Tag: fathers and sons

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Features Live Action Movies

Silver Linings Playbook

Director – David O. Russell – 2012 – US – Cert. 15 – 117m

*****

Two people on the one hand meant for one another and on the other probably shouldn’t go anywhere near each other – disaster romance was released in the UK on Wednesday, November 21st 2012

Back in the outside world after eight months in a mental hospital, Pat Solitano (Bradley Cooper) is beset by anger management problems. He only has to hear a few bars of Stevie Wonder’s My Cherie Amour, and he’s trashing the waiting room of psychiatrist Dr.Patel (Anupam Kher from Bend It Like Beckham, Gurinda Chadha, 2002) whilst plunged into memories of walking in on his then wife Nikki (Brea Bee) in the shower with another man.

So now he’s living at home with his Philadelphia Eagles fan, inveterate gambler and small businessman father Pat Solitano Sr. (Robert De Niro) and his supportive mother Dolores (Jacki Weaver from Memoir of a Snail, Adam Elliot, 2024; Animal Kingdom, David Michod, 2010; Picnic at Hanging Rock, Peter Weir, 1975).

Pat wants to win his wife back, but since she has a restraining order on him, that’s unlikely to happen. Determined to remain faithful to his estranged wife, he’s introduced to and befriends widow Tiffany (Jennifer Lawrence), an obsessive amateur dancer whose sights are set on competing in an upcoming dance competition… for which she needs a partner.… Read the rest

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Features Live Action Movies

Bring Them Down

Director – Chris Andrews – 2024 – Ireland – Cert. 15 – 105m

**

A feud between two neighbouring, Irish sheep farmers is made worse by toxic masculinity on both sides– out in UK and Ireland cinemas on Friday, February 7th

Two women in a car are being driven down an isolated country road. The older one, Peggy (Susan Lynch), is in the passenger seat talking to the unseen driver about why she’s finally leaving his father. The younger one Catherine (Nora-Jane Noone) sits horrified in the back seat as the driver reacts to the conversation by going faster and faster. The older one repeatedly and with increasing urgency shouts at the driver, “Mikey, slow down.” Eventually, there is a crash. Catherine’s face is disfigured. Peggy doesn’t survive.

The car crash opening is hardly new to the movies, gracing films as diverse as thrillers Dead Calm (Philip Noyce, 1989) and The Descent (Neil Marshall, 2005), and children’s drama Fly Away Home (Carroll Ballard, 1996). The scene is used differently here, with the crash caused by wilfully bad driving, in turn caused by the driver’s emotional immaturity, which signals the intention of the piece, most of the narrative of which takes place some years later.… Read the rest

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Features Live Action Movies

Old Fox
(Lao Hu Li,
老狐狸)

Director – Hsaio Ya-chuan – 2023 – Taiwan – Cert. – 112m

*****

In 1990, against the backdrop of burgeoning share prices, a young boy starts taking car rides from his father’s landlord – is Taiwan’s entry for 2025 Best International Feature – was out in US cinemas on Friday, January 18th 2024

11-year-old Jie (Bae Run-yin) lives with his widowed dad (Liu Kuan-ting), the Maitre d’ at a posh, local restaurant, in their small, cramped apartment above Li’s cafe. Every week, Miss Lin (Eugenie Liu), who the boy calls Miss Pretty, calls by to collect the rent, which both Li (Ban Tie-tsiang) and Jie’s dad regularly pay. Li plans to better himself, and his friend The Major (Kao Ying-hsuan) helps him out by investing cash in stocks and shares and earning Li massive returns.

Jie’s dad is involved in no such scheme, but Jie yearns for a bigger home and with his savings has told the boy they should be able to afford to buy their own place in about three years. But rapidly rising share prices, dragging property prices up along with them, kill his three-year dream.

His dad is a resourceful sort who sews all Jie’s clothes.… Read the rest

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Animation Features Live Action Movies

Snow Leopard
(Xue Bao,
雪豹)

Director – Pema Tseden – 2023 – Tibet – Cert. 15 – 109m

*****

A monk invites a filmmaker friend to a remote farm in the Tibetan mountain region where a snow leopard trapped in a sheep pen has killed nine sheep – the late Pema Tseden’s final completed film is out in UK cinemas from Friday, November 22nd

Film maker Dradul (Genden Phuntsok) has been informed by his friend Nyima the Snow Leopard Monk (Tseten Tashi) of an incident and so sets out for the region of the Tibetan Mountains with a small crew in his car. Following roads in the freezing wilderness, the car arrives at a remote farm which consists basically of a stone farmhouse and a sheep pen where the Snow Leopard Monk awaits them, along with the old farmer and his family.

