film-making Archives - Jeremy C. Processing

Director – Quentin Dupieux – 2019 – France – Cert. 15 – 77m

****

A man buys a deerskin jacket then decides he should be the only person who can wear a jacket which leads to disastrous consequences – on BFI Player and Curzon Home Cinema rental from Monday, October 4th

Georges (Jean Dujardin from The Wolf Of Wall Street, Martin Scorsese, 2013; The Artist, Michel Hazanavicius, 2011; OSS 117: Cairo Nest Of Spies, Michel Hazanavicius, 2006) is driving. Some considerable distance across France. And very full of himself, too. After a couple of days, he arrives at the seller’s house. 100% deerskin! The Jacket is everything he dreamed, and he willingly pays the asking price in cash. The seller is stunned at his good fortune; he’s never seen so much money. He throws in a digital video camera.

Georges’ credit card is blocked, so on checking in to the local hotel he leaves his gold wedding ring with the receptionist as a deposit. Drinking at a local bar, he explains to the barmaid Denise (Adèle Haenel from Portrait Of A Lady On Fire, Céline Sciamma, 2019; 120 BPM (Beats Per Minute), Robin Campillo, 2017) that he’s a filmmaker and currently shooting.… Read the rest

Gunda

Director – Victor Kossakovsky – 2020 – US, Norway – Cert. PG – 93m

*****

Strangely compelling naturalistic, black and white documentary Gunda, follows the lives of a sow and her litter on a farm – in cinemas from Friday, June 4th and now available to rent on BFI Player and Curzon Home Cinema

Break it down to its fundamental elements and cinema is sound and image. You can impose narrative on it. You can make a script and construct a story bolstered up by production design and soundtrack music. All that is an add on. You can throw most or all of that out, pick a subject you believe to be worthwhile and go out and shoot a documentary of it. In the current case, seasoned documentary film maker Kossakovsky has spent 30 years trying to find a producer who believed in this film enough to help him get it made.

Its subject is the lives of farm animals, and while these include one sequence featuring cows and another involving chickens, its main character is a pig. There are no spoken or written words in the film outside the written credits and the name Gunda visible at the start. The images are in black and white – they were shot in colour, which was then removed to cull the cuteness of the pink pigs.… Read the rest