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Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – streaming exclusively on StudioCanal Presents

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

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Documentary Features Live Action Movies Music

The Session Man

Director – Michael Treen – 2023 – UK – Cert. 12a – 90m

***

A look at legendary pianist Nicky Hopkins who played with numerous bands and on numerous records – out in UK cinemas on Friday, November 21st

Nicky Hopkins may not exactly be a household name, but anyone who paid attention to credits on rock music albums from the early 1960s through to the early 1990s is likely to have heard of him. Trained as a classical pianist at the Royal Academy of Music, he simultaneously discovered rock and roll and began playing in bands at the start of the sixties as a 16-year-old. The right place at the right time. Up and coming British bands of the early 1960s like The Beatles, The Kinks, The Rolling Stones, and The Who – essentially bands consisting of guitars and drums – got him playing piano on their albums to fill out the sound. He was playing with Jeff Beck around the time of the Truth album, which took him to the US, where he became based for the rest of his life, occasionally returning to the UK to work on specific albums.

Narrated by Bob Harris, formerly of BBC’s The Old Grey Whistle Test, this music documentary follows the obvious format of, film a lot of interviews with people who know the subject and intersperse footage of the musician concerned playing live or in recording sessions to break the interviews up a bit.… Read the rest

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Features Live Action Movies

The Running Man
(2025)

Director – Edgar Wright – 2025 – US – Cert. 15 – 133m

***1/2

In an America controlled by a TV network producing violent game shows, a poor man signs on for its biggest show The Running Man whose contestants never come back – Stephen King adaptation is out in UK cinemas on Wednesday, November 12th

His baby daughter is sick, and medical treatment is expensive. His wife is working as many shifts as she can at a hostess club (we never see it – it’s described in dialogue) in an attempt to bring in some money. But it’s not enough. Ben Richards (Glen Powell) needs to find more money to pay the bills and keep his family alive. While he is good at what he does, he has a tendency to speak up when things aren’t as they should be, and this gets him into trouble. As in, he has been blacklisted by previous employers of whom he’s fallen foul. So, he turns to the Free-Vee TV network that controls and runs everything, providing a subsidised TV to every home and non-stop, reality TV and game show programming.

The network’s chief reality TV series is The Americanos, featuring the day to day lives of its well-off women in black and loosely modelled on Keeping Up with the Kardashians (TV series, 2007-2021).… Read the rest

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Features Live Action Movies

Bugonia

Director – Yorgos Lanthimos – 2025 – US, Ireland, South Korea – Cert. 15 – 118m

****

A man with a grievance against a corporation kidnaps its CEO, believing her to be an alien with hostile designs on the human race – out in UK cinemas on Friday, October 31st

As Teddy (Jesse Plemons from Civil War, Alex Garland, 2024; Kinds of Kindness, Yorgos Lanthimos, 2024; Killers of the Flower Moon, Martin Scorsese, 2023) explains it, they live among us. While he and his autistic bother Don (Aidan Delbis) eke out their very ordinary lives with Teddy working in a warehouse for big pharma company Auxolith, the company CEO Michelle (Lanthimos regular Emma Stone) has her life on a platter: expensive home outside which she works out on the landing every morning, expensive SUV to get her to corporate HQ and back, and an army of corporate minions around her to ensure her every order is carried out. Even so, she still has difficulty speaking complicated lines for a corporate video. But that’s nothing compared to the ordeal Teddy has planned for her.

Teddy and decidedly unsure about the whole thing sidekick Don ambush her when he car arrives home from work and, after a struggle, for Michelle is used to getting her own way and is not a woman to be trifled with, overcome her after injecting her with a sedative.… Read the rest

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Features Live Action Movies

Relay

Director – David Mackenzie – 2024 – UK – Cert. 15 – 112m

*****

A corporate whistleblower who has changed her mind hires a fixer to give her the leverage she needs to safely vanish and start a new life, only it doesn’t work out like that – out in UK cinemas on Friday, October 31st

Sometimes companies do bad things, and when you think they couldn’t do any worse, they set out to coerce or intimidate former employees attempting to expose them. How widespread this is in real life is anyone’s guess, but it makes for great copy and feeds into paranoid left wing ideas about the immorality of corporate capitalism. Don’t get me wrong: just because you’re paranoid, as the saying goes, it doesn’t mean they’re not out to get you.

To illustrate the point, this narrative opens with Hoffman (Matthew Mayer from Bringing Out The Dead, Martin Scorsese, 1999; Dogma, Kevin Smith, 1999, reissued in cinemas next week (Friday, November 7th); and Funny Pages, Owen Kline, 2022) entering a near empty New York restaurant to surrender a set of incriminating documents to McVie (Victor Garber from Family Law, TV series 2021-2025; Argo, Ben Affleck, 2012; Alias, TV series, 2001-6), safe in the knowledge that another copy of said documents will be mailed to an appropriate recipient should McVie not co-operate and ensure Hoffman’s safety.… Read the rest

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Features Live Action Movies

The Descent

Director – Neil Marshall – 2005 – UK – Cert. 18 – 99m

*****

A group of female friends go on a caving expedition…which then goes horribly wrong – review originally published in What’s On In London, 2005; 4K Restoration out in UK cinemas Friday, October 24th 2025

Here’s something different: a caving movie. Tough to pull off in terms of production logistics, since you’re dealing with confined spaces, often very small and lacking any light source whatever. Although the (fictional) cave system in question is accessed via the Appalachian mountains, this is a British film made mostly in the studio, where the cave sets were constructed or, in the case of larger spaces, faked by a variety of FX trickery. Amazingly, you never see the join and it all feels incredibly real.

