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Mo Papa
(Mo Papa)

Director – Eeva Mägi – 2025 – Estonia – 88m

*****

A young ex-con imprisoned as a teenager for killing his younger brother tries to make his way in present-day Tallinn – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

I am wary of unscripted feature films. There is a reason why most narrative movies are made working from scripts; actors have lines to speak, to help them get a handle on their characters. Technicians have an idea of what they are realising on the screen or the soundtrack for a director. Without a script, most attempts at making a film are liable to founder. And quite probably result in an indulgent, unwatchable movie.

Mo Papa, according to the Festival’s blurb, was unscripted. On the one hand, I fear the worst. On the other, after three years of watching Critics’ Picks at Tallinn, I know the standard to be generally high, and duff films are happily all too rare. Would Mo Papa turn out to be one of those rare blips?

It’s also an Estonian movie, and because this is an Estonian festival, in a sense that ups the ante. So I’m really hoping it’s going to be good.… Read the rest

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The Lone Ume Tree
(Ume Kiranu Baka,
梅切らぬバカ)

Director – Kotaro Wajima – 2021 – Japan – 77m

*****

New next door neighbours pose challenges for a man with learning difficulties and his carer mother – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

Chu-san (Muga Tsukaji) gets up with his alarm, saying “it’s 6.45”. He folds up his bedding into a neat pile, starts to unbutton his pyjamas. By the time he’s saying, “it’s 6.56”, he’s heading for the loo. Everything runs on a rigid time grid. There’s only two minutes for his mother Tamako (Mariko Kaga) to shave him between 7.01 and 7.03; if it doesn’t get done, she has to stop. At breakfast, she tells him, “chew 30 times.”

Outside their modest house and courtyard, an Ume tree overhangs the fence, a public hazard. One of the removal men helping the new neighbours the Satomuras move in next door bangs his head and drops a box of things, out from which, unnoticed, falls a child’s ball. The husband Shigeru (Ikkei Watanabe) tells his wife Eiko (Yoko Moriguchi) that she – or he – needs to talk to the neighbours about the tree.… Read the rest

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Samjin Company
English Class
(Samjin Group
Yeong-aw TOEIC-ban,
삼진 그룹영어토익반)

Director – Lee Jong-pil – 2020 – South Korea – Cert. 12 – 110m

*****

Three undervalued corporate women employees investigate an environmental cover up at their company – a teaser screening from the London Korean Film Festival

1995, Korea. Three twentysomething women working in the Samjin Company are consistently undervalued. They meet up after work and swap stories about their respective departments.

Lee Ja-young (Go Ah-sung from Snowpiercer, 2013; The Host, 2006, both Bong Joon Ho) is a Girl Friday smarter than most of the male employees in her office, including her immediate superior and corporate conformist Choi Dong-soo (Cho Hyun-chul), which would probably cease to function without her. Jeong Yu-nah (Esom from Microhabitat, Jeon Go-woon, 2017) is a marketing minion constantly held back by an immediate superior who does everything they can to take credit for her ideas. Sim Bo-ram (Park Hye-su) is a maths prodigy working in the accounts department where her forward-thinking, male boss Bong Hyeon-cheol (Kim Jong-soo), against the prevailing sexist norm, is possessed of the ability to recognise talent in employees regardless of gender and treat them decently as co-workers.

Sent to clear out the old offices of the boss’ son Oh Tae-young (Baek Hyeon-jin), Lee is told by a male colleague to flush a pet goldfish down the toilet “to set it free”.… Read the rest