Category: Features

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Features Live Action Movies

The Piano Teacher
(La Pianiste)

Director – Michael Haneke – 2001 – Austria, France – Cert. 18 – 131m

*****

A masochistic piano teacher with an abusive mother embarks on an affair with a young male student – the opening film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025

Warning: NSFW.

This is at once representative of Haneke’s wider body of work and very different from it.

Representative because he is one of those directors whose personal use of cinematic vocabulary has been so honed over his years of making movies that he is able to clearly and precisely articulate problematic, controversial and taboo ideas and subject matter that few directors would be able to handle without descending into exploitation or commercialism. He is a director steeped in cinema, fascinated by how the process of making a movie constructs the narrative or other viewing and listening experience, and how that is perceived and understood by audiences.

Different because although Haneke generally writes as well and directs his own films, they are mostly original pieces whereas this one is an adaptation of a book, The Piano Teacher / Die Klavierspielerin by Elfriede Jelinek.… Read the rest

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Funny Games
(1997)

Director – Michael Haneke – 1997 – Austria – Cert.18 – 103m

*****

Two young men turn up at a family’s holiday home to humiliate and torture them via a series of controlling exchanges (or games) – plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Saturday, June 21st and on BFI Player from Thursday, September 11th 2025

Review originally published in Shivers around the time of the film’s 1997 London Film Festival premiere

With Hollywood currently rediscovering the profitability of slick, fun horror movies in the blockbusting wake of Scream (Wes Craven, 1996), Europe proves itself well capable of delivering work at the other end of the spectrum. Funny Games is the latest brainchild of Austrian-born Michael Haneke (Benny’s Video, 1992).

Like Scream, Funny Games never misses a trick on the technical level. Unlike Scream, its intention is not a non-stop, mass-consumption, vicarious thrill-laden roller coaster ride (which Funny Games certainly isn’t) but a rigorous and unrelenting, one way descent into madness, fear and despair depicting violence, mutilation, torture and – above all – amoral manipulation of one’s fellow human beings – as truly horrific.

To dismiss Funny Games as either moral lecture or morality play would do it great disservice.… Read the rest

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On Swift Horses

Director – Daniel Minahan – 2024 – US – Cert. 15 – 119m

*****

A husband’s dreams are undermined in 1950s America by the separate lives and desires of his secretly racetrack-gambling wife and his reappearing, disappearing drifter-gambler brother – out in UK cinemas on Friday, September 5th

Lee Walker (Will Poulter from Warfare, Alex Garland, 2025; Detroit, Kathryn Bigelow, 2017; The Chronicles of Narnia: The Voyage of the Dawn Treader, Michael Apted, 2010; Son of Rambow, Garth Jennings, 2007) returns home to the US from the Korean War to his adored wife Muriel (Daisy Edgar-Jones from Twisters, Lee Isaac Chung, 2024; Where the Crawdads Sing, Olivia Newman, 2022) who lives in the isolated house she inherited from her mother in the calm prairie lands up North. Their relationship is deeply carnal. And yet, something changes in that relationship dynamic the night Lee’s brother Julius (Jacob Elordi from Frankenstein, Guillermo del Toro, 2025; Priscilla, Sofia Coppola, 2023; Saltburn, Emerald Fennell, 2023) turns up, and she is instantly attracted to him. Of course, that can’t be, because she is with Lee.

Part of the attraction is that Julius, a drifter who turns up unannounced, is also an inveterate card sharp and gambler.… Read the rest

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Paul & Paulette
Take a Bath

Director – Jethro Massey – 2024 – France – Cert. 15 – 109m

****

A young American photographer in Paris runs into a girl obsessed with the darker side of French history – out in UK cinemas on Friday, September 5th

Opening with sepia-toned engravings then photos depicting the last couple of centuries of Paris, this switches to an image of a girl walking and kneeling and a male “Once there was a girl” fairytale voiceover about a girl who would immerse herself in history, who was drawn both to the stars and the gutter, who liked Bad Things. Immediately, it’s juxtaposed with a female “Once there was a boy” voiceover about a boy who came to Paris with a camera around his neck. He photographs the girl. She confronts him. He points out that before her execution (on which site the girl has been kneeling, as if awaiting execution) Marie-Antoinette would have had her hair cut so as not to impede the blade. The girl has long, black hair.