Genre is psychological horror, at least to start with, as a group of female friends go on a caving expedition…which then goes horribly wrong. Mood is set up Dead Calm style via a traumatic car accident in the first few minutes. After that, the tension never lets up. There follows argument, panic, gory injury and more than a few surprises. Defying expectations, the proceedings stubbornly refuse to settle into cliché, keeping you on the edge of your seat right up to an ending which will sit in your mind days afterwards as a subject for discussion.… Read the rest

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Features Live Action Movies

Tron: Ares

Director – Joachim Rønning – 2025 – US – Cert. 12a – 119m

A CEO uses robots and vehicles from the digital world, which disintegrate after 29 minutes, to hunt down his corporate rival – out in UK cinemas on Friday, October 10th

****

Third movie in Disney’s Tron franchise doesn’t presuppose much knowledge of the original film (Steven Lisberger, 1982) beyond Jeff Bridges vanishing into the world of computer games, and coloured motorbikes leaving instantly recognisable colour trails behind them in the computer graphics-styled grid world. In its day, when computer graphics effects were few and far between in the cinema, it’s visuals were memorable. Which instantly states the problem for any contemporary Tron movie: it has to stand out from the crowd of CG augmented movies released in contemporary Hollywood cinema.

The plot here is pretty flimsy (I don’t say that as an adverse criticism: the movie is what is is, a serviceable, effects-laden Hollywood blockbuster) and is as follows. Two big corporations are vying for market dominance in the area of realising computer programmes from the CG world into our own. Dillinger Systems, run by the youthful and ruthless Julian Dillinger (Evan Peters), shows shareholders at a flashy presentation how he can bring the ultimate, obedient, robot warrior Ares (Jared Leto) into our world to provide buyers with the most effective soldier imaginable.… Read the rest

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Features Live Action Movies

One Battle After Another

Director – Paul Thomas Anderson – 2025 – US – Cert. 12A – 161m

*****

Over a decade after they disappeared into a safe town with new identities, a father and now-teenage daughter are tracked down by their army officer nemesis… – one of the most extraordinary Warner Bros. action movies you’ve ever seen is out in UK cinemas on Friday, September 26th

Radical, black revolutionary Perfidia Beverley Hills (Teyana Taylor) is on the verge of leading the forces of underground far-left organisation the French 75 in an attack on a Californian immigration centre to free those imprisoned when a bedraggled man pulling a trailer, looking to all intents and purposes like a refugee, turns up. Pat Calhoun (Leonardo DiCaprio) tells Perfidia he has all the explosives she could possibly need, and sets about using them with her blessing, putting on an impressive show of pyrotechnics to prove his credentials. Inside the centre, Perfidia locates its commanding officer Col. Steven J. Lockjaw (Sean Penn) to sexually humiliate him at gunpoint. Surprisingly, this personal violation only serves to turn the white soldier on.

With Pat and the pregnant Perfidia now a couple, she carries on her high octane, physically demanding revolutionary activities, belly fully swollen, as if there were no child.… Read the rest

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On Swift Horses

Director – Daniel Minahan – 2024 – US – Cert. 15 – 119m

*****

A husband’s dreams are undermined in 1950s America by the separate lives and desires of his secretly racetrack-gambling wife and his reappearing, disappearing drifter-gambler brother – out in UK cinemas on Friday, September 5th

Lee Walker (Will Poulter from Warfare, Alex Garland, 2025; Detroit, Kathryn Bigelow, 2017; The Chronicles of Narnia: The Voyage of the Dawn Treader, Michael Apted, 2010; Son of Rambow, Garth Jennings, 2007) returns home to the US from the Korean War to his adored wife Muriel (Daisy Edgar-Jones from Twisters, Lee Isaac Chung, 2024; Where the Crawdads Sing, Olivia Newman, 2022) who lives in the isolated house she inherited from her mother in the calm prairie lands up North. Their relationship is deeply carnal. And yet, something changes in that relationship dynamic the night Lee’s brother Julius (Jacob Elordi from Frankenstein, Guillermo del Toro, 2025; Priscilla, Sofia Coppola, 2023; Saltburn, Emerald Fennell, 2023) turns up, and she is instantly attracted to him. Of course, that can’t be, because she is with Lee.

Part of the attraction is that Julius, a drifter who turns up unannounced, is also an inveterate card sharp and gambler.… Read the rest

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Weapons

Director – Zach Cregger – 2025 – US – Cert. 18 – 128m

****

One night, all but one of the children in one class in the town school disappear into the dark, leaving the townsfolk baffled as to what happened to them… – Fortean-sounding mystery is out in UK cinemas on Friday, August 8th

One night at 2.17am, the 17 other kids in Alex’s class got up out of their beds, went downstairs, opened their front doors, and ran out into the night. As a child relates the incident, we observe it in flashback. The kids run with arms half outstretched at an angle, as if playing at being aeroplanes in the school playground. If you’ve seen the film’s poster, this strange angle of the arms is also apparent. As it also is in the film’s trailer, which starts with this flashback. But what is in the mind of these kids? Where are they going? To what purpose?

For that matter, why the title Weapons? I don’t think it’s a spoiler to say that you’ll know the answer once you’ve seen the film.

Thus begins one of the most intriguing cinematic mysteries of recent years. To unpack his prologue, writer-director Cregger opts for an astute, six-part, character-based structure.… Read the rest