Tag: animation

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Animation Features Movies

Chicken Run

Producer-Directors: Nick Park, Peter Lord – Producer – David Sproxton – 2000 – UK – Cert. PG – 84m

*****

Which came first – the chicken or the egg? Plasticene stop-frame animation house Aardman Animations’ debut feature film reconceives The Great Escape with chickens – review originally published in year 2000

Aardman Animations’ A Close Shave (1995), the third half-hour outing for Nick Park’s popular Wallace & Gromit duo, exhibited several danger signs – specifically its close resemblance to brilliant, immediate precursor The Wrong Trousers (1993). Clearly aware of such pitfalls, Park and founding Aards Sproxton and Lord shrewdly signed a five-picture deal with Dreamworks but refused to rush into a first feature. Their caution has paid dividends: this first full length Aardmovie proves an unexpectedly wondrous odyssey.

It’s The Great Escape reconceived with chickens: familiar WW2 prison camp is reconfigured as North of England chicken coop with impenetrable fencing, rows of huts and a motley assortment of portly hen inmates. Ginger (voice: Julia Sawalha) wants to escape, but several disastrous attempts lead to solitary confinement (where she bounces a ball off the wall Steve McQueen style). Other chickens can’t see a problem – Bunty (voice: Imelda Staunton) simply keeps on laying eggs, while Babs (Horrocks) busies herself with constant knitting.… Read the rest

Categories
Animation Features Movies

Wish

Directors – Chris Buck, Fawn Veerasunthorn – 2023 – US – Cert. U – 95m

**

The ruler of a kingdom where wishes can come true, undone by assuming the role of gatekeeper, morphs into a tyrant – latest Disney animated feature is out in UK cinemas on Friday, November 24th

A believer in the idea that wishes can come true, a man trains himself in the art of sorcery and, with his wise and faithful wife at his side, sets himself up as King Magnifico (voice: Chris Pine) of the Mediterranean island of Rosas with his wife Queen Amaya (voice: Angelique Cabral). The king wants to create a land where wishes truly can come true, and to that end he has his subjects hand over their most heartfelt wish for safekeeping on their 18th birthday, after which the wish is erased from the wisher’s mind. He examines the wishes for himself, decides which ones would benefit society, and periodically has ceremonies where a citizen is granted their wish.

It’s a heavy workload, though, and now he’s advertising for a new assistant. Soon to be 18 teenager Asha (voice: Ariana DeBose) applies, although the King is rumoured to be difficult to work with.… Read the rest

Categories
Animation Documentary Features Live Action Movies Shorts

The Picks that spoiled our film critic!

Tallinn viewed from the Nordic Hotel Forum.

Jeremy Clarke returns to the Tallinn Black Nights Film Festival in order to cover the Critics’ Picks section (which is now on its second year); he encounters what’s probably the strongest section of the event

Some people have a fear of flying. I don’t, but dislike of all the bureaucratic paraphernalia that surrounds airports. Not to mention London’s transport system, which is good most of the time, but not so much when it goes wrong. Coming home from the Festival last year, I got caught up in a tube strike. That didn’t happen this year. Indeed, the travel to and from the airport worked better for a number of reasons.

One was that the Festival’s hospitality team were kind enough to book my flights to and from Heathrow. This meant I could use the Elizabeth Line to travel to and from the airport. I currently live on the Victoria Line, which connects directly with three major rail terminals (Kings Cross, Euston, Victoria) but not the Elizabeth Line. The Elizabeth was all a bit too new last year, but Londoners who frequently travel into the centre of town as I do have got rather more used to it, and the Oxford Circus (Victoria Line) to Bond Street (Central Line) to Heathrow (Elizabeth Line) is reasonably easy to navigate.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Pelikan Blue
(Kék Pelikan)

Pelikan Blue (Kék Pelikan)

Director – László Csáki – 2023 – Hungary – Cert. none – 79m

****

How three friends wanting to travel to the West after Hungary opened up in 1985 stumbled onto a lucrative scam forging rail tickets – innovative documentary employing animation premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

This talks about Hungary opening its borders and allowing its citizens to travel beyond the iron curtain for the first time in 1985. The problem was that for most school students and ordinary working people, travel was too expensive. 1987-90 was the best time, says one man. Owing to peculiarities in the exchange rate system, it was possible to change East German marks into West German marks and triple the value of your money.

One man was in a queue at a counter with a man named Atos who had enough to clear out that particular counter, but he took pity on the other punters behind him and only took half what he could have had. Petya and another grateful friend of his in that queue later found themselves on a plane to Berlin, then sharing a hotel room with Atos.… Read the rest

Categories
Animation Documentary Features Live Action Movies

PÖFF’s
Critics’ Picks Competition:
pick me again

Pelikan Blue

Jeremy Clarke anticipates his return visit to Tallinn to cover the second year of its Critics’ Picks strand

Last year, I was privileged to be invited for the first time by DMovies.org’s publisher-editor Victor Fraga to attend the Tallinn Black Nights Film Festival. This year I’m back again, the major difference being that I have some idea of what to expect. Superb, superfast broadband while I’m there, for a start. Clean air and near- or sub-zero weather conditions (although I confess I haven’t yet checked the weather forecast). And great hospitality.

As for the films, the titles in the Critics’ Picks section were generally an impressive lot, and it grieves me to report that apart from the one British film in there, Carol Morley’s sublime Typist Artist Pirate King – a favoured director as rising star here in the UK and an obvious shoo-in – not one of the other films in the strand has made it into UK distribution. These include Dito Tsintsadze’s superb German / Georgian gangster thriller Roxy and Çigdem Sezgin’s arresting, Turkish feminist drama Suna, both of which some enterprising UK distributor ought to snap up and put out as soon as possible.

