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Features Live Action Movies

Nosferatu
(2024)

Director – Robert Eggers – 2024 – US – Cert. 15 – 132m

*****

Unaware a woman has unwittingly summoned Count Orloc, her husband is sent to the latter’s castle in Transylvania – out in UK cinemas on Wednesday, January 1st 2025

The German expressionist silent film Nosferatu (F.W. Murnau, 1922) has been described as setting the cinematic template for the horror film. Broadly speaking, it’s an unofficial adaptation of Bram Stoker’s novel Dracula, with names changed for the purposes either of connecting to the German audience or avoiding copyright issues. While there have been numerous Dracula movie adaptations and spin-offs over the years, remakes of the 1922 film are comparatively few and far between; prior to the current film, Werner Herzog notably made Nosferatu the Vampyre (1979).

Eggers is a great admirer of the 1922 film, and originally planned to remake it after The Witch (2015). It’s not hard to see why. His films have about them a terrible sense of dread, of dire events about to occur. Like F.W. Murnau, he is a great visual stylist (although the silent film industry of the 1920s was very different to the far more sophisticated sector of today). The film has had time to marinate in his head for the best part of a decade, which has probably done the project no harm at all.… Read the rest

Categories
Documentary Features Live Action Movies

All That Breathes

Director – Shaunak Sen – 2022 – India – Cert. – 97m

*

Set against the backdrop of heavily polluted Delhi, Muslim siblings devote their time to healing the local species of bird that seems to get injured more than most: the black kite – plays in the BFI London Film Festival 2022 which runs from Wednesday, October 5th to Sunday, October 16th in cinemas and on BFI Player, out in UK cinemas on Friday, October 14th

Plunging the viewer right from the start into a rarely seen, night time netherworld, this contains incredible intermittent footage of life in a modern city, in this case Delhi. We are on a patch of waste ground, whether an officially designated rubbish tip or simply the place people check their waste is not clear, but the refuse is piling up and you can hear creatures scuffling around. The takes are long and soon you’re picking out rats in the darkness, and thinking that if only the rubbish was more securely contained, the rat infestation wouldn’t be a problem.

There are several similar lengthy shots that punctuate All That Breathes, and they’re absolutely mesmerising. This is in no small part due to the use of the unbroken take, coupled with complex camera moves which reminded me of last year’s pig documentary Gunda (Victor Kossakovsky, 2020).… Read the rest