In voiceover, she talks about how a spoon’s meaning changes once you know that Marilyn Monroe ate ice cream with it on the last day of her life. They visit a church which appears to contain the site of Marie-Antoinette’s cell.… Read the rest

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The Regulars

Director – Fil Freitas – 2025 – UK – Cert. 12 tbc – 105m

***1/2

A single day shift in the working life of the staff at London’s legendary Prince Charles Cinema – out in UK cinemas on Friday, August 22nd

2019, that halcyon time before the global pandemic. Independent repertory cinemas struggle on, their poorly paid staff a hotbed of frustrated creativity. This is as true of London’s Prince Charles Cinema (the PCC) as anywhere. Fil Freitas (playing himself, also the writer-director) can’t seem to get out of bed in time for his PCC shifts, scarcely helped by his sharing it (and his life in rented flat hell) with fellow PCC worker Dusty Keeney (playing herself, also the producer). Then, to compound his lateness for work, is the small matter of his inability to open the front door due to someone having dumped an oven outside it, a smartphone photo of which helps on this occasion to provide him with an excuse for being late. Still, his unflustered boss Sam (Ricardo Freitas) makes him sign the late book. (“Really?”)

Despite this start which feels very much like a start, there’s no real plot to speak of here beyond the (perfectly good) idea of portraying a day in the workinglife of the staff at the PCC, so the film ends at the close of day as everyone clocks off after their shift.… Read the rest

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Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – out in UK cinemas on Friday, August 22nd

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

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The Life of Chuck

Director – Mike Flanagan – 2024 – US – Cert. 15 – 110m

*****

From the End of the World to the life and essence of what defines one man – remarkable Stephen King adaptation is out in UK cinemas on Wednesday, August 20th

This is an adaptation of a Stephen King novella, originally one of the four stories comprising the volume If It Bleeds, published in 2020. King is known as a horror writer, but every so often he comes up with something that defies that mould, including stories that have been turned into such films as Stand by Me (Rob Reiner, 1986), The Shawshank Redemption (Frank Darabont, 1994) and Apt Pupil (Bryan Singer, 1998). His story The Life of Chuck is different again.

And, as is apparent from its outset, it employs a three act structure – a standard device in classic Hollywood screenwriting that makes the property the obvious basis for a film for any filmmaker savvy enough to spot that element – which the author unexpectedly flips on its head by reversing it. Inspired, in part, by that structure, Mike Flanagan’s film follows this template, starting off with a title card announcing Act 3 and then proceeding to tell its three related acts, all of which in one way of another concern defining moments in the life of a man named Charles Krantz (his dying in hospital, an episode one day in his adult life, an experience in his childhood).… Read the rest

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Bambi:
a Tale of Life in the Woods
(Bambi,
l’histoire d’une Vie
dans les Bois)

Director – Michel Fessler – 2024 – France – Cert. PG – 78m

*****

The woods. A faun is born, looked after by its mother, and learns to fend for itself – remarkable live action adaptation of Bambi, shot with real live animals, is out in UK cinemas on Friday, August 15th

It’s inevitable that any film adaptation of Austrian writer Felix Salten’s novel Bambi: a Tale of Life in the Woods will conjure the spectre of Disney’s groundbreaking, animated Bambi (David D. Hand, 1942). However, this French live action film (which opened in that country last year) takes interesting decisions from the get go. For a start it’s live action, so straight away we’re in the quasi-documentary area of animals being photographed, and it’s unclear to what extent these performers or their environments are being augmented by computer animation. (A couple of wide, establishing drone shots in the opening minutes, too far away to show animals, looked to this writer to incorporate CGI. But perhaps that’s just my imagination, and there’s little or perhaps no computer animation here.)

Then we have the addition of a narrator (this is the English language version, so the narrator (NAME) speaks in English – one would hope that the French soundtrack with on / off-able subtitles would be included on any forthcoming Blu-ray or DVD release, which perhaps might even have an option to switch the voice-over off altogether and just play the sound effects and the music, or even better, have a music only track available as well.)… Read the rest

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The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hacked – The Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

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Nobody 2

Director – Timo Tjahjanto – 2025 – US – Cert. 15 – 89m

**

A professional hitman takes his family on holiday to rebuild their trust, embracing and revelling in the violence that erupts around him – out in UK cinemas on Friday, August 15th

“Who are you people?”, asks one of two investigating officers of a man (Bob Odenkirk) and his dog in an interrogation room in the bookend device that opens and closes this sequel. Flashback: he is a married man Hutch with a wife Becca (Connie Nielsen) and two teenage kids Brady (Gage Munroe), 17, and Sammy (Paisley Cadorath), 12. As the days of the week go by – Monday, Tuesday, Wednesday, Thursday, Friday – mum gets the kids fed and off to their school (which we never see) and she drives off to her demanding real estate job (which, again, we never see).

We do see his work, though. Some days, he lies in, his head flashing back to disturbing and violent memories. Some days, he works: for instance, the day when he enters a hotel lift and brutally fights to the death with the three bodyguards protecting a suited convention guest who has in his possession the Card which our man has been instructed to retrieve.… Read the rest