew (Snowflake) on Friday, June 27th

Its opening, pre-credits moments of a German mother and bespectacled, pregnant adult daughter picking strawberries in the garden belies what is to follow, but that sense of calm doesn’t last long as two barely seen black cars pull up in the lane. The pregnant woman packs a suitcase before the two men accompany her out to the car. How long will it take, she asks. That depends on you, comes the reply.

In the lift, the big, burly man asks after her pregnancy. It seems his wife, too, is expecting. When she is questioned in the interrogation room, she is asked about her husband’s radio equipment, on the table in front of her in a suitcase. She makes up stories about her innocence and ignorance, but they (including, when we finally see him, the man from the lift) run rings round her.… Read the rest

Tags Andreas Dresen, arrest, authorities, birth, boat, cell, child born in prison, civilian life, complicit, death sentence, expecting, fear, female guard, fool around, From Hilde With Love, garden, German, Germany, gruel, handheld camera, Hans-Christian Hegewald, health, husbands and wives, idyllic afternoon, ignorance, innocence, interrogation, lift, Lisa Hrdina, Lisa Wagner, Liv Lisa Fries, maternal exercises, Nazi, Nazi regime, pack a suitcase, parachutist, plead a case, plead your case, plotting, plotting against the Nazis, post, pregnancy, pregnant, prison, prison cell, prison hospital, prison hospital birth sequence, questioned, radicals, radio equipment, radio messages, riverbank, ruthless, shot in one take, signaller, spectacles, spy, stimulate milk production, strawberries, strip-search, suitcase, the Front, transcribe, trial, unborn child, women friends, women’s health

Features Live Action Movies

The Count of Monte Cristo
(Le Comte de Monte-Cristo)
(2024)

Post author By Jeremy Clarke
Post date 28 August 2024
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(Le Comte de Monte-Cristo)
(2024)
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Directors – Alexandre de La Patellière, Matthieu Delaporte – 2024 – France – Cert. 12a – 173m

*****

An innocent Frenchman framed and imprisoned as a Napoleonic partisan escapes to impose justice on his false accusers – new Dumas adaptation is out in UK cinemas on Friday, August 30th

There have been numerous adaptions of The Count of Monte Cristo for the screen, not to mention radio and other media, over the years; this latest one is directed by the screenwriters of The Three Musketeers: D’Artagnan and The Three Musketeers: Milady (both Martin Bourboulon, 2023), who clearly have a strong feel for Alexandre Dumas’ works.

Much of what’s here is familiar: shortly after the fall of Napoleon, on the day of his wedding to sweetheart Mercédès (Anaïs Demoustier from The New Girlfriend, François Ozon, 2014), ship’s crew member Edmond Dantès (Pierre Niney from Frantz, François Ozon, 2016) is arrested for Bonapartism, falsely accused by another crew member Danglars (Patrick Mille from the two 2023 Three Musketeers movies and Love Crime, Alain Corneau, 2010). Neither the crown prosecutor Villefort (Laurent Lafitte) nor Dantès’ friend Fernand de Morcef (Bastien Bouillon from Jumbo, Zoé Wittock, 2020) refute these allegations, although both know them to be untrue, since both have their own reasons for doing so: the prosecutor because Dantès could unwittingly ruin him, Fernand because he too is in love with and wishes to marry Mercédès.… Read the rest

Tags adaption, Adèle Simphal, Alexandre de La Patellière, Alexandre Dumas, Anaïs Demoustier, Anamaria Vartolomei, arrest, bastard son, Bastien Bouillon, body in the water, Bonapartism, burial alive, burial at birth, cell, Chateau d’If, coward, crown prosecutor, disguise, drowning, dungeon, escape, France, grief, incarceration, intrigue, jealousy, Julie De Bona, justice, Laurent Lafitte, Marseilles, Matthieu Delaporte, mistress, novel, partisan, Patrick Mille, Pierfrancesco Favino, Pierre Niney, post-Napoleonic. Napoleon, prison cell, prisoner, prosecutor, prostitution, put things right, recognise, remorse, rescue, revenge, rival in love, ruin, ship in distress, ship on fire, ship’s crew member, skulduggery, Stéphane Varupenne, storm at sea, The Count of Monte Cristo, the fall of Napoleon, treasure, tunnel, unsuspecting, Vassili Schneider, vengeance, Vivant, ward, wedding day, younger generation

Features Live Action Movies

Mother Night

Director – Keith Gordon – 1996 – US – Cert. 15 – 114m

*****

In this adaptation of Kurt Vonnegut’s novel, a former Nazi propagandist awaits trial in Israel for war crimes – retail VHS review from Home Entertainment, 1997

From his Israeli prison cell where he must compose his memoirs while awaiting trial for his war crimes in black and white, Howard W. Campbell, Jr. (Nick Nolte in a career-defining performance) recalls in colour flashback his rise to fame in wartime Berlin as a radio propaganda writer / broadcaster for the Third Reich, surviving that regime’s madness by devoting himself to actress wife Helga (Sheryl Lee) and their self-contained Nation Of Two.

Recruited from a park as an undercover American spy by raincoat‑wearing American top brass John Goodman (a small part, but likewise impressive), Campbell has to incorporate coded messages to the Allies in his broadcasts. In 1944, Helga dies. After the War, Campbell winds up alone in a seedy New York apartment where neighbours include fellow widower Alan Arkin and Auschwitz survivor‑turned‑doctor Ayre Gross.

When admiring right wing activists arrive at Campbell’s door, the tale (based on Kurt Vonnegut’s novel) lurches even further into surrealism. Gordon’s direction is flawless throughout.… Read the rest