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Features Live Action Movies

Blitz
(2024)

Directed by Steve McQueen
Certificate 12a
120 minutes
Released 1 November

People just getting on with life in dire circumstances, doing what they have to do. A mother searches for her lost son. An 11-year-old embraces his black identity. Women work in munitions factories. Thieves take advantage of death and devastation to turn a profit. And, unexpectedly, a spiritually dark place produces an impassioned plea for the virtues of Christianity.

This is London during the Nazi bombings of the Second World War. Steve McQueen (12 Years a Slave, the Small Axe TV series) and his collaborators have done remarkable historical and visual research, so that the historical situation seeps into you. McQueen’s way in was a photograph of a young black boy, around whom he has woven a story of an evacuee jumping from the train to return to his mum.

In a remarkable performance, 11-year-old Elliot Heffernan plays the boy… [Read the rest at Reform magazine]

Read my longer review on this site here.

Trailer:

Categories
Features Live Action Movies

Blitz
(2024)

Director – Steve McQueen – 2024 – UK, US – Cert. 12a – 120m

*****

As the Germans bomb London in WW2’s Blitz, a boy evacuated by his mother as per government instructions refuses to stay on the train and finds his way back to London – from the BFI London Film Festival 2024 which runs from Wednesday, October 9th to Sunday, October 20th in cinemas and on BFI Player and then out in UK cinemas on Friday, November 1st

(This review is a piece of writing currently in progress. Please bookmark and return to this page to see the whole review in due course.)

A five-star review (and I’m unrepentant) for a film that’s less than perfect. It gets the five stars because of the incredible things it gets right.

Blitz promises two things: one, an immersive experience of the London Blitz, and two, the mother and son story of a woman sending her son out of London in the mass child evacuation and the child’s refusal to follow the plan, complicated with the racial tension of the child’s having a black father (who is absent) and a white mother.

Writing these lines, the film’s potential problem is evident; the immersive experience is probably a movie in itself, and this side of things is brilliantly realised without the need for narrative coherence.… Read the rest