The sheep pen has been breached by a snow leopard, a rare animal that’s a protected species in Tibet, and the old farmer’s adult son Jinpa (Jinpa) is furious that it has killed nine sheep. Confronted with the camera, he argues vociferously that man must live with the snow leopard, and that a small number of kills would be acceptable, but an amount as large as nine is most definitely not okay.… Read the rest

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Features Live Action Movies

The Brothers Kitaura
(Kitaurakyodai)

Director – Masaki Tsujino – 2024 – Japan – 94m

***1/2

A 40-year-old living at home accidentally kills his father, then enlists the help of his brother to dispose of the body – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Morning. 40-year-old Sato wakes up, surrounded by bagged-up piles of manga, used food packaging and drink cans. The used food packaging squelches as he stretches into it. He is a slob. Meanwhile, his better-dressed, retired and widowed art teacher father is out teaching watercolour painting to a lady of a similar age to himself. They sit on the bank overlooking a picturesque river scene and seem to be enjoying both the act of painting and each other’s company.

Sato finds the note his father left him, and orders takeaway food to feed himself accordingly. Then, to satisfy more carnal appetites, he also orders a call-girl from Bang Club Tokyo, who arrives as promised in a matter of minutes, sitting for a relaxing smoke (which we see) before servicing her client (which we don’t).

The father isn’t just enjoying his lady student’s company. He appears to be teaching her and her alone for a number of consecutive days, and would like to formalise the relationship into something more.… Read the rest

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Animation Features Live Action Movies

Terminator 2
Judgement Day

Director – James Cameron – 1991 – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

What makes the film work is the mother and son element. Sarah is a believer in Terminators, the coming war against the machines, and humanity’s fightback in a world where such beliefs are dismissed as delusions.… Read the rest

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Features Live Action Movies

Terminator 2
Judgement Day
3D

Director – James Cameron – 1991 (3D version 2017) – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – remastered 3D version of James Cameron’s classic is out in UK cinemas from Tuesday, August 29th 2017

Painstakingly remastered in 3D, this plays as well in its current rerelease as it did back in 1991. In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

Unlike the 3D conversion of the same director’s Titanic (1997) which proved 3D to be a greatly improved, astonishing revelation, the improvements afforded T2 by 3D are comparatively minor (though they’re peerlessly executed).… Read the rest

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Features Live Action Movies

The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest

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The Goldman Case
(Le Procès Goldman)

Director – Cédric Kahn – 2023 – France – Cert. 12a – 115m

****

An acerbic, left-wing revolutionary in the dock protests his innocence on counts of murder he claims he did not commit – true life, courtroom drama is out in UK and Ireland cinemas on Friday, September 20th

Before this courtroom drama, which is based on an actual trial in 1975 concerning incidents in 1969 and 1970, gets fully under way, and after a brief title card explaining that left wing Jew Pierre Goldman (Arieh Worthalter from Girl, Lukas Dhont, 2018) was imprisoned on four counts of robbery, but insists that he’s not guilty of causing the two deaths in the pharmacy incident, and that a retrial is pending, two of his defence lawyers meet in an office to discuss his decision to drop one of them, M. Kiejman (Arthur Harari from Anatomy of a Fall, Justine Triet, 2023; Onoda: 10, 000 Nights in the Jungle, Arthur Harari, 2021), something neither of the defence lawyers want. Clearly, M. Goldman is a difficult client.

After people arrive in a courtroom thronging with photographers, Goldman is led into the dock, and is immediately met with shouts of “Goldman, innocent” from his supporters.… Read the rest

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Features Live Action Movies

The Critic

Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m

The first four fifths of The Critic *****

The final fifth of The Critic *

In the 1930s, a London theatre critic, a flamboyant homosexual known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor – out in UK cinemas on Friday, September 13th

This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.

Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.… Read the rest