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Features Live Action Movies

The Monkey
(2025)

Director – Osgood Perkins – 2025 – US – Cert. 15 – 98m

****

An automaton monkey found by two twins causes horrific deaths to people around them – out in UK cinemas on Friday, February 21st

This sets its tone early on with a framing story in which a junk store owner is asked by mild-mannered, bespectacled protagonist Hal (Theo James, who also plays his twin brother Bill) to take a clockwork monkey off his hands, insisting that the object, whatever it might be, is not a toy. The store owner is sceptical. More fool him, because he is about to undergo one of many sudden, gruesome and unexpected deaths of which the film offers a gorehound’s smorgasboard.

Other notable characters include their mum Lois (Tatania Maslany from Woman in Gold, Simon Curtis, 2015; Eastern Promises, David Cronenberg, 2007), Hal’s estranged son Petey (Colin O’Brien from Wonka, Paul King, 2023) and Petey’s stepfather Ted (Elijah Wood from The Lord of the Rings trilogy, Peter Jackson, 2001-3).

This Stephen King adaptation comes from the school of horror films which are, basically, an excuse for staging a series of sudden, gruesome and unexpected deaths. Inventiveness is high on the menu, provided you accept that killing multiple people in unique and spectacular ways can be said to be inventive.… Read the rest

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Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.