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The History of Sound

Director – Oliver Hermanus – 2025 – UK, US – Cert. 15 – 128m

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A Kentucky man falls for a music professor in Boston and accompanies him on a field trip recording folk songs – out in UK cinemas on Friday, January 23rd

In 1917, having grown up on a farmstead in rural Kentucky and his remarkable singing voice being noticed by a local schoolteacher, Lionel Worthing (Paul Mescal from Hamnet, Chloé Zhao, 2025; Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023) gets a student scholarship to Boston’s New England Conservatory of Music. One Saturday evening in a Boston pub with friends, he makes the acquaintance of David White (Josh O’Connor from  La Chimera, Alice Rohrwacher, 2023; Mothering Sunday, Eva Husson, 2021; The Crown, TV series, 2019-20; God’s Own Country, Francis Lee, 2017) who is playing folk songs on the piano and, it turns out, is a tenured academic with an obsessive hobby: travelling around the country collecting, recording and cataloguing folk songs. David has what Lionel describes as the sound equivalent of a photographic memory: he can remember word for word and note for note, any song sung in his presence.… Read the rest

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Features Live Action Movies

Bright Star

Director – Jane Campion – 2009 – UK – Cert. PG – 119m

*****

The early nineteenth century romance between prospectless young poet John Keats and the younger Fanny Brawne – in cinemas from Friday, November 6th 2009

Bright Star‘s title comes from an 1819 love poem written by 23-year-old John Keats for 18-year-old Fanny Brawne, his next door neighbour. The poet (historical spoiler coming) contracted tuberculosis and died at the tender age of 25, before the couple could be married. Brawne subsequently mourned him for several years.

As you might expect from a filmography including both The Piano and In The Cut, Jane Campion is never one to match standard expectations and often overturns them to advantage.

There is scarce little (verbal) poetry here either spoken by the actors onscreen or in voice-over. The source materials are Andrew Motion’s biography Keats and the poems themselves. Reading Motion’s book, Campion was very taken with his material on the love relationship between the poet and Brawne and thought there could be a film there. Without any real idea as to how such a film would work at the time. She eventually opted for telling the couple’s story through the eyes of the girl.… Read the rest