shipment Archives - Jeremy C. Processing

Director – Kiyoshi Kurosawa – 2024 – Japan – Cert. 15 – 124m

*****

The art of the deal. The past of an internet goods reseller driven by making money who has made enemies among his one-off suppliers and customers comes back to bite him – out in UK cinemas on Friday, April 25th

Ryosuke Yoshii (Masaki Suda) makes a take-it-or-leave it offer to Tonoyama (Masaaki Akahori), who manufactures electric therapy devices: ¥90 000 for his entire inventory. Tonoyama protests that at such a low price he will barely make any money after all the investment he has made. Tonoyama’s wife (Maho Yamada) is horrified and pleads with Yoshii, but he is ruthless. He explains that if he can’t sell the items, the ¥90 000 will ocver him to pay someone to take the unsaleable goods away. Returning home to his sometime live-in girlfriend Akiko (Kotone Furukawa), Yoshii puts the items online at ¥200 000 each. They quickly sell out. He tells her she can buy whatever she wants with his credit card.

At Yoshii’s day job, in what appears to be a factory floor for the laundering of clothes, his boss Takimoto (Yoshiyoshi Arakawa) holds him in high regard, feeling his talents are underused as a mere shop floor worker and regarding him as a future leader.… Read the rest

Widow Clicquot

Director – Thomas Napper – 2023 – UK – Cert. 15 – 90m

****

A nineteenth century French widow innovates in the male-dominated world of champagne production – out in UK cinemas on Friday, August 23rd

In the early nineteenth century, Veuve Clicquot established itself as something of an innovation in the world of champagne. You would imagine that if anyone were to make a period picture about it, it would be the French, but as may well be guessed from the English language translation title here, this is a British production using English actors speaking English.

There’s nothing whatsoever wrong with that, but given that France has a sizeable movie industry which, among other things, often makes period costume dramas, watching a film about an historical period in that country in English feels decidedly odd. Perhaps if there were more of an epic sense of scale (think: Napoleon, Ridley Scott, 2023) it might feel less so. The screenplay is based on a book by North American writer Tilar J. Mazzeo.

Perhaps it’s explained with greater clarity in the book, but the film assumes a familiarity on the part of the audience with the ins and outs of the Napoleonic Wars, which take place in the backdrop of the film and on the edge of the narrative, affecting it from a distance, as it were.… Read the rest