stills Archives - Jeremy C. Processing

Making Waves
– Navigators of
Hong Kong Cinema

A virtual exhibition of Hong Kong movie unit photography stills

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Accessible from Friday, July 8th to Sunday, August 14th in the UK as part of Focus Hong Kong 2022 Making Waves

The online platform hosting the exhibition

Funny things, virtual exhibitions. Like online platforms for viewing movies, they can take a bit of getting used to. In a real life exhibition in a museum, you wander from room to room, either looking at everything or, perhaps, looking at particular exhibits that take your fancy or that you want to study in further depth.

All that happens too in an online exhibition. I guess they can be viewed on a smartphone, but I was looking at this on my PC. There are help instructions on the menu, but I, like many others I suspect, ignored them and worked out how it all worked as I was going round.

I must have seen quite a bit of the whole before I realised that the best way to proceed might well be the ‘previous’ and ‘next’ buttons taking you from exhibit to exhibit. Before that, I’d worked out that if you clicked on a photographic image hanging on the gallery wall, your viewpoint / the screen / the camera would zoom in on the exhibit and frame it perfectly.… Read the rest

Last And First Men

Director – Jóhann Jóhannsson – 2020 – Iceland – 71m

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Available on BFI Player (extended free trial offer here) from Thursday, July 30th

This is the only feature directed by the late and renowned composer Jóhann Jóhannsson who has been releasing albums since Englabörn (2002) and has provided the soundtracks for such films as The Miners’ Hymns (2010), The Theory Of Everything (2014), Sicario (2015) and Arrival (2016). Last And First Men was originally a multimedia project performed in Manchester International Festival in 2017 with the BBC Philharmonic orchestra. While its appearance on BFI Player is most welcome, there are plans to tour the film with a live orchestra in the future.

To describe the film as based on or an adaptation of Olaf Stapledon’s cult SF novel Last And First Men: A Story Of The Near And Far Future (1930) is both accurate and misleading. Accurate because the scripted monologue spoken by Tilda Swinton (a terrific voice performance that would be a pleasure to listen to on its own, no other sounds or images) which runs throughout the film is adapted from that source. Misleading because the film largely comprises live action cinematography of architecture beneath skies in rural landscape against a soundtrack of Jóhannsson‘s specially composed music and Swinton’s narration.… Read the rest