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Art Documentary Features Live Action Movies

War Paint
Women at War

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

Categories
Animation Art Documentary Features Live Action Movies

Exhibition on Screen:
My National Gallery

Director – Phil Grabsky, Ali Ray – 2024 – UK – Cert. U – 98m

*****

Employees, punters and celebrities choose their favourite painting in London’s National Gallery – out in UK cinemas from Tuesday, June 4th

There have been documentary films about the UK’s National Gallery before, notably the wonderful, three-hour-long National Gallery (Frederick Wiseman, 2014), so, in a way, it’s a brave subject for the Exhibition on Screen people to take on. And yet, as a British production company making movies about art in art galleries, it was inevitable that they would tackle the subject sooner or later. Their version commences with a likeable enough establishing montage of what one might call ‘behind the scenes’ and ‘footfall’ – shots of various National Gallery employees at work opening the door, looking after various aspects of the art housed in the gallery and even putting out tasty-looking croissants in the cafeteria.

There are satisfying little touches throughout. A shot of The Feast Day of Saint Roch, Canaletto, with out of focus people passing in front of it, makes it feel like you’re really there in the scene depicted.

Alan Allison, security officer and gallery assistant (pictured on the front of the trailer, below) wears black clothing with a striking, patterned blue tie.… Read the rest