I generally dislike writing about films before I’ve seen them: we’ve all seen those films which looked great upfront and turned out to be duds, or films which look the sort to be avoided at all costs which turn out to be masterpieces.… Read the rest

Categories
Animation Movies Shorts

Giant’ Room

Director – Kim Si-jin – 2012 – South Korea – 11m

***1/2

A man enters a mysterious room and eats a cooked chicken… – in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

A man enters a room he should probably not have entered. Inside, on a table, is a cooked chicken under a protective metal lattice net. Periodically, the net rises and he eats some of the tasty chicken. He’s devoured maybe 80% of it in several binges of consumption when it starts moving of its own volition, recalling the moving chicken dinner in Eraserhead (David Lynch, 1977).

Then the situation changes as a giant arrives and sits at the table, and our protagonist finds himself under the protective metal lattice net.

All this gains a strange, otherworldly, surreal quality through being wrought in stop-frame animation with striking puppets.

Giant’ Room plays in the KAFA Shorts: A Midsummer’s Fantasia programme from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th.

Categories
Features Live Action Movies

Moebius
(Moebiuseu,
뫼비우스)

Director – Kim Ki-duk – 2013 – South Korea – Cert. 18 – 99m

*****

An extreme film even by Korean enfant terrible Kim Ki-duk’s own standards, Moebius is an oedipal cocktail of sex and violence shot without dialogue. Traversing (among other things) castration and gang rape, it’s a character study involving a family: an adulterous father, a jealous mother and (from early in the first reel) a castrated son with the father and son becoming involved with the former’s otherwise unattached lover. An essay employing psychological archetype to great effect, it holds the viewer in its vice-like grip from start to finish. A key work from a master, highly recommended, although definitely not for the faint-hearted.

Capsule review for Film Review Annual.

Trailer:

Categories
Features Live Action Movies

Monsters

Director – Gareth Edwards – 2010 – UK – Cert. 12 – 90m

*****

Gareth Edwards’ remarkable feature debut is like nothing you’ve ever seen – out on DVD Monday, April 11th 2011 following its release in UK cinemas on Friday, December 3rd, 2010

An extraordinary film defying easy classification, Monsters looks from the outside like a cheap District 9 (Neill Blomkamp, 2009) but is actually something else entirely: a sci-fi road movie, a romantic drama, radical and inventive like nothing you’ve ever seen. Made on a shoestring in and around Mexico with a four-man crew and a two-man cast (plus anyone else who was around at the time), it’s the brainchild of former BBC CG FX maestro Edwards, who added all the creature effects himself in post-production in his living room. A remarkable, transcendent work, it hits DVD with scads of extras.

Pre-emptive titles inform us that a returning space probe broke up over Mexico scattering alien samples gathered during its voyage, resulting in part of that country’s being declared an ‘Infected Zone’, a no-go area for mankind populated by giant monsters. Some years later, Mexico-based photojournalist Kaulder (Scoot McNairy from In Search Of A Midnight Kiss) gets a call from his US-based boss to bring home the latter’s daughter Sam (Whitney Able).… Read the rest

Categories
Animation Features Live Action Movies

Tetsuo:
the Iron Man
(Tetsuo,
鉄男)

Director – Shinya Tsukamoto – 1989 – Japan – Cert. 18 – 67m

*****

On Arrow Channel from Friday, September 22nd.

Previously on BFI Player as part of Japan 2020.

This review originally appeared in Manga Mania.

A metals fetishist (played by director Shinya Tsukamoto) inserts a metal tube into his leg and the resultant infection causes him to run through the streets where he’s run over by a car. A jazz sax score and the words “new world” accompany his passage into to what appears to be another dimension, from which he proceeds to terrorise an unfortunate woman on a subway platform, possessing her hand by metallicising it with spare parts.

The car’s driver, sitting next to her on the platform – who has already discovered a miniscule electronic component on his face while shaving – is pursued by the possessed woman. Later, the driver is sodomised by his girlfriend’s mechanical penis before his own penis develops into a lethal drill.

Flashbacks reveals the pair copulating in the park just after the hit-and-run accident. As he becomes more and more metallicised, he finds himself locked in combat with his crash victim, and the two eventually become fused into one, accompanying their birth into the New World.… Read the rest

Categories
Animation Features Live Action Movies

Tokyo Fist
(東京フィスト)

Director – Shinya Tsukamoto – 1995 – Japan – Cert. 18 – 87m

*****

Shinya Tsukamoto ventures outside his Tetsuo trappings to deliver further explorations of the ‘New Flesh’ in boxing movie garb.

On Arrow Channel from Friday, September 22nd.

This review is an amalgam of my reviews for What’s On In London and Manga Mania.

Right from its opening angled camera of gym sparring partners, everything about apparent boxing movie Tokyo Fist is relentless. Apparent because this is the latest highly idiosyncratic offering from Japanese filmmaker Shinya Tsukamoto, the crazed genius behind the brilliant if unhinged Tetsuo films. Don’t be fooled by the boxing gloves – this is another round in the director’s ongoing engagement with the ‘New Flesh’, minus the science-fictional surface trappings.

Underpinned by another memorable Chu Ishikawa score, it opens in typically bravura fashion with slanted tracking camera shots of sparring partners in a gym, morphing moments later into a visual wipe in the manner of a knockout punch as a fist hurtles towards the viewer and the images disintegrates via a stop-motion iris constructed of offal.

The plot has an insurance salesman whose career is foundering run into an old school friend who is now a professional boxer.… Read the rest