Tag: assault

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the G

Director – Karl R. Hearne – 2023 – Canada – Cert. 15 – 106m

*****

A 72-year-old conned out of her home and assets calls up someone from her past to exact revenge – gripping thriller is out in UK and Ireland cinemas on Friday, June 21st

After a brief opening in which two men complete the task of burying a third alive, this switches to a hospital appointment of Mrs. Hunter (Dale Dickey from Hell or High Water, David MacKenzie, 2016; Winter’s Bone, Debra Granik, 2010), 72 years old and gruffly describing herself as “socialite, retired”. She is accompanied by her grown-up granddaughter (Romane Denis), photogenic legs in tight shorts, and giving the middle finger to men who come on to her. The elder drives the younger home, deliberately missing the turn-off so they can spend more time together talking in the car.

Then Hunter returns to her condo to care for her bedridden partner Chip (Greg Ellwand from February, Oz Perkins, 2015), hit a bottle of vodka and perch precariously on a stepladder on her balcony to fix a dicky light. She is watched by a man from a car parked in the street. Next morning, there’s a knock at the door, and men including “your legal guardian Rivera” (Bruce Ramsay) and his assistant (Jonathan Koensgen) come into the apartment bearing a court order to move the couple to a facility.… Read the rest

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Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest

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Nightwatch:
Demons Are Forever
(Nattevagten –
Dæmoner Går i Arv)

Director – Ole Bornedal – 2023 – Denmark – 110m

****1/2

A law student’s daughter takes on his old morgue nightwatchman’s job to find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th

WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.

SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.

Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.

Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.

Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest

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A Far Shore
(Tooi Tokoro,
遠いところ)

Director – Masaaki Kudo – 2022 – Japan – 128m

****

An underage Okinawa bar hostess attempts to raise her small son while worsening circumstances conspire against her – world premiere in the Karlovy Vary International Film Festival (KVIFF) 2022 which runs from Friday, July 1st to Saturday, July 9th

A man in Okinawa club Night Babylon asks her age of a hostess: “you don’t seem very old”. It turns out the girls in question are under 18 (the legal age limit for working there; in Japan, it’s also illegal to consume alcohol under the age of 20). In fact, these girls are 17 and proud of the fact that in “wild Okinawa”, the hostesses in bars are so young. The hostesses in question are Aoi (Kotono Hanase) and her friend Mio (Yumemi Ishida), and when not working, they like to party hard, for instance to celebrate a friend’s birthday, which involves much drinking and dancing in a club. There don’t appear to be any men in their immediate peer group: they’re all women.

Once she returns home from her club night shift, Aoi calls in on her grandmother to pick up her two-year-old son Kengo (Tsuki Hasegawa).… Read the rest

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Three Floors
(Tre Piani)

Director – Nanni Moretti – 2021 – Italy – Cert. 18 – 117m

***1/2

Various personal crises beset three families occupying the separate floors of a three storeyapartment block – out in cinemas on Friday, March 18th

This drama is based around the lives of three families, the occupants of three floors of a three storey residential block in Rome. On the ground floor is a couple with a young daughter, on the first is a woman whose husband is frequently away on business, on the top are are married couple who are also judges.

In the course of its narrative it runs through in greater or lesser detail the subjects of birth, drink-driving, dementia, child sex abuse, seduction, jealousy, financial fraud, and flight from the law. It divides neatly into three sections, each five years apart, by means of two ‘Five Years Later’ titles. Most of the story’s surprises occur in the first section, with the two later sections providing time for the consequences of these events to be explored in the long run.

It adapts a novel that was originally set in Tel Aviv, here moving the action to Rome.

Frames from “Tre Piani” . Director Nanni Moretti DOP Michele D’Attanasio

It is (to say the least) a challenging film to review – or for that matter to sell – without ruining it in advance for audiences, containing, as it does, a number of major plot twists which completely redefine what happens afterwards, one of them occurring in the opening minutes.… Read the rest

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The Bacchus Lady
(Jug-yeo-ju-neun
Yeo-ja,
죽여주는 여자)

Director – Lee Je-Yong – 2016 – South Korea – 111m

****

An elderly prostitute takes in the child of a woman in trouble with the law – on MUBI as part of their New South Korean Cinema season

After visiting the doctor to discover, not entirely unexpectedly, that she has gonorrhea, elderly woman So-young (Youn Yuh-jung) witnesses his being stabbed by a woman claiming he’s her child’s father. In the ensuing chaos as the woman is taken away by police, she tells her son Min-ho (Choi Hyun-jun) to get away. Taking pity on him, So-young helps the boy evade the police and decides to look after him.

Her condition directly affects her work: prostitution. As she cheerfully tells upstairs landlady Tina (An A-zu), “no work today – the product is out of order.” However, that doesn’t stop her soliciting for blow jobs. The Bacchus of the title refers to an energy supplement, the supply of which is her cover for working at the oldest profession.

What does get in the way, though, is having to look after Min-ho. Sometimes she can get Tina to babysit, sometimes fellow tenant Do-Hoon (Yoon Kye-Sang), sometimes she must take him with her, leaving him on street corners or cheap hotel lobbies while she entertains clients.… Read the rest